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Heaven’s Happiness

Label: Divine Art
Catalogue No: DDA 25023
EAN/UPC: 809730502323
Artist(s):
Rufus Frowde Voces Oxonienses

Composer(s):
James Cook

Release Date: June 1, 2004
Genres:
Vocal/Choral

Periods:
Contemporary

Discs: 1
Total Playing Time: 57:02

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Price range: £8.99 through £12.50
Heaven's Happiness

James Cook writes for voices, mainly a capella,in numbers ranging from four to forty-plus. This disc comprises settings of Puritan writings, written very much in the Anglican choral tradition, and ideal for church, professional and amateur choirs. All first recordings.

Also available: The Way to Heaven DDA 25027. And see the composer index for vocal, organ and harp music by James Cook.

    James Cook:
  1. Triptych – Death is yours (3:17)
  2. Triptych – Evening Sacrifice (2:40)
  3. Vespers – I. The days of an hireling (0:58)
  4. Vespers – II. When night comes (1:56)
  5. Vespers – III. Our Father which art in heaven (1:58)
  6. Vespers – IV. Eventide (1:40)
  7. Vespers – V. Sarabande (5:02)
  8. Vespers – VI. Magnificat (4:10)
  9. Vespers – VII. Nunc Dimittis (2:07)
  10. Vespers – VIII. The Lord is my shepherd/Doxology (4:38)
  11. Hymnus Divinus – I. Heaven is a world of love (1:07)
  12. Hymnus Divinus – II. Set your heart on heaven (1:21)
  13. Hymnus Divinus – III. I am swallowed up in God (2:10)
  14. Hymnus Divinus – IV. He whose name is love (5:23)
  15. Hymnus Divinus – V. Heaven’s happiness (1:36)
  16. Hymnus Divinus – VI. Heavenly lovers (2:51)
  17. Hymnus Divinus – VII. Lead me in thy way to heaven (6:08)
  18. Gradualia, Book 1 – no. 5 There is no wrinkle on the brow of eternity (3:48)
  19. Gradualia, Book 1 – no. 7 The Saints’ everlasting rest (4:07)

Album artwork
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Triptych – Death is yours (3:17)
Track 01

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  1. 01 Triptych – Death is yours (3:17)
  2. 02 Triptych – Evening Sacrifice (2:40)
  3. 03 Vespers – I. The days of an hireling (0:58)
  4. 04 Vespers – II. When night comes (1:56)
  5. 05 Vespers – III. Our Father which art in heaven (1:58)
  6. 06 Vespers – IV. Eventide (1:40)
  7. 07 Vespers – V. Sarabande (5:02)
  8. 08 Vespers – VI. Magnificat (4:10)
  9. 09 Vespers – VII. Nunc Dimittis (2:07)
  10. 10 Vespers – VIII. The Lord is my shepherd/Doxology (4:38)
  11. 11 Hymnus Divinus – I. Heaven is a world of love (1:07)
  12. 12 Hymnus Divinus – II. Set your heart on heaven (1:21)
  13. 13 Hymnus Divinus – III. I am swallowed up in God (2:10)
  14. 14 Hymnus Divinus – IV. He whose name is love (5:23)
  15. 15 Hymnus Divinus – V. Heaven's happiness (1:36)
  16. 16 Hymnus Divinus – VI. Heavenly lovers (2:51)
  17. 17 Hymnus Divinus – VII. Lead me in thy way to heaven (6:08)
  18. 18 Gradualia, Book 1 – no. 5 There is no wrinkle on the brow of eternity (3:48)
  19. 19 Gradualia, Book 1 – no. 7 The Saints' everlasting rest (4:07)

  • Church Music Quarterly

    “

    Voces Oxonienses sing with rich tone and expressively, with good diction and excellent breath control. An interesting disc, indeed, and definitely worth hearing.

    ”

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  • MusicWeb

    “

    On the evidence of this disc James Cook writes sincere, accomplished and assured music. He is obviously inspired by his chosen texts… Cook ably builds on and renews the traditions of the music that has been written for the English Church in the last few centuries and that in itself is a cause for celebration. It is hard to imagine that his music could have been better served than by the expert singers who constitute Voces Oxonienses. They are directed by Michael McCarthy in flawless performances. Tuning, ensemble and diction are all excellent and the engineers have recorded them clearly. The documentation is good and includes full English texts. I had not encountered the music of James Cook before but I hope to hear more of it in the future. I hope that this enterprising release will bring his music to a wider audience and will encourage other choirs to take it up – though they’ll have to be good! Strongly recommended

    ” —John Quinn

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  • American Record Guide

    “

    The composer’s unique voice is quite discernible from one piece to the next. His harmonic schemes are varied and striking, and he adroitly explores a wide array of forms and techniques… he writes with considerable canonic and contrapuntal skill. He achieves real beauty and profundity, while displaying a sure knack for musical illumination of texts

    ” —KOOB

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