Archive for News – Page 8

Announcing A New Album of Orchestral Works from Marius Constant

Divine Art Records is delighted to announce the forthcoming re-issue of a stunning recording by Riverside Symphony of orchestral works by the Romanian-French composer Marius Constant (1925-2004). Best known in the classical world for his ballet scores, his most widely known work is the original theme to the TV Series ‘The Twilight Zone’.  His “pure” orchestral music displays remarkable expressive depth, unbounded imagination and sheer sonic beauty, exemplified in the works on this album which show why this great composer’s name should be much more widely known. Turner is a suite of three movements, each inspired by a J.M.W. Turner painting; Brevissima is a four-movement symphonic argument compressed into ten gripping minutes, and 103 regards dans l’eau is a wonderful and extensive violin concerto of over 30 minutes, made up of 103 vignettes in four movements, inspired by poetic and philosophical observations of water.

The album is due to be released in early April 2021. It was first issued by Riverside Symphony in 2014 and while attracting great acclaim, was not at the time distributed globally.

Marius Constant
Marius Constant © Editions Salabert

Marius Constant emigrated to Paris from Bucharest in 1945 and became an important fixture in that city’s musical life. He served as Roland Petit’s Music Director at the Ballets de Paris for over 10 years and was in constant demand as a composer, conductor and teacher for the following 50+ years. Not unlike his close friend Henri Dutilleux, Constant, though by no means a reactionary, was over-shadowed internationally by the ascent of the avant-garde, as exemplified by Pierre Boulez. In an 11-minute video feature (included on the CD), Riverside Symphony directors George Rothman and Anthony Korf explain their discovery of Constant’s music and make a case for the composer’s renewed legacy.

Olivier Charlier is internationally recognized as an important representative of the French school of violin playing, joining such artists as Jacques Thibaud, Ginette Neveu, and Christian Ferras. Showing precocious talent, he graduated with a Premier Prix from the Paris Conservatoire (CNSM) at the age of fourteen, then won acclaim at international competitions, including Munich, Montreal, Helsinki, Paris, Indianapolis, and New York. Nadia Boulanger, Yehudi Menuhin and Henryk Szeryng are among the musical figures who encouraged the young musician early in his career. Mr. Charlier has performed with nearly fifty different French orchestras, as well as with major orchestras around the world. His active recording career reflects his eclecticism; it includes violin concertos by Dutilleux, Lalo, Gregson, and Gerard Schurmann, as well as Mendelssohn and Saint-Saëns.

George Rothman, Music Director of Riverside Symphony since its inception, has guest conducted throughout the Far East, Europe, South America, and the United States. He has led world and New York premieres of major American and European contemporary composers at Lincoln Center while championing emerging composers on an international scale through readings, workshops, and recordings. In addition to the standard repertory, he has focused on lesser-known works by noted composers from all periods, ranging from the Baroque era to 20th century masters, and has presented New York premiere performances of works by Prokofiev, Ravel and others.

A native New Yorker, Rothman trained at the Manhattan School of Music, The Juilliard School, Queens College’s Aaron Copland School of Music, and, as a scholarship student, at Tanglewood Music Center, where he studied with Leonard Bernstein and Seiji Ozawa. Currently a member of Brooklyn College’s Conservatory of Music faculty where he serves as Music Director and Conductor of the Conservatory Orchestra, his prior academic affiliations include Columbia and Yale Universities.

Riverside Symphony, co-founded in 1981 by George Rothman and Anthony Korf, has been widely noted for its unique focus on discovery — discovery of young artists, unfamiliar works by the great masters, and important new pieces by living composers from around the world, for which it provides a rare forum at its annual Lincoln Center concert series at Alice Tully Hall. Critically acclaimed for its vibrant performances of music from all periods, the orchestra counts New York’s finest instrumentalists among its membership.

Riverside Symphony recordings have brought international acclaim, including a Grammy nomination and Editor’s Pick from Gramophone and The New York Times. The orchestra can be heard on Bridge Records (9057 Ruders; 9091 Imbrie; 9112 Davidovsky; 9294 Korf) and New World Records (383 Davidovsky, Korf, Wright).

Marius Constant: Orchestral works (DDA 25216)

Release date (worldwide, CD, digital and streaming): April 9, 2021*

Riverside Symphony, directed by George Rothman

Works:

  • Turner (1961) 12:45
  • Brevissima (1992) 10:11
  • 103 Regards dans l’eau (1981) 30:40 (violinist: Olivier Charlier)

Bonus Video Feature

Ed Hughes: Time, Space and Change a Sunday Times Best of 2020!

The Sunday Times has released their Top 100 Recordings of 2020 and Ed Hughes: Time, Space and Change on Métier made the list!

“The title alludes to England and its music. Cuckmere: A Portrait is the transformed score for a film about a river, the idiom a cheerily naturalised minimalism.”

See the full list at TheTimes.co.uk

Sunday Times 100 Best Records of 2020

Artyomov: Album XI Nominated for 2021 ICMA!

Album XI - ICMA Nominee

Our latest release from our Vyacheslav Artyomov Retrospective, Album XI, featuring a selection of live and studio performances of Artyomov’s chamber works performed by top Russian musicians has been nominated for the 2021 International Classical Music Awards for Contemporary Music!

Album XI

Vyacheslav Artyomov is considered by many to be Russia’s greatest living composer. His music is deep, ultimately spiritual and brilliantly crafted, with influences from the Russian symphonic tradition colored by Mahler, Scriabin, Honegger and Messiaen to name a few – but melded into a unique voice.

The Divine Art Artyomov Retrospective (which to date has received wonderful reviews internationally) is a mix of new recordings and former Melodiya releases. This is the eleventh album, containing a selection of studio and live concert performances of chamber works for slightly unusual combinations: flute quartet, and saxophones much to the fore. Apart from ‘Hymns of Sudden Wafts’ and Clarinet Sonata these are all premiere releases. The works are performed by some of the best of Moscow’s orchestral and chamber musicians and represent a somewhat lighter (though the term is relative) side to Artyomov’s work than his massive, granitic symphonies. It includes a touching set of songs on poems by Ashot Grashi.

Announcing the Ciccolini Prize Competition

Divine Art Records To Collaborate With Aldo Ciccolini European Arts Academy

Ciccolini Prize Poster

Divine Art Records, independent classical music group based in England and the USA, is to collaborate with a major Italian music foundation to establish a new and unique online piano competition to be held at least once a year. The Ciccolini Prize Competition is administered by the Aldo Ciccolini European Arts Academy in Trani, Italy, and its associated Foundation and the inaugural round will be judged in February 2021, with applications accepted from November 12 until February 1. The two winners will be offered the opportunity to record an album for Divine Art’s new Debut Series, with repertoire to be chosen for innovation and interest (not necessarily related to the competition entry). The competition is open to pianists of all ages and from all nationalities/locations.

The prestigious jury for the 2020 competition will be:

  • Professor Pierluigi Camicia (President):  international concert pianist and previous Director of the Tito Schipa Conservatory, Lecce
  • Professor Alfonso Soldano (Artistic Director): international pianist, musicologist and professor at the Umberto Giordano Conservatory in Foggia
  • Professor Tatjana Vratonjic: international pianist, Director of the Gaetano Braga Conservatory in Teramo
  • Professor Giuseppe Greco: international pianist, Professor at the Umberto Giordano Conservatory
  • Dr. Attilio Cantore, pianist and senior music critic for Amadeus Magazine and many others, Doctor of Musicology from Milan University

Stephen Sutton, CEO of Divine Art, is delighted with this new venture, which was the brainchild of regular Divine Art recording artist Alfonso Soldano. “It is a great privilege for us to be chosen as the Ciccolini Academy’s partner in this exciting new web-based competition – though of course a concert hall performance in front of the jury is preferable, this format will allow more pianists to enter without the expense and difficulty of travel to a venue. Over the last couple of years, we have begun to develop a fine roster of young Italian pianists including Alfonso and also Stefania Argentieri and Christian Ugenti. We look forward very much to seeing how this competition develops. There will be two winners; we will discuss programming for their debut recording which is to be produced by the Foundation for us, and distributed worldwide.”

Divine Art was founded in the UK as a specialist classical label in 1993, opening its American headquarters in 2009, and is now a group of acclaimed labels including Divine Art, Athene, Métier and Diversions among others and releases around 40 new titles a year, working with studios and musicians in many countries including in 2020 the UK, USA, Canada, France, Italy, Germany, Australia, Russia and Poland among others.

For entry information and rules, artists should visit www.accademiaciccolini.org

Great losses: Oliver Davies & Alexander Buzlov

We note that pianist and historian Oliver Davies died in July aged 81. An exceptional musician and mine of information on any subject of musical history, he will be sadly missed. And tragedy struck young cellist Alexander Buzlov who apparently suffered a fatal blood clot and passed away on 8 November, at the age of only 37. Each appeared on one Divine Art album.

Announcing Divine Art Gift Certificates!

Now available in time for the holidays for all music lovers in your life — you can purchase a gift certificate in any amount to be used by the receiver to buy any item from the Divine Art online store: CD, digital audio, sheet music, and more!

Better still as a thank you for introducing new customers to us, your gift certificate will automatically carry a 10% discount, so if you buy one for $20, it only costs you $18. And like any other product it can be priced in US dollars or British pounds, depending which ‘flag’ you click at the top of the page.

Happy Birthday Peter Hope

English composer Peter Hope reaches his 90th birthday on November 2nd, 2020. Famous for his very longrunning theme for BBC TV news, and of course his wonderful Divine Art album ‘Wind Blown’ (DDA 25137). We send our very best wishes and virtual cake to Peter on this special day.

‘1847: LISZT IN ISTANBUL’: pianist Zeynep Ucbasaran

High Romantic piano works and transcriptions make up the latest album from Turkish-American pianist Zeynep Ucbasaran, to be released early in 2021 by Divine Art Records.  The year 1847 saw Franz Liszt arrive in Istanbul (then still called Constantinople) to spend six weeks in the Ottoman capital. Liszt created much interest with the public and in the Sultan of the Ottoman Court, Abdul Medjid, for whom he performed twice.  The Erard company shipped over ‘ a beautiful piano with seven octaves’ for Liszt to play.  One of the pieces that Liszt played in the Court was his brilliant paraphrase on a march by Giuseppe Donizetti for the Sultan. Donizetti was the Sultan’s Chef d’Orchestre and the brother of the more famous Gaetano.

Zeynep Ucbasaran celebrates this creative time in her home country’s capital with a program of Liszt works and pieces by Chopin and Weber, which Liszt performed during his visit.  The pianist, who now lives and works in California, is making her debut solo album for Divine Art, having featured in both duos and trios recently: with Sergio Gallo in another program of mainly mainstream works (“Liszt to Milhaud”, Divine Art DDA 25208) and with Gallo and Miguel Chavaldas in “The Three-Piano Project” on Divine Art DDA 25207.

LISZT IN ISTANBUL (DDA 25213)

  • Franz Liszt :
    • Magyar Dalok (Hungarian Melodies), S. 242 
    • Introduction et Polonaise de l’opéra I Puritani de Bellini, S. 391
    • Réminiscences de Lucia de Lammermoor de Donizetti, S. 397
    • Grande Paraphrase de la Marche de Giuseppe Donizetti, composé pour sa Majesté le Sultan Abdul Medjid-Khan, S. 403
    • Erlkönig (after Schubert), S.558
  • Frédéric Chopin :
    • Mazurka in B minor, Op. 33 No. 4
  • Carl Maria von Weber:
    • Invitation to the Dance, Op. 65

Announcing “Sempiternam” – A New Album Celebrating the Choral Music of Rhona Clarke

Over the past few years, Divine Art Records and its new-music imprint Métier have developed an ongoing series of albums of music by composers from the Irish Republic, to quite considerable critical acclaim.  The latest addition to this collection will be the first album celebrating the choral music of Rhona Clarke, a Dublin based composer who has created a wide range of work in which choral and vocal music play a significant part. The programme spans a period of almost thirty years from A Song for St Cecilia’s Day (1993) to the four-movement Requiem (2020), written during ‘lockdown’ due to the Covid pandemic; a work which is compact and does not follow the full traditional setting of Requiem Mass texts. The texts range from Catullus (c.55 BC) and anonymous medieval lyrics to the late Irish poet, writer and pugilist Ulick O’Connor. Besides the Requiem, there are a number of other settings of Christian sacred texts: O Vis Aeternatis (Hildegard), Veni CreatorTwo Marian Anthems and Rorate Caeli, but also lyrics which look at death from very different perspectives: Ave Atque Vale, Catullus outpouring of grief on his brother’s death and the humorous children’s rhyme with its depiction of worms crawling in The Old Woman.
 
All of the works are composed for mixed a capella choir and vary in levels of complexity: some were commissioned by professional and others by amateur choirs. ‘Pie Jesu’ and Do Not Stand by my Grave are straightforward homophonic pieces each involving a solo soprano; ‘Lux Aeterna’ and Veni Creator are more dissonant, and more complex texturally while other works use extended techniques such as stamping, clapping and long glissandi.
 
Every piece seeks to define a mood, with plenty of contrast here from the joyous salute to ‘Musick’ in A Song for St Cecilia’s Day and the reverential O Vis Aeternitatis to the poignancy in the Introit of Requiem. On this recording, all performances are by the superlative, internationally acclaimed State Choir Latvija directed by Maris Sirmais. The recording is due to take place in Riga at St John’s Church from 5-9 July 2021 and should be released by Autumn 2021.
Rhona Clarke is celebrated for her eclectic and varied approach which produces fascinating and often surprising work, from her fresh but relatively conservative  Piano Trios to the incredible, avant-garde, Sprechstimme-with-rock-percussion piece “…smiling  like that…” all available on Métier recordings.

 ‘Sempiternam’ Choral music by Rhona Clarke (MSV 28614)

Composer: Rhona Clarke (b.1958)
Artists:  Latvia State Choir, conducted by Maris Sirmais

Works

  • Requiem (2020): Introit/Lux Aeterna/Pie Jesu/In Paradisum
  • Two Marian Anthems (2007): Regina Caeli and Salve Regina
  • ‘Make we Merry’ – Three Carols on Medieval Texts (2014): (Glad and Blithe/Lullay my Liking/Make we Merry)
  • The Kiss (2008)
  • A Song for St. Cecilia’s Day (1991)
  • Do Not stand over my Grave (2006)
  • The Old Woman (2016)
  • Rorate Caeli (1994)
  • Ave Atque Vale (2017)
  • O Vis Aeternitatis (2020)

Rhona Clarke on Métier

Remembering Justin Connolly

Photo by Alix MacSweeney

We were sad to learn of the passing of British composer Justin Connolly who died on September 29. Justin was born in 1933 and studied composition and conducting with Peter Racine Fricker at the Royal College of Music, earning prizes in both categories. His early music was very much influenced by serialism but was all withdrawn. He found his own voice after three years at Yale where he began his teaching career, later teaching back in England and the Royal College of Music and the Royal Academy as well as being visiting lecturer in composition at the Universities of Melbourne and California (Santa Barbara). He was also a conspicuous figure at Dartington and Tanglewood. During the 1990s he produced a steady stream of works characterized by a strong and sensitive word setting technique in his vocal works, and powerful melodic phrasing within complex forms culminating in the masterpiece Scardanelli Dreams.

Lately, Connolly has been rather neglected due to the youth culture within some new music circles but his music remains testimony to a very individual and inspired composer. Scardanelli Dreams and other works were recorded for his Métier album ‘Night Thoughts’ (MSVCD92046).

Recordings of the music of Justin Connolly

Métier to Release String Quartets by Cuban Composer Orlando Jacinto García

Métier is the new-music label of the Divine Art Recordings Group, based in Vermont, USA, and in the UK. Its recent albums of new string quartets by English composers Robin Stevens and Edward Cowie has helped to kindle a new interest in the contemporary work in this genre and February will see the release of a new recording by the Amernet String Quartet of String Quartets 1-3 by Cuban composer Orlando Jacinto García, who has lived in the USA since 1961.

The three quartets presented here express in a variety of ways the overarching nature of García’s writing, originating in part from his association with Morton Feldman. In the pop world, perhaps ‘ambient’ would be the tag applied but would do a disservice to the complexity and depth of García’s writing; this is not music that clashes and bangs but invites one to float in the suspended, elongated tones which shimmer and evolve; using pauses, contrasts between dissonance and consonance, repeated rhythmical patterns, García creates a meditative soundworld where time is barely relevant.

Orlando Jacinto García
Orlando Jacingo García © Orlando Jacingo García | CARTA

Through more than 200 works composed for a wide range of performance genres including interdisciplinary, site specific, and works with and without electronics for orchestra, choir, soloists, and a variety of chamber ensembles, Orlando Jacinto García has established himself as an important figure in the new music world. The distinctive character of his music has often been described as “time suspended- haunting sonic explorations”: qualities he developed from his studies with Morton Feldman among others. Born in Havana, Cuba in 1954, García migrated to the United States in 1961. In demand as a guest composer, he is the recipient of numerous honours and awards from a variety of organisations and cultural institutions including the Rockefeller, Fulbright, Knight, Dutka, Civitella Ranieri, Bogliasco, and Cintas Foundations, the State of Florida, the MacDowell and Millay Colony, and the Ariel, Noise International, Matiz Rangel, Nuevas Resonancias, Salvatore Martirano, and Bloch International Competitions. Most recently he has been the recipient of 4 Latin Grammy nominations in the best Contemporary Classical Composition Category (2009-11, 2015). With performances around the world at important venues by distinguished performers, his works are recorded on New Albion, O.O. Discs, CRI /New World, Albany, North/South, CRS, Rugginenti, VDM, Capstone, Innova, CNMAS, Opus One, Telos, and Toccata Classics. García is the founder and director of the NODUS Ensemble, the Miami Chapter of the International Society for Contemporary Music, the New Music Miami ISCM Festival, and is a resident composer for the Miami Symphony Orchestra. A dedicated educator, he is Professor of Music, Distinguished University Professor, and Composer in Residence for the School of Music at Florida International University.

The Amernet String Quartet is currently Ensemble-in-Residence at Florida International University; it is one of the most acclaimed ensembles of its generation and has been praised for its intelligence, expressivity, ravishing sound, and commitment to both new music and the classics since its inception. Its members are Misha Vitenson and Avi Nagin, violins; Michael Klotz, viola and Jason Calloway, cello.

Orlando Jacinto García: String Quartets 1-3 (MSV 28613)

Performed by Amernet String Quartet

  • String Quartet #1 (“rendering counterpoint”)
  • String Quartet #2 (“cuatro”)
  • String Quartet #3 (“I never saw another butterfly”)

Album duration: c.65’

Worldwide release date: February 12, 2020

Ed Hughes on BBC South East Today

Ed Hughes and his work, “Cuckmere: A Portrait”, from his album, Time, Space & Change, was featured on BBC South East Today as it has been integrated into a new app called Echoes: Interactive Sound Walks. So the next time you’re visiting the Cuckmere Valley and Haven in East Sussex, you can listen to the work while you explore the footpaths down the river to the sea. The app uses GPS to trigger eight extracts from the score, giving you an immersive audio journey from the depths of winter to high summer while you walk! Watch the clip here:

Sheet Music from Divine Art Edition

Divine Art Edition is now live: having acquired a small catalog of titles from Brandon Music, the list will expand with plenty of scores of music appearing on our recordings.. Find ‘shop’ in the menu bar and click ‘scores’. PLEASE NOTE: we only sell PDF files to download and print ()or play from screen). Printed copy can be obtained from Naxos Sheet Music

Presto Classical Interviews Peter Sheppard Skærved on His Three Latest Recordings

Presto Classical interviews Peter Sheppard Skærved on three of his latest recordings across the Divine Art Recordings Group family of labels:

Violinist Peter Sheppard Skaerved has championed contemporary and lesser-known music for much of his career; recently a triple-bill of albums came out that underscored this interest.

In the first, Skaerved explores the Klagenfurt Manuscript, a collection of anonymous Baroque solo works uncovered in a convent; the second sees him reinvent some neglected Schubert by re-presenting it in a way more suited to its “chamber-like” nature; and the third brings us right up to the present day with works from the contemporary composer Edward Cowie (b.1943).

Such an eclectic spread of recordings was a fascinating prospect, so I spoke to Peter about all of them!

See the complete interview now on PrestoMusic.com!

See the Recordings

Announcing Piano Trios from Armenia and Argentina

Divine Art Records is delighted to announce the signing of Canadian ensemble Trio de l’Île for its debut album with a mix of Argentinian and Armenian music. The CD will include Astor Piazzolla’s Four seasons, Gayané Chebotaryan’s Trio and Arno Babadjanian’s monumental Piano Trio, generally regarded as a masterpiece of the genre.

The album focuses on the fusion of different styles bringing forth colorful mosaics. On the one hand, Piazzolla revolutionized the Tango by blending it with jazz and traditional classical music – hence giving light to the Nuevo Tango; while Chebotaryan and Babadjanian harmoniously combine Armenian folk music with the Russian classical tradition.

With three established and classically trained musicians, Trio de l’Île (violinist Uliana Drugova, cellist Dominique Beauséjour-Ostiguy and pianist Patil Harboyan) is a Québe- based piano trio that advocates proximity with its audience and is known for its passionate and rigorous interpretations. Pianist Patil Harboyan has a previous successful album with Divine Art, of Armenian music for Cello and piano (with cellist Heather Tuach – DDA 25075)

The new album is scheduled for release in November 2020.

Piano Trios from Armenia and Argentina (DDA 25211)

Works :

  • Arno Babadjanian : Piano Trio in F sharp minor
  • Gayané Chebotaryan: Piano Trio
  • Astor Piazzolla: Cuatro Estaciones Porteñas (Four Seasons of Buenos Aires)

Ennio Morricone

Sad to hear of the death of Italian movie composer Ennio Morricone, whose music was possibly the best part of many Italian-made Westerns back in the 70s… He was 91. Probably his best known piece is ‘Gabriel’s Oboe’ and we were honoured to record Susanne beer’s version on cello for her album ‘Cello Diverse’ – Tragically Susanne is also no longer with us, having passed at the prime of her life.

Peter Seivewright to Perform American Piano Sonatas

Originally scheduled as part of the 2020 Edinburgh Fringe Festival, on 16 August 2020, Peter Seivewright will now be performing his Piano Music from the United States of America programme as an independent recital at St. Mark’s Unitarian Church, Edinburgh. The programme will include Edward MacDowell’s Piano Sonata No. 2 (‘Eroica’) which will be recorded on a future installment of his American Piano Sonatas recordings on Divine Art! On 3 August, Peter will also be live streaming a DVD recording he made of Charles Ives’s “Concord” Sonata from The Byre Recording Studio in Inverness, Scotland.

Peter Seivewright On Divine Art

Métier Records to release fashion-opera, ROBE, by Alastair White

A posthuman fantasia about cities, virtual reality and the A.I. singularity: ROBE is an award-nominated opera inspired by fashion and machines. This new (world premiere) recording will be released by Métier Records in late 2020/early 2021. (MÉTIER  MSV 28609). An audio recording which will be available on CD and Hi-Res digital download and streaming, it will be supported by promotional video shorts – the label hopes for a full staged video version in the future. An opera in form, it is also beautifully choreographed and is visually stunning.

Story

Descending into the mind of the superintelligence EDINBURGH, a young cartographer is tasked with mapping this creature so as to grant its desire: to become a living city, teeming with human life and activity. But they grow close, and she weaves into the map those things that cannot be known or spoken: the hidden histories of joy and longing each privately our own. As these rifts in the structure undo causality itself, she must answer the question: what exactly has she created?

About

Alastair White headshot
Alastair White © Alastair White

“Music is an ancient, powerful technology,” says composer-librettist Alastair White. “In ROBE we’re trying to explore the idea that virtual reality has existed since the dawn of time: in the way that books, theatres – even the clothes we wear –  transform and augment our perception of the world. And, how music has this astonishing power to contain and combine its participants – audiences, performers, writers – into a type of artificial superintelligence. “

This first full studio recording features the original cast from the 2019 UU Studios production at Tête-à-Tête festival, where the opera was shortlisted for a Creative Edinburgh Award and won praise for the ways in which it “successfully evoked the strange abstract world of cyberspace, creating a real sense of non-reality…The performances from all concerned were excellent.” (Planet Hugill).

People

Alastair White is a Scottish composer and writer whose work is characterised by a lyrical complexity that draws influence from materialism, fashion, cosmology and computers. Previous work includes 2018’s WEAR, shortlisted for a Scottish Award for New Music: “an opera of rare imagination and success” (Mark Berry, Boulezian). Produced at Goldsmiths Music Studios by Henri Växby (French For Cartridge), this release features a cast of rising stars from the new music scene: virtuosic pianist and music director Ben Smith (ROH, Wigmore Hall, Barbican), experimental flautist Jenni Hogan (Barbican, Radio 3, Queen Elizabeth Hall), Clara Kanter (Wigmore Hall, St Martin-in-the-Fields, BBC), the “theatrically and vocally excellent” (Opera Magazine) Kelly Poukens, “staggeringly good” (New Statesman) Rosie Middleton and Sarah Parkin, described as “a joy to watch” (The Times). 

This recording has been supported by Help Musicians UK, the Hinrichsen Foundation and the Goldsmiths Graduate Fund and Music Research Committee.

RECORDED IN JANUARY 2020.

ROBE Stage Photo
© Alastair White

ROBE Synopsis (duration c. 80 minutes)

In a society where difference between the real and the virtual is no longer meaningful, a powerful new being threatens the stability which holds these worlds together. Two elders, Neachneohain and Beira, convince the young cartographer Rowan to complete a terrible task: descend into the mind of the superintelligence EDINBURGH and map this creature so as to grant its desire – to become a living city, teeming with human life and activity. Witnessing visions of the awful realness of life beyond cyberspace, Rowan agrees – plunging into its depths: a strange, abstractworld of data and dream.

30 years later, Rowan and EDINBURGH have fallen in love, have lived their lives together. Though every morning she awakes with no memory of the past, Rowan has almost completed the map that EDINBURGH desires. But into this map Rowan has woven something else: something hidden, silent, unsaid. As these rifts in the structure undo causality itself, she must answer the question: what exactly has she created? And what does it have to do with this strange, otherworldly figure who sings the red song of a forgotten city – of an ancient, poisoned ROBE…

Divine Art to Release Album in Tribute to Sir John Manduell

Songs for Sir John: Works by composers including Robin Stevens, Martin Bussey, Sally Beamish, David Matthews, Peter Dickinson, Lennox Berkeley, Robin Walker and many more

Divine Art Records is honoured to announce a new album for release later this year in tribute to one of Britain’s most influential figures in recent musical history – and yet one whose name is shamefully little known outside the music profession.

Sir John Manduell
Sir John Manduell

Sir John Manduell, who died in 2017, was a consummate musician in many ways and held many posts of importance from being Director of Music at Lancaster University, to senior producing roles at BBC Radio 3, eventually (as composition was closest to his heart) taking up the post of Head of Composition and Performance at the Royal Northern College of Music in Manchester. Indeed he was the founder of the college, incorporating the Royal Manchester College of Music and the Northern School of Music, thus building the foundation of what is now one of the UK’s most dynamic centres for ‘serious’ music. He was also the founder of the European Opera Centre.

Sir John’s own works are masterful and embody the best of the modern tonal tradition alongside composers such as William Alwyn and Lennox Berkeley (both of whom were his teachers), and most remain to be discovered by the worldwide audience. Two major orchestral works (the Double Concerto for Oboe and Cor Anglais, and the Flutes Concerto for flutes and harp) were recorded alongside works by Gordon Crosse for the album “Mixed Doubles” (Métier MSV 77201) released by Divine Art in 2013.

The new album is titled ‘Songs for Sir John’.  Curated by Sir John’s erstwhile colleague and close friend John Turner, it is a garland of tributes by several composers, who have in some way found their professional careers  guided and encouraged by the enthusiasm and ever-generous support of Sir John. Most of the pieces were originally composed for concerts celebrating Sir John’s life in 2018 and 2019 and are focused around the evocative poetry of William Butler Yeats. One set (works by Robin Walker) was recorded for a previous album and features as narrator the mellifluous voice of the late TV presenter and newsreader Richard Baker.

‘Songs for Sir John’ will be released on September 11, 2020.

Songs for Sir John (DDA 25210)

Works:

  • Men Improve with the Years (Robin Stevens) for soprano, recorder, oboe, violin and cello *
  • Sonnet (Elis Pehkonen) for soprano, recorder, oboe, violin and cello *
  • The Cold Heaven (Martin Bussey) for soprano, recorder, violin and cello *
  • Reflection (Geoffrey Poole) for soprano, bass recorder, oboe, violin and cello *
  • Yeats Interlude (Sally Beamish) for recorder, oboe, violin and cello
  • Be Still (Michael Ball) for soprano, recorder, oboe, violin and cello *
  • Those Images (David Horne) for soprano, recorder, oboe, violin and cello *
  • Two Yeats Songs, Op. 23b (David Matthews) for soprano, recorder, oboe, violin and cello *
  • Zuzu’s Petals (Kevin Malone) for recorder, oboe, violin and cello
  • This Great Purple Butterfly (Gary Carpenter)  for soprano, recorder, oboe, violin and cello *
  • Strings in the Earth and Air (Peter Dickinson) for soprano, recorder, violin and cello (text by James Joyce)
  • Three Duets (Lennox Berkeley) for two recorders
  • Four Nursery Rhymes (Robin Walker) for narrator, recorder and piano (texts by Thomas Pitfield)
  • The Cat and the Moon (Jeremy Pike) for soprano, recorder, oboe, violin and cello *
  • Into the Twilight (Nicholas Marshall) for soprano, tenor recorder, viola and cello *
  • The Cloths of Heaven (Naji Hakim) for soprano, recorder, oboe, viola and cello *

* Indicates setting of a Yeats poem

Artists

  • Lesley-Jane Rogers (soprano)
  • Richard Baker (narrator)
  • John Turner (recorder)
  • Laura Robinson (recorder)
  • Richard Simpson (oboe)
  • Benedict Holland (violin
  • Susie Mészáros (viola)
  • Nicholas Trygstad (cello)
  • Keith Swallow (piano)

Apart from the Walker work (2005), the album was recorded on 18 and 19 December 2019 at St Paul’s Church, Stockport.

Producer: Paul Hindmarsh. Engineer: Philip Hardman

Roderick Chadwick Presents a New Recording of Piano Music by Messiaen, Szymanowski, and David Gorton

Divine Art Recordings is delighted to announce a new album of piano music from English pianist Roderick Chadwick. Alongside the first book from Messiaen’s Catalogue d’Oiseaux are works by Karol Szymanowski and David Gorton.

Olivier Messiaen’s Catalogue d’oiseaux for solo piano evokes the sights and sounds of the French landscape, exploring time and memory across its two and a half-hour span. The diversity of Messiaen’s imagination can be heard in the progression from the sharp, solitary cries of the alpine chough to the fanfares of the golden oriole and harmonious, sapphire-blue sea along the Roussillon coast, where the headlands (in the composer’s words) ‘stretch into the sea like crocodiles’.

Each of the cycle’s seven livres suggests a variety of contexts, and on this new recording the first book is presented as an echo of the programming of the Parisian Domaine Musical, where it was first heard: old music, modern classic, and contemporary. The theme is Mediterraneanisation, journeys to and from water: the elusive moods of David Gorton’s Ondine point from the Messiaen towards the more human drama of Szymanowski’s Third Sonata, a pinnacle of the heady series of works that followed transformational trips to Italy and North Africa.

Roderick Chadwick can also be heard on the Métier and Divine Art labels in music by Michael Finnissy, Mihailo Trandafilovski, David Gorton, Mozart and Ole Bull, in partnership with Peter Sheppard Skaerved and the Kreutzer Quartet. He is the co-author, with Peter Hill, of Messiaen’s Catalogue d’oiseaux: from Conception to Performance (CUP).

Divine Art DDA 25209

Works:

  • Olivier Messiaen: Catalogue d’Oiseaux, Book 1  (Le Chocard des Alpes ; Le Loriot ; Le Merle bleu)
  • David Gorton:  Ondine
  • Karol Szymanowski:  Piano Sonata No. 3

Details

  • Recorded 17 and 18 December 2019 in Angela Burgess Recital Hall, Royal Academy of Music, London.
  • Prospective release date: October 2020 (exact date to be confirmed)

Roderick Chadwick Recordings