Archive for News – Page 6

Two New Albums from Jonathan Östlund

Jonathan Ostlund
Jonathan Ostlund © Evelyne Bologa CImoca

Following the release of three previous albums by Swedish composer Jonathan ÖstlundLunaris, DDA 21226 (2016); Voyages, DDA 21232 (2019); and Mistral, DDA 25199 (2020), Divine Art’s CEO Stephen Sutton has announced another two new double albums of music. The first, Imago, appeared in a semi-private release in 2020 (available only via the website of ‘Miss Flute’) arranged by flutist Myriam Hidber Dickinson; the album is now being given full worldwide distribution in CD and digital formats and is scheduled for release in February 2022.

A new double album, to be titled Elysian, is in progress – mostly recorded, with some sessions still to be arranged, having been delayed due to the pandemic, and is likely to hit the streets in the summer (full details will be announced in due course).

Jonathan Östlund (b.1975) writes for a wonderfully diverse range of instruments and voices, and each of his albums contains a panoply of varied works, performed by hand-picked musicians – hence the very long artist credits for his recordings. His major influence is nature – landscapes and locations, birds and animals, and a keen sense of atmosphere in his mainly Impressionist works – leading to such praise as in the quote above. However he is also fascinated by the re-setting of older works by the master composers – sometimes with melodies quoted sympathetically in his music or as on his latest album, more overt transcriptions and paraphrases.

Both these new albums are full of the warm, melodic yet totally individual pieces that in ‘Lunaris’, attracted exceptional reviews internationally, including:

“A fascinating canvas, full of color. Östlund clearly has much to say, and he says it in a consistently interesting manner. Fully worthy of investigation“ – Colin Clarke (Fanfare)

“Markedly original. [I] feel enriched by stepping into his world of fancy free.” – Huntley Dent (Fanfare)

“This lyrical new music has an individual sound and is in turn picturesque and witty. Timeless and sophisticated music.” – John Pitt (New Classics)

“Östlund seems to have no end to his reservoir of inspiration.” – Remy Franck (Pizzicato)

IMAGO (DDA 21239)

Jonathan Östlund Playlist on Spotify

Works

  • Imago Theme / L’eau de l’oubli / Paraphrase on Bach’s ‘Siciliano’ / Fantasia on Bach’s ‘Toccata in D minor’
  • Les Oiseaux et François / Arrangement of Reger’s ‘Mariä Wiegenlied’ / La Neige de Noël
  • Paraphrase on Bach’s ‘Komm süßer Tod, komm selge Ruh’ / La nuite étoilée
  • Mondspiegel: Paraphrase on Beethoven’s Moonlight Sonata, mvt. 1 / Turquoise Spring
  • Rêve et Lune Duet / Night of June / Lumières de jardin / Will-o’-the-Wisp
  • Midnight Hour / Zephyr / Titania / Swedish Folk-dance
  • Dance on Glowing Strings (Swedish Rhapsody) / La Sirena / Castel Caracal
  • A True Love of Mine (Fantasia on Scarborough Fair)
  • Bouquet – Suite for two clarinets (7 movements)
  • Traumgewalt / The Jester / La Flûte Rêveuse / Imago Theme 2

Artists

  • Evelyne Bologa [narrator)
  • Evgeny Brakhman [piano]
  • Stefan Cassar [piano]
  • Gabriella Dall’Olio [harp]
  • Myriam Hidber Dickinson [flute]
  • Caroline Doerge [piano]
  • Oleg Egorov [French horn]
  • Lina Ferencz [mezzo-soprano)
  • Walter Gatti [piano]
  • Nataly Grines [piano]
  • Sasha Grynyuk [piano]
  • Christine Elizabeth Hoerning [Clarinet]
  • Vladimir Kharin [piano]
  • Ursula Leveaux [bassoon]
  • Yan Li [viola/violin]
  • Paola Nervi [violin]
  • Anna Noakes [flute]
  • Yukiko Ogura [viola)
  • Andrea Pedrazzini [piano]
  • Laurence Perkins [bassoon]
  • Martha Potulska [viola]
  • Elena Saccomandi [viola]
  • Maria Zagorinskaya [soprano]
  • Mauro Zappalà [piano]
  • Nizhny Novgorod Soloists String Ensemble
  • Coro Calliope (leader: Esther Haarbeck)
  • Orchestra da Camera del Locarnese,
  • Andras Laake [conductor]

Announcing Alastair White’s RUNE fashion-opera

Following the acclaimed release of Alastair White’s ‘fashion-operas’ ROBE and WOAD, the Divine Art team is delighted to announce the forthcoming release of RUNE, in collaboration with UU Studios and designer house Ka Wa Key. RUNE is the third in the series of recordings (and actually the fourth of White’s operas including WEAR, still to be recorded).

Due out in Summer 2022, the album is a live recording of RUNE’s world premiere at the Hackney Round Chapel earlier this year, which critics called “perfect” (Vogue Italia), “blockbuster…explosive” (Opera Magazine), “spectacular in every sense of the word” (Caroline Potter) and “unquestionably my highlight…a melding of physical and metaphysical, of quantum mechanics and spatial manifestation” (Mark Berry, Boulezian, Seen and Heard International).

RUNE is a vast cosmological fantasy created in collaboration with the London fashion house Ka Wa Key, featuring an ensemble of three grand pianos conducted by Ben Smith. Smith performs alongside other star pianists Joseph Havlat and Siwan Rhys, as well as the “especially impressive” (The Guardian) Patricia Auchterlonie and the “fierce, fearless and cerebral” (The Guardian) Simone Ibbet-Brown. It is recorded and produced by Chris Tanton.

On a planet where history is forbidden, a young girl dares to tell her story. A voyage across galaxies and millennia, hers is a tale of the archipelagos of Khye-rell and their matterwork, through transdimensional canals and sealanes to the RUNE of the universe’s origin. This song, her story — through the very act of being told — will have consequences beyond imagining…

Fashion-Opera is a new discipline proposed by White in a cycle of four works — WEAR, ROBE, WOAD and RUNE — as the methodological realisation of his theory of ‘contingency dialectics.’ BBC Radio 3 has hailed it as “a whole exciting new genre of art”, with previous releases described as “excellent” (BBC Music Magazine, on ROBE) “the height of compositional magnificence” (Fanfare, on WOAD) and “spellbinding…an opera of rare imagination —and success (Boulezian, on WEAR).

Devised with the fashion curator Gemma A Williams, as well as music directors Ben Smith and Kelly Poukens, and showcasing designers such as Derek Lawlor, Michael Stewart, Renli Su and Tommy Zhong, the operas premiered as part of Tête-à-Tête: The Opera Festival and are now being released by Métier as studio albums. RUNE finishes the cycle in a grand fashion-opera spectacle that at its premiere featured the debut of an original capsule collection from Ka Wa Key, as well as contemporary dancers Ryan Appiah-Sarpong, Max Gershon, Shakeel Kimotho and Thomas Page performing with interactive sculpture by Sid the Salmon.

White explains, “RUNE is inspired by how the arbitrary sequencing of language, quantum states and interpersonal relations are fundamentally linked: through our endlessly creative ability to transform their disassociation into generous, open, infinite meanings – from the RUNE’s lifeless inertia to its tracing in voyages, songs, and love. RUNE is a hymn to the power of these meanings as bridges between people: and a call to their importance in light of the dark and difficult century that lies ahead.”

Co-Director Gemma A. Williams continues, “the opera is based on the hypothesis that, in the moments following the big bang, the universe passed through a subatomic state and that here the arbitrary fluctuations of quantum data imprinted upon it: like a rune. As the universe expanded, this printed, frozen fluctuation became the inconsistencies in the emptiness of cold space, which in turn became matter, galaxies, life, thought, language.”

The Ka Wa Key RUNE capsule collection is part of their SS22: the first capsule collection to be launched as part of an opera. Designer and co-director Jarno Leppanen says how it was “inspired by the opera’s epic intimacy and fluidity. Through this, we wanted to show the power of love beyond gender, with kaleidoscopic, marble-like patterns and iridescent shine: floaty, dreamy and bittersweet.”

RUNE
Scene from RUNE © Jarno Leppanen/Ka Wa Key

RUNE (MSV 28265)

Release: Summer 2022 on Métier

Composer: Alastair White

Artists: Patricia Auchterlonie (soprano), Simone Ibbett-Brown (mezzo-soprano), Ben Smith, Joesph Havlat, Siwan Rhys (three-piano ensemble)

Live Production Recording

RUNE is supported by Arts Promotion Centre Finland, the Hope Scott Trust, the Marchus Trust, the Royal Musical Association, the RVW Trust, the Sarah Caple Scholarship and Tête à Tête: The Opera Festival.

Alastair White’s Fashion-Operas

In Memory of Michael Bertram

We are saddened to hear of the death of Australian composer Michael Bertram recently at the age of 86. His funeral is to be held at St Peter’s Church, Eastern Hill, Melbourne, where he was a valued member of the congregation, at 2 pm on Friday, November 5 to which all are welcome.

Michael Bertram’s Music in the Divine Art Family

Announcing “Visions and Ventures” from pianist Stephen Beville

Stephen Beville
Stephen Beville © Stuart Barry

The continuing torrent of new releases from Divine Art and its sister labels continues, after the many postponements in 2020 and early 2021 due to Covid restrictions. The label will be releasing in spring 2022 a new album of piano works entitled ‘Visions and Ventures’ – not as might be supposed avant-garde works but a programme of key works from the Baroque, Classical and early modern eras.

Internationally acclaimed pianist Stephen Beville performs a programme of music by three visionary composers: from the committed reverence of J.S Bach’s Prelude and Fugue in E (Book II, Well Tempered Klavier) to the subversive irreverence of Prokofiev’s Visions Fugitives, Op 22; from pre(Russian)-revolutionary escapades to the post(French)-revolutionary aspirations and fervour of Beethoven’s early Sonata in E flat, Op 7 (‘ the Grand’). In short, music of allusion, emersion and emancipation.

Stephen Beville was acclaimed in 2010 as ‘one of the most talented young musicians to emerge from the UK’ (Frankfurter Neue Press). He began to compose and study the piano at the age of eleven. As a pianist, he has performed throughout Britain and Germany, and has made recordings and given interviews for SWR (Southwest German) radio. Beville has performed at festivals including the Huddersfield Contemporary Music Festival, the ‘Glories of the Keyboard’, and ‘American Reflections’ festivals at the Royal Northern College of Music and the London New Wind Festival. 

Reviews for Stephen Beville:

“Stephen Beville creates a dazzling impression every time he plays. His performances are full of thrilling showmanship delivered with impressive skill. Another rousing recital of piano wonders.” – Classical Journey
 
“The young artist began with Beethoven’s Sonata in E-flat, Op 7. In the first movement he clearly realised the formal structure. Unpretentious and so well learned as to be self-expressed, he gave the Largo intensive shape. His economic and meaningful use of the pedal in the following movement was good to hear and in the hearty virtuosity of the Rondo finale, there was a fine conception. Outstanding pianism….” – Badische Neueste Nachrichten
 
“As much as I revere the playing of Arrau, Rubenstein and Ax, I found Beville’s way with the score refreshing…. His is a career to keep one’s ears open for.” – Fanfare

Visions and Ventures

Label: Divine Art
Catalogue number: DDA 25230
Artist: Stephen Beville (piano)

Works:

Prelude and Fugue in E major, BWV 878 (Johann Sebastian Bach)
Piano Sonata in E flat major, Op. 7 (Ludwig van Beethoven)
Visions Fugitives, Op. 22 (Sergei Prokofiev)


Release date: around March 2022

Stephen Beville on Divine Art

Announcing Edward Cowie’s 24 Preludes for Piano

Métier’s series of recordings featuring the superb music of Edward Cowie continues with the release of his ’24 Preludes for Piano’ in early spring of 2022. This album was originally issued by UHR (the short-lived label of the University of Hertfordshire) in 2008.  Stephen Sutton, CEO of the Divine Art group, expressed his delight: “we’ve been in discussions with the University for a few months and I am very grateful to them for the opportunity to re-release this wonderful recording. I am hopeful that it will begin a larger collaboration to unearth other very worthy recordings from the UHR archive.”

The 24 Preludes are performed by Philip Mead, whose previous recordings for Métier have been highly acclaimed and who was the dedicatee of the set. The composer, Edward Cowie, describes this recording:

Philip Mead
Philip Mead © Philip Mead

“My 24 Preludes for piano were composed between 2004-5 to a commission from the wonderful pianist, Philip Mead, and to whom the set is dedicated. Each Prelude is inspired by a different land-sea-water-or skyscape in many different parts of the world where I have travelled, worked, and explored. Of course there is a connection with the great Chopin Masterpieces by the same name though, in fact, it is the Preludes of JS Bach which probably had more influence! A 20th-century composer who decided to revisit the 24 major and minor keys might be treading on dangerous ground, but it was via Bach that I realised how deliciously plastic and interconnected an open exploration of those tonal regions could be.

Music has infinite powers to invoke and stimulate a sense of place. It was at this time that I first gave myself totally to making drawing an integral and essential ‘primer’ for rhythm; musical line; speed; different degrees of complexity and perhaps above all-colour. Poets write of the oft desire to sing in the presence of natural places. I certainly wanted these pieces to ‘sing’ and perhaps to guide a listener into opening all of the senses to the unique and captivating forms that inspire and move us in the great ‘out there’. No composer could ask for a greater executant for his or her music. I count myself fortunate indeed to have this fabulous recording to remind me what a truly great interpretation can evoke and conjure.

I am profoundly grateful to the University of Hertfordshire for granting permission for Métier/Divine Art to re-release this beautiful recording which received glowing reviews:

‘Philip Mead’s consumate skill and understanding is evident in every bar’.

—International Record Review

‘Mead seems sensitive to every nuance of Cowie’s imagination, and truly appreciates the beauty contained there…..Cowie’s imagination is remarkable. This is a fascinating, cogent set of Preludes…a startlingly successful whole’.

—Tempo Magazine

Philip Mead enjoys a very successful career as pianist, composer and conductor; he has been a regular performer on BBC Radio 3 since 1979 and his recordings have been widely praised: his recording of Charles Ives piano music was called by Gramophone ‘the best Concord Sonata recording’. He is a tireless champion of contemporary composers and has a very substantial discography including for Métier music by Charles Ives, George Crumb (the complete solo piano music) and Katharine Norman. He is currently visiting professor at the University of Hertfordshire.

Edward Cowie: 24 Preludes for Piano (MSV 28625)

24 Preludes for Piano by Edward Cowie

  • Book 1 (Water):  1. O brook (C major)  |  2. Kiama Blowhole (C minor| 3. Cancleve (G major)  |  4. River Dronne (G minor)  |  5. St Maxime Beach (D major)  | 6. Tennessee River (D minor)
  • Book 2 (Air):   7. Boscastle  (A major) |  8. Hay Plains Twisters (A minor) |  9. 35,000 Feet  (E major)|  10. Tapada  (E minor)| 11. Lake Eacham (B major)  |  12. Dartington Gardens (B minor)
  • Book 3 (Earth): 13. Uluru (F sharp major) | 14. Crackington Haven (F sharp minor) | 15. Rosedale (C sharp major) | 16. Glencoe (C sharp minor) | 17. Brecon Beacons (A flat major) | 18. Shenadoah Valley (A flat minor)
  • Book 4 (Fire): 19. Sunrise at Loch Carron (E flat major) | 20. Bush Fires (E flat minor) | 21. Home Fire (B flat major) | 22. Blast Furnaces at Port Kembla (B flat minor) | 23. New Year Fireworks in Kassel (F major) | 24. Sunset, Dartmoor (F minor)

Artist: Philip Mead

Recorded 26 and 28 November 2007, and originally released on UHR in 2008
Projected release date: March 2022

Métier Records Announces Album of New Works by Robert Saxton

British composer Robert Saxton will feature in a new album of his works to be released by Métier, the new-music label of the Divine Art Group, in the summer of 2022.

The four works on the recording were written between 2013 and 2019. They represent a continuing journey addressing a modal/harmonic goal-orientated narrative. The earliest, Time and the Seasons, for baritone and piano, commissioned by the Oxford Lieder Festival for Roderick Williams and Andrew West, is a song cycle to Saxton’s own texts relating to the Norfolk coast where he spent much of his childhood and, as the title implies, is both cyclic and progressive. Suite for violin and piano, first performed at the 2019 Three Choirs Festival by Madeleine Mitchell and Clare Hammond, charts a voyage across its five movements leading to a tentatively positive conclusion. Fantasy Pieces, commissioned by the Fidelio Trio, while not using material of Robert Schumann, has his Op. 88 as character pieces in mind, regarding both genre and variety of manner. A Hymn to the Thames for solo oboe and chamber orchestra was commissioned by James Turnbull, the St Paul’s Sinfonia and its Music Director Andrew Morley and, during the course of its four linked movements, sets the soloist as both wanderer and river spirit in conjunction with the ‘river’ of the orchestra from source to sea.

Robert Saxton
Robert Saxton © Katie Vandyck

Robert Saxton was born in London in 1953. After early guidance from Benjamin Britten and study with Elisabeth Lutyens, he studied with Robin Holloway (Cambridge), with Robert Sherlaw Johnson (Oxford, as a postgraduate) and also with Luciano Berio. He was awarded first prize at the 1975 Gaudeamus International Music Week in Holland and spent 1985-6 at Princeton, USA, as Visiting Fulbright Arts Fellow.

Recent works include the opera The Wandering Jew; a song cycle for baritone Roderick Williams Time and the Seasons for the Oxford Lieder Festival; Hortus Musicae books 1 and 2, a piano cycle for pianist Clare Hammond; The Resurrection of the Soldiers commissioned jointly by George Vass for the 2016 Presteigne Festival and the English Symphony Orchestra and Kenneth Woods; Shakespeare Scenes, commissioned by the Orchestra of the Swan and trumpeter Simon Desbruslais; his fourth string quartet for the Kreutzer Quartet; Suite for Madeleine Mitchell and Clare Hammond, A Hymn to the Thames for oboist James Turnbull and the St Paul’s Sinfonia; and Fantasy Pieces for the Fidelio Trio.

Earlier commissions include works for the BBC (TV, Proms and Radio), LSO, LPO, ECO, London Sinfonietta, Nash Ensemble, Northern Sinfonia and David Blake (conductor), Antara, Arditti and Chilingirian String Quartets, St Paul Chamber Orchestra (USA), Huddersfield Contemporary Music Festival/Opera North, Aldeburgh, Cheltenham, City of London, Three Choirs and Lichfield festivals, Stephen Darlington and the choir of Christ Church Cathedral Oxford, the choir of Merton College Oxford, Susan Milan, Susan Bradshaw and Richard Rodney Bennett, Simon Desbruslais, Clare Hammond, Edward Wickham and The Clerks’ Group, Teresa Cahill, Leon Fleisher, Tasmin Little, Steven Isserlis, Mstislav Rostropovich, John Wallace and the Raphael Wallfisch and John York duo.

Recordings have appeared on the Sony Classical, Hyperion, Metier, EMI, NMC, Divine Art, Métier, Toccata Classics and Signum labels.

Robert Saxton was Professor of Composition at Oxford University and tutorial fellow in music at Worcester College until his retirement in July 2021. He has been Composer-in-Association at the Purcell School for Young Musicians since 2013 and was appointed Hon Research Fellow (Composition) at the Royal Academy of Music in 2021. He is married to the soprano, Teresa Cahill.

Robert Saxton: Portrait (MSV 2864)

Works and Artists

  • A Hymn to the Thames — James Turnbull (oboe); St Paul’s Sinfonia; Andrew Morley (conductor)
  • Fantasy Pieces — Fidelio Trio
  • Suite for violin and piano — Madeleine Mitchell (violin); Clare Hammond (piano)
  • Time and the Seasons — Roderick Williams (baritone); Andrew West (piano)

Recording dates: 2014-2022

Release date: Summer 2022

Robert Saxton Divine Art Recordings Group Discography

Announcing the Premiere Recording of Cornelius Cardew’s Vietnam Sonata

British pianist Peter Seivewright is this month (October 2021) recording a significant new album for Divine Art, the label to which he has been signed since the mid-1990s.

The album is focused on the premiere recording of the 1976 Vietnam Sonata by Cornelius Cardew, and also includes recent compositions by two of Cardew’s comrades in music: Michael Chant and Hugh Shrapnel.

The recording represents a tribute to Cardew following the 85th anniversary (in 2021) of his birth and the 40th of his untimely death at the age of 45. Cardew, Chant and Shrapnel occupy a unique niche in British music. All three progressed from the British experimental music scene to being part of the movements of the working class and peoples for their rights, nationally and internationally, and writing music accordingly.

This recording was originally scheduled to be recorded last summer for release in December 2021, to coincide with those anniversaries, but had to be postponed due to a tragic bereavement; Stephen Sutton, CEO at Divine Art, is hoping now for a release to be achieved in February or March 2022.

Cardew’s Vietnam Sonata celebrates the victory of the Vietnamese people in liberating their country in 1975 from US occupation and aggression. It also refers to the support provided by the people world-wide in organising against the Vietnam War.

Chant’s Piano Sonata: Transformations is an extended work based on the conception that to be human is to make claims on society, and is inspired by the line, “transform the world with a million songs”. It was composed specially for pianist Peter Seivewright.

Shrapnel’s Climbing to Heights Hitherto Unknown is a piano version of his original solo violin work, suggesting the call to move on which inspires people to scale the heights with all the twists and turns that entails. Kevin Barry is a version for piano of the song paying tribute to the young Irish patriot hanged by the British in 1920.

Cornelius Cardew was well-known as being at the forefront of expanding the boundaries of music-making in Britain and internationally, and then taking this quality into music which was inspired by the modern enlightenment movement. Michael Chant, born 1945, has been associated with Cardew since 1968, when he took the organ part in the first performance of paragraph one of Cardew’s The Great Learning at the Cheltenham Festival. He is the secretary of the Cornelius Cardew Concerts Trust, which encourages composers to follow Cardew’s path.

Hugh Shrapnel, born 1947, studied with Cardew at the Royal Academy of Music, was active in the Progressive Cultural Association, of which Cardew was Secretary, and has retained fidelity in his life and work to the path to society’s progress. Cardew, Chant and Shrapnel have all acknowledged the leading role of Marxist-Leninist Hardial Bains in pointing cultural workers in a positive direction, towards the world of the New.

Peter Seivewright
Peter Seivewright © Divine Art

Peter Seivewright is known for his wide-ranging repertoire, and has enthusiastically dedicated himself to promoting the work of these three composers, which transcends their political associations not necessarily shared by artist or label.  He has performed extensively around the world, from the USA to central Aisa, and until retirement from Academic life held senior positions at the Royal Scottish Academy of Music & Drama, the University of Trinidad and Tobago, the Afghanistan National Institute of Music in Kabul and at leading music schools in Cambodia and Thailand.  His recorded output is extensive including the complete piano music of Carl Nielsen (Naxos), works by Victor Bendix (Rondo), and for Divine Art music by Louis Glass, J.S. Bach, four volumes so far of keyboard sonatas by Baldasarre Galuppi, and the first of a series of recordings of modern American piano sonatas.  2022 will see the release of Seivewrght’s recordings of Bach’s Goldberg Variations and music by Max Reger.

With a million songs (DDA 25224)

Recording date: October 2021 at The Byre Studio, Inverness, Scotland

Pianist: Peter Seivewright

Works

  • Vietnam Sonata (Cornelius Cardew)
  • Piano Sonata: Transformations (Michael Chant)
  • Climbing to Heights Hitherto Unknown (Hugh Shrapnel)
  • Kevin Barry (Hugh Shrapnel)
  • The Croppy Boy (Cornelius Cardew)

Divine Art Announces Album of Piano Music by Bernard Hughes

Bernard Hughes
Bernard Hughes © Sarah-Jane Field

Divine Art Recordings Group is delighted that the distinguished English composer Bernard Hughes (b. 1974) has joined the label for an album of his complete (so far) output of works for solo piano. The composer describes the works as “an eclectic collection” which covers a period of over 25 years. The oldest piece dates back to his student years at Oxford and the most recent is a brand new suite (simply named “Suite”) in which Hughes transforms Baroque dance forms into something quirky and new. The rest of the music ranges from the large-scale Strettos and Striations to little occasional pieces written for the composer’s children. The album represents the culmination of many years of collaboration between Hughes and the pianist Matthew Mills, who commissioned and will premiere the new Suite. The recording is to be made in the spring of 2022 in Belgrade and is scheduled for release in the autumn of next year.

Bernard Hughes studied music at St. Catherine’s College, Oxford and Goldsmiths College, London. He received a Ph.D in composition from Royal Holloway College and was then appointed as Composer-in-Residence at St. Pauls’ School.  Bernard’s music has been widely performed and broadcast on BBC Radio 3 and across Europe.  His latest commission Birdchant was chosen to receive its premiere by the BBC Singers at the 2021 Proms; he has composed operas, choral and vocal works as well as piano music, to great acclaim.  A recording of his choral music was issued on Signum Classics in 2016, and will be followed by a further choral album in 2022 on Delphian Records.

Matthew Mills
Matthew Mills © Matthew Mills

Matthew Mills is an established pianist and himself an accomplished composer and also the founder and owner of publishing company Wild Woods Music which includes Bernard Hughes amongst its roster of composers. He now lives in Montenegro.

‘Bagatelles’ (DDA 25231)*

Composer: Bernard Hughes

Artist: Matthew Mills

Works

Suite (in 7 movements)
O du liebe meine liebe
Bagatelles (12 movements)
Beginner’s Guide to Boiling a Nourishing Egg
Strettos and Striations
Miniatures (12 movements)
Song of the Walnut
Song of the Button
Three Studies
Cradle Song

Duration:  approx. 79 minutes

*Working title – not finalized

Announcing a new album from violinist Aisha Syed Castro

Violinist Aisha Syed Castro may well be one of the most remarkably gifted musicians to come from the Dominican Republic and the team at Divine Art are tremendously excited to have signed this young virtuoso for an album of works with American and Latin roots.

Aisha Syed Castro
Aisha Syed Castro © Divine Art

Aisha (born 1989) began to study violin at the age of four, and only two years later was a member of the Children’s Symphony Orchestra.  At the age of 11, she made her debut with the National Symphony Orchestra, becoming their youngest solo performer. In 2002 she entered the Yehudi Menuhin School in London, the first Latin American to be accepted there, followed by studies at the Royal College of Music. She has performed in the UK, in Israel, Spain, Switzerland, USA (Carnegie Hall), Abu Dhabi, Lithuania, many South American countries and in her home country.  She has been described as a virtuoso by the music press in the USA, Germany and Lithuania.

Aisha is the Honorary Cultural Goodwill Ambassador of the Dominican Republic and works tirelessly through charitable ventures (some of which she founded) to bring classical music to the underprivileged and socially disadvantaged, part of her work as a devout Christian to serve humanity.  She won the Premio Soberano award as Best Classical Artist Abroad in 2013, 2014, 2015, 2017 and 2019.  She has released four previous albums.

In her new album (title to be finalized but possibly to be called ‘Heritage’) Aisha has brought together a program of works that have special meaning for her, from Spanish/Latin/American sources, including extracts from ‘West Side Story’, works by the Dominican maestro Rafael Solano, music from black composers Samuel Coleridge-Taylor and William Grant Still, and well-known little masterpieces by Piazzolla, Granados and Albeníz.  A special piece for the artist is ‘Aisha’s Dance’ from Khachaturian’s Gayaneh ballet, which she has played since she was 15.  This recording was made in April 2019 in England. Aisha’s musical partner here is pianist Martin Labazevitch who also arranged the closing track, a medley of hymns dear to Aisha including a beautiful rendering of the timeless ‘Amazing Grace’.

The album will be scheduled for release in February 2022.

Heritage (DDA 25229)

Artists: Aisha Syed Castro (violin) & Martin Labazevitch (piano)

Works

Una Primavera para el Mundo (Rafael Solano)
Oblivion (Astor Piazzolla)
West Side Story (Bernstein): America / Somewhere / I Feel Pretty
Aisha’s Dance (Khachaturian)
Tango por una Cabeza (Gardel, arr. John Williams)
Suite for Violin and Piano (William Grant Still)
Spanish Dance (Granados, arr. Solano)
Danse Orientale from Scheherezade  (Rimsky-Korsakov, arr. Kreisler)
Tango (Albeníz, arr. Solano)
Deep River, Op. 59 No. 10 (Coleridge-Taylor)
Aisha’s Prayer (arr. Labazevitch)

Orlando Jacinto García Nominated for 2021 Latin GRAMMY®

Congratulations to Orlando Jacinto García on his 2021 Latin GRAMMY® nomination for Best Classical Contemporary Composition! His nominated work is his String Quartet No. 2, “Cuatro” performed by the Amernet String Quartet on our Métier release of his String Quartets Nos. 1 – 3. See the full list of nominees here, and make sure to tune in on November 18, 2021 at 8pm EST on Univision for the awards ceremony.

Orlando Jacinto Garcia: String Quartets 1-3

The music of the Cuban-American composer Orlando Jacinto Garcia inhabits a sonic universe of its very own, one where the musical landscape is constructed in order to evoke a thorough suspension of time. The three works on the present release correspond almost precisely to the past three decades of Garcia’s career and thus present for the interpreter and listener alike a kind of survey of his development. Garcia’s mentor and teacher was Morton Feldman and the aesthetic of Feldman and his inspiration are preoccupations which color several of Garcia’s compositions.

Garcia writes music that aims to suspend time. His syntax has a personal originality that sets it apart from other composers. A special thing, serious and expressive, thoughtful; sincere, intimate and a musical world unto itself. The Amernet String Quartet perform all three quartets with care, precision, and understanding. Recommended.”

—Grego Edwards, Gapplegate Classical-Modern Music Review

Marina Tarasova records Bach’s Cello Suites for Divine Art

Divine Art has announced the signing of the exceptionally talented Russian cellist Marina Tarasova for a recording of the Suites for Solo Cello by J.S. Bach.

Marina Tarasova
Marina Tarasova © Marina Tarasova/Divine Art

Marina Tarasova is an acclaimed Russian cellist, the winner of international competitions in Prague, Florence, and Paris, she was awarded the laureate of the Tchaikovsky competition in Moscow, and is an Honored Artist of the Russian Federation. Marina Tarasova’s wide repertoire covers works of composers from the 17th century to the 20th. She has worked with many famous musicians, such as Mikhail Pletnev, Mariss Jansons, Gennady Rozhdestvensky, Kurt Masur, Edward Grach and Yuri Bashmet among others. She has recorded much Russian repertoire for Northern Flowers, and has joined Divine Art to explore non-Russian repertoire more actively.

The cellist believes that Johann Sebastian Bach, universally hailed as one of the greatest composers of all time, is often interpreted in an overly academic and formal way. In fact, he was a passionate and creative man, and this is evident in his writings and in his actions. For example, his biographer Philipp Wolfrum wrote that Bach’s impetuous artistic nature probably pushed him to extremes: when Bach with divine obstinacy demanded to be released from his contract at Weimar, in order to take up a new post with Prince Leopold, it led to a harsh confrontation, as a result of which Bach was arrested at the behest of Duke Wilhelm Ernst of Weimar (for what we might now call “breach of the peace”) and was obliged to spend four weeks in prison.

Marina Tarasova’s interpretation of Johann Sebastian Bach’s Suites for Solo Cello, emphasizes the living dynamic reality of the composer’s work, not formalized studies but music full of vitality and spirit. Stephen Sutton, CEO of the Divine Art group, expressed his delight at securing this project. “We look forward very much to the completion of Marina’s new recording. She has an inspirational approach to Bach and can bring his music to life for new young generations of music lovers as well as those of us who (a little older) often had to suffer quite dull and academic readings which hid the real magic of Bach’s genius.”

The recording is taking place currently in Moscow with esteemed Tonmeister Alexander Volkov (who has produced previous albums for Divine Art) and will be scheduled for release in the spring of 2022, though the exact date has not been fixed.

J.S. Bach – The Suites for Cello Solo (DDA 21238)

Composer:  Johann Sebastian Bach
Performer: Marina Tarasova

Works

Suite No. 1 in G major, BWV1007
Suite No. 2 in D minor, BWV 1008
Suite No. 3 in C major, BWV 1009
Suite No. 4 in E flat major, BWV 1010
Suite No. 5 in C minor, BWV 1011
Suite No. 6 in D major, BWV 1012

2CD or double-digital album

New Music Publications from Divine Art Edition

Don’t miss these scores, just added to Divine Art Edition and available for purchase now!

Divine Art Announces Mini-Album from Composer James Cook

James Cook
James Cook © James Cook/Divine Art

January 2022 will see the release of a mini-album (31 minutes duration, longer than an ‘EP’) on the mid-priced Diversions label, containing five arias from operas by British composer James Cook.

The album showcases items from the operas Jane the Quene (2014) and Abishag (2019). The former relates the tale of Lady Jane Grey, the tragic ‘nine days Queen’ who so briefly ascended to the throne (but was never formally crowned) in July 1553. Abishag dramatizes a story found in the First Book of Kings.

Both operas have a young female character at their centre, sung by soprano Joanna Songi. Tenor Roberto Abate sings three roles: Queen Jane’s husband, Lord Guilford Dudley, and Abishag’s lustful suitor (Adonijah), and her true love, Solomon.

The role of the dying King David in ‘Abishag’ is sung by baritone Adam Green in David’s Liebestod, the title of the aria (and the album) an indirect tribute to the work of Wagner in Tristan und Isolde.

The piano accompaniment is played by Paul McKenzie.

James Cook (b.1963) briefly studied composition at Oxford University during the Hilary Term of 1994. Prior to that he composed works which include ‘A Carrollean Symphony’, ‘Symphony in Yellow’ and the ‘Jude the Obscure Symphony’. After his stint at Oxford, he wrote sacred vocal music, much of which has been released on the Divine Art and Diversions labels. From the year 2000, he turned to writing organ music and in 2006 completed a sequence of nine organ symphonies, four of which have also been released by Divine Art.

Since 2010 he has concentrated on composing opera, four of which make up a cycle of Biblical operas. His first opera, Dorothy was performed by Secret Opera at Theatre N16 in London in December 2015.

“David’s Liebestod” — operatic extracts by James Cook (DDV 24170)

Artists

  • Joanna Songi (soprano)
  • Roberto Abate (tenor)
  • Adam Green (baritone)
  • Paul McKenzie (piano)

Tracks

  • Abishag: Opening Scene
  • Abishag: Closing Scene
  • Abishag: David’s  Liebestod
  • Jane the Quene: Gentle My Aylmer
  • Jane the Quene: Love’s Farewell

Duration: 31.50

To be released in CD and digital formats on January 14, 2022

Recorded in London in January 2020

James Cook Discography

Congratulations to Chris Gekker!

Chris Gekker
Chris Gekker (Photo credit: Divine Art Records)

We are thrilled to announce that Métier artist Chris Gekker has won 2nd Place in the prestigious American Prize in the 2021 Instrumental Performance division!

From The American Prize Announcement:

Chris Gekker is Professor of Trumpet at the University of Maryland School of Music. He appears as soloist on more than thirty recordings and on more than one hundred chamber, orchestral, jazz, and commercial recordings. Formerly a member of the American Brass Quintet, principal trumpet of the Orchestra of St. Luke’s, and on the faculties of The Juillard School, Manhattan School of Music, and Columbia University. In 2018 he was named a Distinguished University Professor, the first from Maryland’s School of Music to receive this honor.

Explore Chris Gekker’s recordings on Métier:

Divine Art Announces Two New Albums by Helen Habershon

Divine Art is delighted to announce two new albums from clarinettist Helen Habershon with pianist John Lenehan, both due for release in the first quarter of 2022.

Helen Habershon
Helen Habershon © Graham Halford

Found in Dreams

For Found in Dreams, Helen has once again collaborated with John Lenehan and they offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements of outstanding clarinet repertoire by Brahms and Finzi and some delightful new compositions of their own. As well as his beautifully crafted arrangements John has also written two lovely pieces to add to Helen’s.

Throughout history, mankind has been intrigued by the idea of dreams and Helen is no exception. As she says: “It’s interesting that all happenings begin as an idea and in order to get an idea one has to be in a receptive place. When creating I find myself in a kind of timeless space, rather like a daydream. I love the freedom of dreams, anything can happen. There are no boundaries and we are free to explore with no limits. The theme of ‘dreams’ came quite naturally and many of the pieces in the album reflect this.”

Finzi & Brahms: Music for Clarinet and Piano

John Lenehan
John Lenehan © Kaupo Kikkas

Helen and John have also recorded a second album of clarinet works by Brahms and Finzi, including Brahms’ F minor sonata and Finzi’s 5 Bagatelles (extracts from which appear on Found in Dreams) as well as four of Brahms’ glorious songs arranged for clarinet and piano.  

Pianist John Lenehan has performed all around the world and has more than 70 recordings to his credit, with much critical acclaim including a Gramophone award. He was praised by The New York Times for his ‘great flair and virtuosity’. One of the most versatile pianists on the concert circuit today, playing major concertos, chamber music, solo recitals and jazz, he is also an accomplished arranger and composer with two songs and several arrangements on these new albums.

Album Details

Found in Dreams DDA 25225

Artists: Helen Habershon (clarinet), John Lenehan (piano)

Works

  1. Après un rêve (Gabriel Fauré, arranged by John Lenehan)
  2. Yesterday’s Dreams (Helen Habershon)
  3. Dreaming of Summer (John Lenehan)
  4. Kinderszenen, Op. 15 – No. 7 Träumerei (Robert Schumann)
  5. Whisperings of Love (Helen Habershon)
  6. Deep River (traditional, arranged by John Lenehan)
  7. Beau Soir (Claude Debussy)
  8. Contentment at Dusk (Helen Habershon)
  9. I’ll Love You Forever (Helen Habershon)
  10. Canto Popolare (Edward Elgar)
  11. Deep Reflections (John Lenehan)
  12. Five Bagatelles – Nos 3 ‘Carol’ and 5 ‘Forlana’ (Gerald Finzi)
  13. Intermezzo in A major, Op. 118 No. 2 (Johannes Brahms)
  14. Clarinet Sonata in F minor, Op, 120 No. 1 – III, Allegretto Grazioso (Johannes Brahms)
  15. Love Never Ends (Helen Habershon)
  16. Goin’ Home (Largo from Dvorak’s New World Symphony, arranged by John Lenehan)
  17. Sonatina for Clarinet and Piano – III, Con Brio (Joseph Horowitz)
  18. Found in a Dream (Helen Habershon)

Recorded by Michael Ponder at St. George’s Headstone, Harrow, in 2021

Finzi & Brahms: Music for Clarinet and Piano DDA 25226

Artists: Helen Habershon (clarinet), John Lenehan (piano)

Works

  1. Five Bagatelles for Clarinet and Piano (Gerald FInzi)
  2. Meine Lieder, Op. 106 No 4 (Johannes Brahms, arranged by John Lenehan)
  3. Intermezzo in B minor, Op. 119 No. 1 (Johannes Brahms)
  4. Intermezzo in A major, Op. 118 No. 2 (Johannes Brahms)
  5. Wie Melodien ziehst es mir, Op. 105 No. 1 (Johannes Brahms, arranged by John Lenehan)
  6. Clarinet Sonata in F minor, Op. 120 No. 1 (Johannes Brahms)

Recorded by Michael Ponder at St. George’s Headstone, Harrow, in 2021

Remembering Stephen Wilkinson (1919-2021)

Stephen Wilkinson (1919-2021)

Stephen Wilkinson, the eminent British choral conductor, composer, BBC producer, and energetic friend of countless British composers, died on 10th August at the age of 102. Those who knew him well thought of him as well-nigh immortal, as indeed his musical legacy should certainly be. He must surely be the most distinguished and highly regarded choral conductor of the second half of the twentieth century. A full appreciation will be published in the British Music Society news in the near future. Wilkinson’s music has been recorded on several labels, most recently Prima Facie; two of his songs can be found on ‘The Wagon of Life’ (DDV 24168).

Premiere Performance of RUNE by Alastair White

On 17th August 2021 at the Round Chapel, in London, Alastair White’s RUNE fashion-opera will receive it’s world premiere performance as part of the Tête à Tête Festival. There will also be an interactive broadcast of the show on 17th September. Learn more and purchase tickets at tete-a-tete.org.uk

Re-opening theatre doors with a grand fashion-opera spectacle, RUNE is a vast cosmological fantasy from the team behind the award-nominated ROBE (“excellent” – BBC Music) and WEAR (“spellbinding” – Boulezian) — featuring an ensemble of three grand pianos, contemporary dance with interactive sculpture, and high fashion by Ka Wa Key.

On a planet where history is forbidden, a young girl dares to tell her story. A voyage across galaxies and millennia, hers is a tale of the archipelagos of Khye-rell and their matterwork, through transdimensional canals and sealanes to the RUNE of the universe’s origin. This song, her story — through the very act of being told — will have consequences beyond imagining…

The interactive broadcast will include a Q&A with the creative team.

Supported by Arts Promotion Centre Finland, the Hope Scott Trust, the Marchus Trust, the Royal Musical Association, the RVW Trust and the Sarah Caple Scholarship.

Alastair White on Métier

Great Women in Opera Today!

Opera Today has published a fantastic new piece looking at Gráinne Mulvey’s Great Women work for voice and electronics, recorded by soprano Elizabeth Hilliard. The article looks at the women whose words are heard as part of the piece, and breaks down the new recording:

Elizabeth Hilliard’s performance is a veritable tour de force of vocal sound, experimentation and expression.  In conversation, the Irish soprano explained to me that, as a soprano, she has been working with Gráinne Mulvey (who is a member of Aosdána and Professor of Composition at Trinity University Dublin Conservatoire of Music) for over a decade now.  Her initial musical training did not, however, begin in the field of vocal studies.  When an injury prevented her continuing her studies in piano and violin, Elizabeth switched to the voice, supported by a very active vocal department at the Royal Irish Academy of Music in Dublin.  She worked to improve her German and French language skills, to develop her vocal and operatic technique, but her curiosity about contemporary music was strong.  “I always wanted to explore contemporary repertoire as a pianist,” Elizabeth explains, “but I wasn’t good enough.  There is just so much information to absorb and process; but, with singing there was an immediate and instinctive path into the music.”    

–Claire Seymour, Opera Today

Don’t miss the full article on OperaToday.com

Three Works by Robin White Coming to Divine Art Edition

Robin White
Robin White © Robin White/Divine Art

British composer and arranger Robin White is the latest addition to the roster at Divine Art Edition, the music publishing arm devoted to works recorded for the Divine Art group of record labels. The first three works to be published in the autumn will be White’s Russian Suite for Clarinet and Orchestra, based on traditional and folk themes,  and two arrangements (also for clarinet and orchestra : Rimsky-Korsakov’s Clarinet Concerto (originally written for military band under the title Konzertstück in E flat) and Vittorio Monti’s brilliant Czardas.

These three works appear in a recording of White’s arrangements which also includes pieces by Tchaikovsky and Mussorgsky, entitled ‘From Russia’ (Divine Art DDA 25223) featuring clarinet soloist Ian Scott with the Royal Ballet Sinfonia conducted by Robin White.  The album is due for release on September 10, and it is hoped that the scores will be ready for publication at around the same time.

Announcing a New Release of Violin Discoveries from Eugène Ysaÿe

Divine Art Recordings is delighted to announce a forthcoming album of musical and historical importance, which presents first-ever recordings of works by the great Belgian composer Eugène Ysaÿe, whose known violin works are masterpieces of their genre. Fronting the album is Romanian violinist Sherban Lupu, who has been for almost ten years avidly researching the unpublished manuscripts left by Ysaÿe. All the works here are receiving their first recordings; it should be noted that the Violin Concerto here is NOT the same work (also recently rediscovered) which has been recorded by Nikita Boriso-Glebsky.

Sherban Lupu
Sherban Lupu © Sherban Lupu

The production of this album originated from Sherban Lupu’s tribute to the great 20th century violin teacher Joseph Gingold, who made significant contributions to violin teaching in the United States. Gingold was a pupil of Ysaÿe during his stay in Belgium from 1927 to 1930 and Lupu studied with Gingold in his studio at Indiana University in the 1970s.

In 2012, Lupu started his journey to discover Ysaÿe’s remaining manuscripts by visiting the libraries of Brussels and Liège, the main libraries containing most of his personal archives. He found some very interesting things in the Royal Library of Belgium in Brussels, though the main sources of this album were discovered in the library of The Royal Conservatoire of Liège. Lupu edited the pieces on this album out of the manuscripts, adding fingerings and bowings, and readied them for performance use. This album is a result of several years of effort by Lupu, similar to previous contributions he has made to the Romanian violinist and composer George Enescu, the dedicatee of Ysaye’s Sonata no.3, “Ballade” for solo violin. 

One of the world’s leading performers of George Enescu’s music, Sherban Lupu is professor emeritus of violin at the University of Illinois and has been artistic director of the Gubbio Festival in Italy. Solo appearances include The Kennedy Center, Gstaad Festival, Aldeburgh Festival, Royal Festival Hall, Queen Elisabeth Hall, Wigmore Hall, St. John’s Smith Square, Berlin Philharmonic Hall and Carnegie Hall. He has also performed the Brahms and Tchaikovsky violin concertos in live broadcasts with the BBC Orchestra and has appeared as soloist with the Northern Israeli Symphony Orchestra.

Mr. Lupu has published eight volumes of previously unknown works for violin by George Enescu. The works were discovered, edited, and arranged by Sherban Lupu. Since December 2011 Mr. Lupu has been President of the George Enescu Society of the United States.

In addition to concert tours and masterclasses Mr. Lupu is presently pursuing several other recording projects, such as the complete works for violin by Heinrich Wilhelm Ernst.

Album Details

Label:  Divine Art
Title:  Eugène Ysaÿe: Violin Discoveries
Catalog number:  DDA 25222

Works:

  • Violin Concerto in G minor, orchestrated by Sabin Pautza
  • Sherban Lupu (violin); Liepaja Symphony Orchestra; Paul Mann (conductor)
  • Scènes Sentimentales: Nos 3 & 5
  • Élégie
  • Trois Études-poèmes
  • Petite Fantaisie Romantique

Sherban Lupu (violin) ; Henri Bonamy (piano)

Concerto recorded 29 March 2020 in Liepaja, Latvia
Other works recorded 16 March 2019 in Brasov, Romania