Parallels – music for organ
Parallels is meticulously curated album that explores the organ’s remarkable breadth and sonority. Featuring three monumental organ works and delightful arrangements of English classics, the collection is a testament to the grandeur and versatility of the instrument.
Florence Price’s Suite No. 1, makes its debut commercial recording. This substantial and captivating composition draws inspiration from spirituals, hymns, and pentatonic themes, showcasing a harmonious fusion of jazz influences. The rhythmic drive and themes in the final Toccato pay homage to the engaging Rubrics by Dan Locklair, creating a seamless connection between the featured works.
The album’s title, Parallels, reflects Florence Price’s artistic vision, aiming to convey a heritage through the past while being influenced by contemporary contacts. This intention is beautifully realised in Suite No. 1, where the chromatic harmony reminiscent of Suite Gothique meets the rhythmic vitality of Rubrics. As a nod to the present day, the album includes Alexander’s own arrangement of Coldplay’s hit single Paradise, seamlessly blending modernity with Price’s timeless compositions. Parallels is not just an album; it’s a transformative auditory experience that invites listeners to explore the intersections of tradition and innovation on the Harrison and Harrison organ. The past converges with the present in perfect harmony.
The surprise appearances of music not typically associated with the organ successfully adds an element of excitement and discovery. The album also features splendid organ arrangements of English staples like Elgar’s Chanson de Matin and Pomp and Circumstance, further showcasing the instrument’s versatility. “Parallels” is an invitation to discover the intersections of tradition and innovation, a celebration of timeless compositions, and a showcase of the capabilities of Cheltenham College Chapel’s Harrison and Harrison organ. This album also celebrates the 150th anniversary of Gustav Holst’s birth with the inclusion of Jupiter, the Bringer of Jollity fromThe Planets Op. 32 arranged by Thomas Trotter.
Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist, featuring prominently in events like the Cheltenham International Music Festival and BBC Radio 3 broadcasts. His 2019 album, Transformations (DDA 25193), received critical acclaim.
Track Listing
- Jupiter, the Bringer of Jollity from The Planets Op. 32 8:34
- I. Fantasy 4:30
- II. Fughetta 2:31
- III. Air 3:23
- IV. Toccato 3:04
- Paradise 3:43
- Nimrod from Enigma Variations 3:34
- I. [“The ancient praise-shout,]‘Halleluja’, has been restored ... ” 2:20
- II. “Silence may be kept” 3:29
- III. “ ... and thanksgivings may follow.” 2:01
- IV. “The Peace may be exchanged.” 3:07
- V. “The people respond - Amen!” 2:09
- Pomp and Circumstance March No.1 arr. Edwin H. Lemare 6:37
- Chanson de Matin arr. Herbert Brewer 3:17
- I. Introduction - Choral 2:20
- II. Menuet Gothique 3:15
- III. Prière à Notre Dame 4:59
- IV. Toccata 4:15
Gustav Holst (1874-1934), arr. Thomas Trotter
Florence Price (1887-1953)
Suite No.1 for Organ
Chris Martin (b.1977), arr. Alexander Ffinch
Edward Elgar (1857-1934), arr. William H. Harris
Dan Locklair (b.1949)
Rubrics
Edward Elgar
Leon Boëllmann (1862-1897)
Suite Gothique
Reviews
“…the first thing to strike the listener…is Ffinch’s sheer technical facility…the combination of works conceived for organ and arrangements, the blend of innovation and tradition, all rendered on that organ, in that space, by that truly superior organist, make this a recording not to be missed.
” —Jonathan B. Hall
“A program of oft recorded transcriptions and organ favorites. His [Alexander Ffinch] playing is musical, well thought out, with rational tempos, making this a most enjoyable recording
” —Robert Decamp
“…delightful spirit…merry and grand…stately and moving…quiet and delicate..The organ of Cheltenham College Chapel, restored by Harrison and Harrison in 2017, is well recorded…Overall this is an attractive recital; recommended
” —James A. Altena
“The Cheltenham College organ sounds on fine form in this clever compilation of both transcriptions and original organ works.
” —Rupert Gough
“There is an intimacy between player and instrument which is both rare and wonderful. There is also a refreshing boldness in the selection of compositions. The Coldplay song ‘Paradise’ soars around the college chapel…mellifluous and immediately engaging…wonderfully atmospheric…masterful dexterity…
” —Richard Dove
““…an exceptional performance here…This is an impressive recital that ’parallels’ old and new favourites.”
” —John France