Archive for Coming Soon – Page 6

The Seven Heavens: New James Whitbourn Choral Album from Divine Art

James Whitbourn Portrait

British composer James Whitbourn is the subject of a forthcoming album performed by Cor Cantiamo to be released by Divine Art later this year.

Stephen Sutton, CEO of Divine Art Recordings Group, remarks that even though he has worked with some of the most acclaimed choral composers of today such as Morten Lauridsen, he is highly impressed with the works of Whitbourn, and finds them “absolutely stunning in their depth and exquisite construction.”

Cor Cantiamo is the choir-in-residence at Northern Illinois University, and is directed by Eric A. Johnson.  They are one of the finest choirs in the USA;  their previous Divine Art album made in conjunction with SDG Music Foundation was titled ‘Psallite’ and featured  new works based on psalms by many leading composers (Divine Art DDA 25133)

The new album, to be titled ‘The Seven Heavens’ is likely to appear around October (date to be confirmed).

The title work, The Seven Heavens, was commissioned by Cor Cantiamo and is a musical biography of C.S. Lewis in seven movements for choir and seven solo instruments.  Like most of the other works on the album this is its world premiere recording. The composer is providing the program notes for this release.

James Whitbourn is a conductor and educator as well as an inspired composer – “a truly original communicator in modern British choral music” (The Observer).  The most recent disc of his music (Annelies – Naxos) was Grammy-nominated and of this, Choir and Organ wrote: “Whitbourn’s devastatingly beautiful and restrained treatment of the subject matter makes it all the more poignant”. 

Currently, James is Senior Research Fellow at St. Stephen’s House, Oxford and a member of the Faculty of Music in the University of Oxford.

The Seven Heavens (DDA 25192)

Works:

The Seven Heavens
Movements: Moon, Mars, Mercury, Jupiter, Venus, Saturn, Sun (choir and 7 solo instruments)
Ada (choir, violin & harp)
Video Caelos Apertos (Choir a capella)
The Voices Stilled (Agnus Dei)  (choir, chamber ensemble)
Eternal Rest (choir, chamber ensemble)
Gratias Agimus Tibi (choir a capella)
Canticle of Mary (choir, viola & organ)
Canticle of Simeon (choir, viola & organ)

Performed by Cor Cantiamo, directed by Eric A Johnson
And chamber ensemble

Recorded on May 26-29, 2017 at the Boutell Memorial Concert Hall, Dekalb, Illinois, USA

Scarlatti and Clementi from John McCabe Coming Fall 2019

John McCabe - photo taken some time in the 1980s
John McCabe in the 1980s

John McCabe’s death in 2015 robbed us of both a brilliant and innovative composer and also an outstanding pianist whose particular love of Haydn and also a deep commitment to contemporary composers made him one of Britain’s most venerated musicians.

Following the release in January 2019 of a recording made by McCabe of recent American and Australian music, long thought to be lost (“Mountains”, Metier Records MSV 28585), Divine Art are now working with engineer Paul Arden-Taylor and McCabe’s widow Monica as producer, in the reissue of two fine recordings which McCabe made for Hyperion in 1981. Originally on two LPs, McCabe plays sonatas by Scarlatti and Clementi. Remastering from the analog originals will be to modern hi-definition audio formats and a double CD. It is expected that the release date will be around September or October.

Album Details

Catalog number: Divine Art DDA 21231 (available as Double-CD, HD, lossless, and MP3 digital)
Performer: John McCabe
Original analog LP releases: Hyperion A66025 (Scarlatti); A66057 (Clementi)

Works

Disc A (Domenico Scarlatti)
  • Sonatas  K. 105 in G major;  K. 426 in G minor; K. 517 in D minor; K, 490 in D major; K, 69 in F minor;
  • K. 518 in F major;  K. 28 in E major; K. 215 in E major; K. 133 in C major; K. 259 in G major; K. 43 in G minor; K. 460 in C major
Disc B (Muzio Clementi)
  • Piano Sonata in G minor, Op. 50 No. 3 (“Didone Abbandonata”)
  • Piano Sonata in D major, Op. 40 No. 3
  • Piano Sonata in F major, Op. 33 No. 2
  • Monferrines, Op. 49: No. 3 in E major,  no. 4 in C major & No. 12 in C major
Both recorded in 1981

Two New Carson Cooman Albums Coming in 2019

Erik Simmons, organist
Erik Simmons, organist

Divine Art Records will be releasing two more volumes this year in its continuing series Carson Cooman Organ Music. The extraordinarily talented and prolific writer, organist, composer and teacher, who among many activities is composer in residence at the Memorial Church at Harvard, was recently the subject of an extended feature in the Organ (UK). His writing encompasses many styles – a great deal of liturgical and other works suitable for church performance but also symphonies (for orchestra and for organ), and pieces in all the baroque and classical forms in his own accessible yet modern language. Volume 11 of the series is titled ‘Portals’ after Cooman’s Third organ Symphony of that name, the principal work on the album. This Symphony in itself is specifically religious in concept. This will be released in July 2019. The second album is one that Cooman has prepared especially for Christmas with variations and fantasies on many popular seasonal melodies. Highly recommended for any church Christmas fellowship – give the organist a night off! The Christmas disc will be available by October. (Note: Volume 13 is already recorded and will be scheduled for release early in 2020)

Both albums are beautifully performed by Cooman’s regular collaborator Erik Simmons. Recordings are made via the Hauptwerk system from the Sonnenorgel (Sun Organ) of Stadtkirche St. Peter & Paul, Gorlitz, Germany, a gorgeous instrument constructed 1997-2006 with a large, rich specification.

Portals: Carson Cooman Organ Music, volume 11

Recorded December 2017-April 2018
Divine Art (DDA 25195)
Erik Simmons, organ

Works

  • Carillon after the Bells of Ulm Cathedral
  • Legends: Nos.  1, 2, 3 and 4
  • Tiento de falsas
  • Prehiera pastorale
  • Praeludium in festo S. Thomae apostolic
  • Praeambulum festivum
  • Organ Symphony No. 3 ‘Portals’ (5 movements)

How Great Our Joy: Carson Cooman Organ Music, volume 12 (The Christmas Collection)

Recorded November 2018-January 2019
Divine Art (DDA 25196)
Erik Simmons, organ

Works

  • Fantasia on ‘Greensleeves’
  • Fantasy on ‘Veni Emmanuel’
  • Little Partita on a Polish Carol
  • Variations on a Basque Noel
  • Little Fantasia on ‘In dulci jubilo’
  • Carol Paraphrase on a Motive of Wilhelm Wiesmann
  • Voluntary on ‘O du frohliche’
  • Meditation on ‘Es ist ein Ros’
  • Rhapsody on a German Carol
  • O Sleep, Dear holy Babe
  • Rondino for St Joseph
  • All My Heart this Night Rejoices
  • Triptych on a Sorbian Carol
  • Three Pastorales on a German Carol
  • Fantasy on ‘Adeste Fideles’

Divine Art Announces Two Albums for Composer Robin Stevens

Robin Stevens

Divine Art Records is working with composer Robin Stevens on two new recordings to be released this year. The summer of 2019 (exact date to be announced) will see the release of an album of works for wind instruments, titled Prevailing Winds which involves a host of exceptional musicians including Richard Simpson (oboe – BBC Symphony Orchestra) and John Bradbury (clarinet – BBC Philharmonic).  The music in this collection is tonal and impressionist in nature, and represents the ‘lighter’ side of Stevens’ output.

Work is also in hand on an album of Stevens’ music for string quartet and quintet, the title yet to be announced.  Performed by the London-based Behn String Quartet, the epic and expressionistic String Quartet No. 1 was recorded on January 25, and the other two works, the Second String Quartet and the two-cello String Quintet, will be recorded in July (this album is being recorded in London by renowned engineer and producer Michael Ponder). 

Robin Stevens originally trained at Dartington Hall and the Royal Northern College of Music as a cellist, and for all of his composing career has been outside the London-centric compositional mainstream in Britain: arguably this has given him the freedom to find a richer, more distinctive creative voice. In the words of clarinettist John Bradbury: ‘’It’s remarkable that such an enormous range of music of such consistently high quality has flowed from a single pen.”

Prevailing Winds

Divine Art DDA 25194
Recorded on 27 and 28 February 2019, Royal Northern College of Music, Manchester
Engineer and producer: Richard Scott

Works

Sicilienne for Gillian (clarinet / piano)
O Brave New World (flute / cello)
Three Epigrams (bassoon / piano)
A Soldier’s Prayer (french horn / piano)
Reflections on a Scottish Theme (oboe solo)
Pandora’s Box (recorder/ bassoon / cello)
Variations on a 12-note theme (clarinet /piano)
Sound and Silence (alto flute solo)
Oceanic Lullaby (oboe / piano)
Jig (sopranino recorder/guitar)
Waltz for Pierrot (bassoon solo)
Grief’s Portrait (french horn / piano)

Artists:

Richard Simpson (oboe)
John Bradbury (clarinet)
Sarah Miller (flute / alto flute)
John Turner (recorders)
Lindsey Stoker (french horn)
Helen Peller (bassoon)
Janet Simpson (piano)
David Jones (piano)
Robin Stevens (piano, cello, guitar)

Announcing Transformations: A Selection For Organ

Divine Art Records is delighted to announce the forthcoming release of a new album of music performed by Alexander Ffinch on the recently rebuilt organ of Cheltenham College Chapel.  “Transformations: A selection for Organ” will be released in the summer of 2019.

The title reflects the composition style of the pieces on the album, which were chosen to convey the freshness of a post-restoration sound as well as showcasing a large-scale symphonic instrument.  ‘Transformations’ therefore marks the moment of a great instrument recently restored.

Programme

  • Joseph Jongen (1873-1953) – Sonata Eroica (19:12) Edition Alphonse Leduc
  • Jonathan Dove (b.1959) – The Dancing Pipes (10:11) (world premiere commercial recording) – Edition Peters, London
  • Franz Liszt (1811-1886) – Fantasia and Fugue ‘Ad nos, ad salutarem undam’ (32:42)

Recorded at the Chapel of Cheltenham College on 23rd, 24th and 27th July 2018

To be released summer 2019 (date to be confirmed) as Divine Art DDA 25193

Cheltenham College Organ

At the heart of Cheltenham College Chapel lies the College organ, originally built in 1897 by Norman & Beard. The case was designed by Henry Prothero, architect of the Chapel. The organ was rebuilt and extended by Harrison & Harrison in 1930 and was last restored with minor alterations in 1976. In 2013, a 32-foot ‘Double Ophicleide’ stop was added.

The organ has been excellently maintained by Harrison & Harrison since the last rebuild, but the time was right for the entire instrument to be taken apart in 2017 for major restoration, which was again undertaken by Harrison & Harrison.

The complete console, soundboards, wind system and pipework were all removed from the organ case and moved to Durham for overhaul, reworking and releathering before being reinstalled. Some pipework was removed and cleaned onsite. The organ has retained all of its valuable historical features and, like its larger cousin at King’s College, Cambridge, which has also been newly and successfully restored, it will certainly remain one of the finest examples of British organ building of the period.

Alexander Ffinch

Alexander Ffinch studied at the Royal College of Music, and was later organ scholar of Keble College, Oxford where he subsequently became a pupil of Thomas Trotter. He was resident organist at Lancaster Town Hall where he gave over 100 recitals in the 1990’s and also gained recognition in the St Albans Interpretation Competition in 1999. He has performed in UK, Europe, USA and Asia and his schedule for 2019 includes numerous engagements across the globe.

He was appointed College Organist of Cheltenham College in 2004, after a three-year tenure as Director of Music at St Catharine’s College, Cambridge and is responsible for the daily organ playing in the College Chapel as well as accompanying the Choirs.

Throughout his time at Cheltenham, he has continued to give recitals regularly and is resident organist for The Eton Choral Courses and The Rodolfus Choir, appearing with these at both Cheltenham International Music Festival and also live on BBC Radio 3 broadcasts.

Announcing “The Roaring Whirl” by Sarah Rodgers

Sarah Rodgers, composer
Sarah Rodgers, composer

Métier Records, the contemporary-music arm of Divine Art Recordings Group, is delighted to announce the forthcoming release of a superb work of cross-cultural interest based on the world of Rudyard Kipling’s “Kim”, tracing a journey across the Punjab of North India. The recording was actually made in the early 1990s shortly after the premiere but has not previously been made available.

“The Roaring Whirl” by English composer Sarah Rodgers is a work in seven sections which blend Western music with that of the Indian subcontinent and is delicately scored for clarinet, guitar, sitar, tabla and pakhavaj, with a narrated introduction to some movements.

The album will be released in the summer/autumn of 2019 (date to be confirmed) on Métier MSV 28592.

The Roaring Whirl

The Roaring Whirl was commissioned in 1991 for the Nottingham ‘NOW’ festival by UK clarinettist, Geraldine Allen, with funding from Nottinghamshire County Council, after having been several years in development with support from East Midland Arts and the Eastern Orchestral Board.

Composer, Sarah Rodgers, has devoted a significant part of her professional life researching and incorporating music from non-European cultures into her compositional output, producing works which engage with Chinese, Indian, Japanese, Oceanic and African traditions.

The Roaring Whirl is a music-narrative which embarks on a musical journey across the North Indian Punjab of Rudyard Kipling’s ‘Kim’. The vibrant atmosphere is wonderfully recreated in this remarkable work, introducing many facets of Indian life philosophy and beautifully synthesising the music of Asia and the West both instrumentally and compositionally. The improvising spirit of ragas and talas provides a thematic and rhythmic focus for each section of the piece which is imbued with Rodgers’ own inspired musical instincts. A subtle scoring of clarinet, guitar, sitar and tabla evocatively crosses the cultural boundaries.

Movements:

  1. Narrative 1: India Awakes
  2. Narrative 2: Seventh Heaven
  3. Narrative 3: Little Friend of All the World
  4. Title Piece: The Roaring Whirl
  5. Narrative 4: The Wheel of Life
  6. Narrative 5: The Man under the Hat
  7. Narrative 6; Golden Spokes of the Sloping Sun
“The Roaring Whirl” composer and performers
“The Roaring Whirl” composer and performers

Performers:

Geraldine Allen (clarinet) has had a distinguished career as a solo clarinettist, and is recognised in particular for her work with contemporary composers.

Baluji Shrivastav (sitar, tabla and pakhavaj) is one of the world’s leading Indian instrumentalists and has recorded many albums with a wide variety of artists and bands including Stevie Wonder, Massive Attack, Annie Lennox and Madness.

Timothy Walker (guitar) was principal guitarist with the BBC Symphony Orchestra and the London Sinfonietta, and is a protégé of the famous Spanish virtuoso, Narciso Yepes.

Bhasker Patel (narrator) is a Ugandan-born actor of Asian origin. He is currently a permanent character in one of the UK’s longest running popular series, Emmerdale.

New Schumann and Murail recording from Metier

Marie Ythier
Marie Ythier

Metier Records, the new-music label of Divine Art Recordings Group, has a fascinating new recording bringing together music by Robert Schumann and Tristan Murail. The album, to be released in June 2019, will be titled ‘Une rencontre (‘An encounter’) and is a meeting of Romantic and contemporary music, climaxed by the premiere recording of Murail’s ‘revisit’ to Schumann’s Kinderszenen, a transcription written especially for the cello soloist Marie Ythier.

Marie Ythier is a superb cellist based in Paris who specializes in modern music; her four published recordings to date include ‘Le geste augmenté’ for solo cello and electronics (Evidence Classics). She is already the dedicatee of a dozen works and has worked with many major composers and conductors She has won several international prizes and is currently Professor of Cello at the CRD Paris Conservatoire as well as giving masterclasses in France, Asia and South America. On this new album she is accompanied by two fine French artists, Samuel Bricault (flute) and Marie Vermeulin (piano).

Stephen Sutton, CEO of the Divine Art group; said –‘I am honoured that Marie has signed with Métier for this wonderful album bringing together works by two great composers whose styles are necessarily very different but also complementary. And I am grateful to Tristan for introducing Marie to us. Our album of his spectral piano music played by Marilyn Nonken is the best selling title in the Metier catalogue.”

Une rencontre

Métier MSV 28590

Release date: 21 June 2019. Pre-release availability for direct sales and promotional copies: approx 10 May

Artists:

  • Marie Ythier (cello)
  • Samuel Bricault (flute)
  • Marie Vermeulin (piano)

Works :

  • Robert Schumann : 5 Stücke in Volkston, Op. 102 (cello/piano)
  • Robert Schumann: Fantasiestücke, Op. 73 (cello/piano)
  • Tristan Murail: Attracteurs étranges (1992; solo cello)
  • Tristan Murail : Une lettre de Vincent (2018 : cello/flute) ) PREMIERE RECORDING
  • Tristan Murail : C’est un jardin secret, ma soeur, ma fiancée, une source scellée, une fontaine close (1976 : solo cello) ) PREMIERE RECORDING OF CELLO VERSION
  • Schumann, transcribed Murail: Relecture des Scènes d’enfants (Kinderszenen) (2019 : cello, flute and piano) PREMIERE RECORDING

Recorded at Salle Vincent Meyer, Paris Conservatoire on 23-26 April, 2018 and (Scènes d’enfants) 30 June 2018

Engineer: Olivier Rosset

Announcing a New Album with Cuatro Puntos

Divine Art Records has announced its latest signing which will result in the release in early summer on the Metier label of a fascinating album of music inspired by the sounds of the Near East, performed by the Resident Artists of Cuatro Puntos. Each track comes from a personal collaboration or association between Cuatro Puntos musicians and composers or other musicians from the Near East region. The tracks are arranged roughly by their origin on a path beginning in India and concluding in Egypt. The disc opens with Jaunpuri (Morning Song), a composition by Cuatro Puntos musician Kevin Bishop. It is inspired by a personal association with two special Hindustani classical musicians while they were all living in Afghanistan. At the center of the album are Reza Vali’s Love Songs and Calligraphies No. 1-3, based on traditional Persian modes. Sandwiched between these works is another by Kevin Bishop – this one a suite of Afghan tunes on which he plays the zerbaghali. Next is a piece gifted to Cuatro Puntos by Sadie Harrison, composer of the recent Rosegarden of Light album. It is based on the oldest known written piece of music, found in Syria and dated to 1400 BCE. Concluding the album are pieces by Israeli American composer Gilad Cohen and Egyptian composer Mohamed Aly Farag, both of whom began relationships with Cuatro Puntos after their pieces were chosen from an international score call.

Cuatro Puntos is a non-profit organization based in Hartford, Connecticut, USA dedicated to intercultural dialogue and universal access through the performance, writing, and teaching of music. Cuatro Puntos oversees a resident chamber music ensemble, a concert series, the Music Moves Hartford program for underserved Hartford populations, and, recently, a partnership with the Müzikhane Social Music School in Southeastern Turkey.  The Cuatro Puntos Resident Musicianshailed by Fanfare Magazine as having a “great depth of sound” and a “virtuostic performance”, have performed extensively throughout the United States as well as in Bolivia, Brazil, England, Germany, the Netherlands, and Afghanistan.

A four-year collaboration with Afghanistan’s only music school, which included several teaching artist visits to Afghanistan and a one-year teaching tenure by Cuatro Puntos’ executive director, resulted in a collaborative album between Cuatro Puntos and the Afghanistan National Institute of Music titled The Rosegarden of Light. The album was released on Toccata Classics and has received critical acclaim worldwide as well as airplay on major stations such as BBC and NPR.  Music from the album has also been used on the score of several films, most recently in The Staging Post and Laila at the BridgeBlackmore Vale Magazine in the UK said “At a time when we are bombarded every day by images of the world in crisis, The Rosegarden of Light is a joyful celebration of musicians who share a fundamental right to express themselves through the universal language of music.”    

Jaipur to Cairo

Métier Records MSV 28589
Recorded at Hartt School, University of Hartford, West Hartford, Connecticut, USA on
22-24 March 2018
Producer: Kevin Bishop.  Engineer: Justin Kurtz

Works

Kevin Bishop: Jaunpuri
Reza Vali: Three Love Songs
Kevin Bishop: Afghan Suite No. 2
Reza Vali: Calligraphies
Sadie Harrison: The Oldest Song in the World
Gilad Cohen: Ten Variations
Mohamed Aly Farag: Rhapsody for piano and strings

Artists

Cuatro Puntos Resident Artists:
Mohamed Shams (piano)
Kevin Bishop (viola/zerbagali)
Charles Huang (oboe)
Aaron Packard (violin)
Annie Trépanier (violin)
Steve Larson (viola)
Allan Ballinger (cello)
Andrew O’Connor (double bass)


Premiere Recordings of Music by Jennifer Fowler and Helen Habershon

Divine Art is delighted to announce, among a record level of new recordings projects in hand, two new albums featuring music by women composers from the UK, writing in very different styles.

Jennifer Fowler is Australian, though she has lived and worked in England since 1969. Her music which spreads across many genres from orchestral to chamber, instrumental and vocal works has been performed at many prestigious festivals and has resulted in her being awarded many major competition prizes. The six premiere recordings span her composing career and are performed by Lontano, one of Britain’s most celebrated new-music ensembles, under its director Odaline de la Martinez.  The two vocal works are sung by British soprano Raphaela Papadakis and Australian mezzo Lauren Easton. The recording is being produced by Adaq Khan in London (and was recorded in December 2018 – editing currently in progress!). This album is due for release in the summer, on the Metier label.

Helen Habershon is a clarinettist but now concentrates on composition.  Her music has been featured on two previous albums and the new recording presents her wonderfully ‘visual’ expressionist music – some might call it “filmic” such is the vividness of the imagery conjured up.  A group of excellent soloists (including the composer) are supported by the Primavera Orchestra under the conductor Anthony Halstead.  The pieces on the disc were all inspired by poetry or nature and its fragility, and are wonderfully atmospheric.  The album was recorded by Michael Ponder at Potton Hall, Suffolk towards the end of 2018 and will be released in the summer on the Divine Art label.

“Lines Spun” – Jennifer Fowler

Line Spun with Stars (flute, cello & piano)
From the Cave Mouth * (soprano, clarinet, violin)
Streaming Up (flute, oboe, clarinet, cello, piano)
Lady Maisry *  (Soprano, piano)
Lament (oboe, clarinet, bassoon)
Letter from Haworth **  (mezzo-soprano, clarinet, cello, piano)
With * Raphaela Papadakis (soprano)
And ** Lauren Easton (mezzo-soprano)

“Found in Winter” – Helen Habershon

Winter Arrives (orchestra)
Anna Akhmatova (orchestra)
Day of Judgement (orchestra)
Far Out in the Ocean (clarinet, orchestra)
Farewell Ice (solo piano)
Found in the Rain (clarinet, orchestra)
The Bronze Horseman (clarinet, cello, piano trio)
Peace (oboe, orchestra)
Before Time Began (clarinet, oboe, cello, piano)

Divine Art announces new Bach recording

English pianist Diana Boyle, who has lived in relative seclusion in Portugal for many years, is continuing her association with Divine Art and has recorded a new album of keyboard works by J.S. Bach. Ms Boyle takes advantage of her rural retreat to spend a great deal of time getting to know her music intimately and this leads to interpretations which are precisely considered, and expressing the deep emotional attachment which the pianist builds with each work. A specialist in the late baroque and classical periods, Ms Boyle’s previous and well received recordings for Divine Art include CDs of Sonatas by Mozart and Bach’s Art of Fugue, as well as further digital-only albums of music by Bach, Beethoven and Brahms.

The new recording features Ms Boyle’s beloved Grotrian-Steinweg, model 225 which was transported to England for the recording, made at Potton Hall, Suffolk, in June 2018 ([exact dates were 20-28 June]). The recording engineer was Brad Michel who travelled from his home in New England for the sessions, and who has worked with the pianist for many years. Piano technician: Peter Salisbury.

It will be released on CD, HD digital download and streaming and also in stereo and surround–sound DSD formats to suite all audiophiles.

The album’s release date has not been precisely set yet but is likely to be between July and September.

Catalogue number: DDA 25190

Works:

Overture in French Style, BWV 831
French Suite in D minor, BWV 812
Sinfonias:
Sinfonia no. 5 in E flat major, BWV 791
Sinfonia no. 11 in G minor, BWV 797
Sinfonia no. 4 in D minor, BWV 790
Sinfonia no. 13 in A minor, BWV 799
Sinfonia no. 8 in F major, BWV 794
Sinfonia no. 7 in E minor, BWV 793
Sinfonia no. 6 in E major, BWV 792
Sinfonia no. 12 in A major, BWV 798
Sinfonia no. 9 in F minor, BWV 795

Diana Boyle Recordings

Contemporary jazz from Panayiotis Demopoulos

The name of Greek (English trained) pianist/composer Panayiotis Demopoulos will be appearing regularly in Divine Art Group news. He is planning new recordings of both solo piano music and chamber works, and meanwhile the spring will see him in a different genre altogether, that of contemporary jazz. His solo improvisational Suite ‘Nina’s Clock’ was recorded in England by ASC and is to appear on the Métier Jazz label – but will be of interest to followers of contemporary ‘classical music’ too. Due in the late spring or summer (dates to be confirmed) on Métier Jazz MJD 72405.

John McLeod’s complete solo piano works

There are few composers whose genius is fully realised in their own era – but one of them must be John McLeod, a Scot with a truly international voice.

A new double CD/digital album will be issued in summer 2018 by Métier, the contemporary-music division of the Divine Art Group, containing McLeod’s complete (to date) music for solo piano. All are live concert performances by fellow Scot Murray McLachlan, whose previous recordings for Divine Art, and earlier for Olympia, have drawn unstinting praise. This will be a major pianistic recording in all senses, to be released as Métier MSV 77207. One piece is performed not by Murray, but by his daughter, 15-year-old Rose McLachlan; a debut for a very promising star of the future!

New Music for a New Oboe, Volume 2

Foremost English oboist (and specialist in advanced techniques) Christopher Redgate is putting the finishing touches to his latest Métier album, “New Music for a New Oboe, vol. 2”. This was originally due to appear in 2014 but Chris suffered a stroke (from which happily he is now totally recovered) and this delayed progress. Now scheduled for release in the first part of 2018, the album will contain new/recent works by Christopher Fox, Dorothy Ker, Paul Archbold, Edward Cowie and Sam Hayden – all first recordings. The album, like its predecessor (vol. 1 – MSV 28529) features the Howarth-Redgate oboe specially developed to cater for the more challenging requirements of the avant-garde, including multiphonics. The oboe was manufactured by Howarth of London.

Four English Poetry and Song Society Recordings

The EPSS has supported the long and vibrant tradition of English art-song for many years.

These EPSS recordings were made on portable recording equipment and with less than ideal microphone placement and are not to our usual modern standard. However, they contain fine performances and many very unfamiliar and exquisite songs, which will delight any lover of late-Romantic vocal music

Shropshire Lads

Settings of the poems of A.E. Housman by E.J. Moeran, Arthur Somervell, Arnold Bax, Benjamin Burrows, Brian Daubney, Margaret Wegener, Clive Pollard, Calvin Bowman and Stephen Duro. Plus the five excellent finalists in the EPSS competition of 2006.

Songs of Dorset

Here we have fine settings of Thomas Hardy and the dialect poems of William Barnes from Gerald Finzi, Ralph Vaughan Williams, Arthur Somervell, Clive Carey, Roger Lord, Alison Edgar, Judith Bailey and Brian Daubney. Works by the five finalists in the EPSS competition of 2001 are also included.

The Great War

Some of the best known and most moving of English poetry came from the horrors of the 1914-8 war. Here texts by Siegried Sassoon, A.E. Housman, Rupert Brooke, F.W. Harvey and more in settings by Ivor Gurney, Geraint Lewis, John Ireland, Geoffrey Kimpton, Margaret Wegener, John R. Williamson, Duncan Reid, Dennis Wickens, Elaine Hugh-Jones and Jerome Kern. Works by the seven finalists in the 2004 EPSS competition are included.

Lights Out

A wide ranging recital of art songs from Henry Purcell, E.J. Moeran, Ivor Gurney, Sulyen Caradon, Samuel Wesley, Jeffrey Whitton, Sarah Rodgers, Alison Edgar and Laura Shur.

New Music from Michael Alec Rose

In early 2018, Metier will release an album of music by Michael Alec Rose for solo violin and violin/viola duo, featuring violinist Peter Sheppard Skærved (pictured) and Diana Mathews (viola). Titled ‘Il Ritorno’, for one of the main pieces, the album will be on MSV 28574.

Rose has received 30 annual awards in composition from ASCAP and has been commissioned by the Walter W. Naumburg Foundation, the Blair and Mendelssohn String Quartets, the Nashville Symphony, and others. His music has been performed widely in the United States, as well as in Europe and South America. He is Associate Professor of Composition at Vanderbilt University’s Blair School of Music in Tennessee.

New From Madeleine Mitchell

Working at top speed on a new album for violinist Madeleine Mitchell of contemporary though lyrical (not avant-garde) works by British composers – includng pieces by David Matthews, Michael Berkeley, Michael Nyman, Sadie Harrison and Judith Weir and the Violin Concerto Soft Stillness by Guto Puw – we are aiming for an October release (DDA 25160) though there are several factors out of our hands which could affect that plan.

New Music From Composer John Buckley

The Metier label has over the past two years released a number of albums featuring some of the leading composers in Ireland and the latest to be ‘signed up’ is a collection of choral works by composer John Buckley, who has established himself as one of the foremost contemporary voices in the Republic. The recording is to be made later this year and should be available in the first part of 2018 (Metier MSV 28576); performances are by the acclaimed Mornington Singers, directed by Orla Flanagan.

Coming in 2018 From Trio Anima Mundi

Following their wonderful disc of Romantic Trios (DDA 25102) Australian ensemble Trio Anima Mundi are now preparing a luscious album of English trios to be released on Divine Art (DDA 25158) next year; this will include the Piano Trios of Samuel Coleridge-Taylor and Henry Waldo Warner, the First Trio of Rosalind Elliott, and the Folk-Song Fantasy by Cliffe Forrester.

New Music from David Braid

Métier will release a fascinating new album (currently scheduled for November) with a new set of works by English composer David Braid whose most recent album on Toccata was highly praised. ‘Songs, solos and duos’ features the velvet tone of the electric archtop guitar in a chamber, solo and vocal setting; also includes Braid’s evocative duos for flute/classical guitar and clarinet/piano – plus his 1st Piano Sonata: an eclectic range of recent works from the one of the UK’s most original yet approachable composers, performed by a dynamic set of world-class players. (MSV 28575)

Three new albums coming to the Russian Piano Music Series

Alfonso Soldano

Alfonso Soldano

Following the critical acclaim given to the recent release of music by Sergei Bortkiewicz by Italian pianist Alfonso Soldano (Volume 12 of the Russian Piano series), we have invited Soldano to make two more discs. While currently busy with his recording of music by Castelnuovo-Tedesco to be released in the late summer, Soldano will record later this year albums of piano works by Tchaikovsky and Rachmaninov.

Another addition to the series will include the debut recording by dynamic and brilliant Italian pianist Stefania Argentieri in a program of works by Prokofiev.

Recording Details

Russian Piano Music vol. 13 (DDA 25155)

Rachmaninoff: Moments Musicaux, Op. 16; Piano Sonata No. 1, Op. 28; Etude-Tableaux, Op. 39 Nos 1 & 5; Prelude, Op. 23 No. 6
Alfonso Soldano

Russian Piano Music vol. 14 (DDA 25156)

Tchaikovsky: Grand Sonata, Op. 37; Six Pieces, Op. 19; Romance in F minor, Op. 5; Berceuse in A flat, Op. 72 No. 2
Alfonso Soldano

Russian Piano Music vol. 15 (DDA 25157)

Prokofiev: Piano Sonata No. 1, Op. 1; Piano Sonata No. 6, Op. 82; Six pieces from ‘Cinderella’, Op. 102; Suggestion Diabolique; Four Etudes, Op. 2
Stefania Argentieri

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