Archive for Ian Mitchell

Métier Announces A New Album of Music by Nicola LeFanu

One of Britain’s most accomplished ensembles specialising in new music, Gemini, return to the studio in July to record a new album of music by Nicola LeFanu for Métier.  The album is tentatively titled ‘A Wild Garden’ – it contains vocal and chamber works and will be scheduled for release in the late autumn.

Nicola LeFanu © Nicola LeFanu

Nicola LeFanu has had a long association with Gemini stretching back to the 1970s when the ensemble recorded The Same Day Dawns with the composer conducting (released by Chandos on LP).  These ‘Fragments from a book of songs’ are scored for soprano and five instruments with words from poems in Tamil, Chinese, Japanese, Kannada and Akkadian. The work was written in 1974.

Along with this new recording of the work there are three other substantial compositions, all premiere recordings. The composer says of the Sextet Fasach – A Wild Garden, written in 1996: ‘I had in my mind images of some of my favourite wild places in Ireland: Roundstone bog and the Connemara coast, for example. To the outsider they must seem bare and empty, but if you explore them, they are teeming with luxuriant growth. In particular, the wild flowers on the cliffs at Kilbaha in Co. Clare were in my thoughts: my cousin Rachel Burrows spoke of her ‘’wild garden’’ there, and it became the subtitle of the piece’.

The Piano Trio (2003) ‘…is a lyric work written in a single movement. … The music is created through transformations—of melodic and rhythmic shapes, textures, characteristic harmonies. … These transformations are sometimes close, sometimes remote, but the harmonies underlying the piece create a unifying resonance so that the disparate ideas cohere’.

The Moth-Ghost (2020) is a dramatic scena for soprano and piano, setting a poem by James Harpur. It tells the story of Thetis, ‘…a sea-goddess of Greek mythology, who knew that her son Achilles must die. In the poem, she is a grief-stricken mother, mourning his death in the Trojan war. The imagery of the poem and the music is of the sea: the sonority of its turbulence, the rhythm of its tides’.

Nicola LeFanu was born in England in 1947, the daughter of Irish parents: her father William LeFanu was from an Irish literary family, and her mother was the composer Elizabeth Maconchy. LeFanu studied at Oxford, Royal College of Music and, as a Harkness Fellow, at Harvard. She has honorary doctorates from the universities of Durham, Aberdeen, and The Open University, is an Honorary Fellow of St Hilda’s College Oxford, and is FRCM and FTCL. She has composed around one hundred works which have been played and broadcast all over the world; her music is published by Novello and by Edition Peters. She has been commissioned by the BBC, by festivals in UK and beyond, and by leading orchestras, ensembles and soloists.

Since its formation in 1974 Gemini has presented a richly varied repertoire, incorporating standard eighteenth and nineteenth century chamber music, twentieth century music, new music, music theatre, music and dance and improvisation, plus much music by women and other neglected composers, and works inspired by, or influenced by, music outside the Western European tradition. Community and school concerts feature music from the eleventh to the twenty-first century; folk music from around the world, music by children and young people as well as more standard fare. An ongoing series of commissions is developing the use of the bass clarinet in small chamber ensembles. The ensemble is directed by clarinettist Ian Mitchell.

A Wild Garden (Métier MEX 7712)

Artists

  • Clara Barbier Serrano (soprano)
  • Gemini (Director : Ian Mitchell)
  • Composer (all works) : Nicola LeFanu

Works

  • The Same day Dawns
  • Sextet: Fasach – A Wild Garden
  • Piano Trio
  • The Moth-Ghost

Gemini on Métier

Music for Clarinet and Strings from Gemini

Divine Art is delighted to announce its latest project for the Métier label with leading chamber ensemble Gemini and its clarinettist leader, Ian Mitchell.  The album, to be recorded this autumn, will be titled “for clarinet and strings” and contains works by several prominent composers, with a number of premiere recordings.

From its very beginning in 1974 Gemini has commissioned composers in a variety of styles, and programmed works and composers that have been overlooked sometimes for many years.

This album presents works by Cyril Scott and Rebecca Clarke that have been championed by the ensemble. The Scott quintet was premiered by the Melos Ensemble in 1953 and possibly given only its second performance (his widow thought this was the case) – at London’s South Bank Centre in 1995. The Clarke duo, like much of her music, was unfamiliar to most people, and (performing from manuscript copies) Gemini has given a number of airings including a live BBC Radio 3 broadcast. A central plank of Gemini’s programming has always been to promote contemporary composers including music by women – 32 of whom have been commissioned, with over 70 performances of works by women. The ensemble has developed long-standing relationships with many composers: commissioning, performing and recording with the aim of giving their music a wider audience. Gemini has had a long and close musical relationship with Nicola LeFanu (eventually inviting her to be the ensemble’s Honorary President); supported Sadie Harrison from very early in her career and commissioned a number of works from Howard Skempton.

The work by Sadie Harrison will have been written in 2020 and is due to be premiered this year subject to the position with regard to social restrictions.  The Coe quintet grew out of a commission for a clarinet and piano piece by Ian Mitchell, Gemini’s director, and the Skempton Lullaby was also written for him.  

The recording is booked to be held on 6th October 2020 at St Michael’s Church, South Grove, Highgate, London N6 6BJ. Again this is subject to possible alteration given current circumstances. The  Clarke and Scott works were recorded several years ago when Gemini was a winner in the Prudential Award for the Arts .

The new album marks the continuation of an established and successful relationship between Gemini, Mitchell and Métier Records. Given current difficulties in the world at large release is likely to be in the very early part of 2021.

“… for clarinet and strings …” (MSV 28608)

Works

  • Prelude, Allegro & Pastorale for clarinet and viola (Rebecca Clarke)
  • Fire in Song (Sadie Harrison)
  • Songs without Words (Nicola LeFanu)
  • Dream Sequence (Tony Coe)
  • Quintet for Clarinet and String Quartet (Cyril Scott)
  • Lullaby (Howard Skempton)

Gemini:

  • Ian Mitchell (Clarinet)
  • Caroline Balding (violin & viola)
  • Ruth Ehrlich (violin)
  • Yuko Inoue (viola)
  • Sophie Harris (cello)
  • Aleksander Szram (clapsticks, speaker)

Previously on Métier:

Remembering Jazz Legend Bill Smith

William Overton (‘Bill’ to everyone) Smith was not only a clarinettist of distinction in both jazz and ‘straight’ fields, but also a composer of remarkably innovative music, much of it for his own instrument. He single-handedly expanded the capabilities of the clarinet beyond the wildest dreams of other musicians. From the beginning of the 1960s he regularly discovered and explored many new ways of playing the instrument: multiphonics (producing more than one sound at once; playing two clarinets at once – inspired by the ancient Greek double wind pipe the aulos; using a cork mute, and much more. He also composed the first clarinet and tape piece and a 12-tone jazz concerto. Born in California in 1926 he could claim (if modesty allowed) more than most to be dubbed a truly versatile musician. He studied clarinet at Juilliard and the Paris Conservatoire. As Bill Smith the jazz player he was the co-founder, with fellow Darius Milhaud student at Mills College, of the Dave Brubeck Octet in 1946-47, continuing to work frequently with Brubeck. He also studied composition with Roger Sessions at Berkeley, going on to write well over 200 works.

Bill was inquisitive and searching, inventing ways of playing purely for his own interest. I remember sitting on the bed in his hotel room once being shown how he had recently found that one could play the clarinet without a mouthpiece – flute-like, as side-blown instrument. He also explored the use of computers and electronics.  He was modest, entertaining, and with an engaging high pitch laugh,  carrying a root of ginger in his pocket, from which he’d occasionally slice a piece off to chew to help keep him healthy. He was a special musician and a special person, continuing to play literally throughout his life, playing at a 93rd birthday concert in September 2019.  Many will not realise his enormous legacy as one of the most creative musicians of the second half of the twentieth century, as they begin to explore the world of ‘advanced’ techniques for the clarinet. RIP Bill.

—Ian Mitchell, 6 March 2020

Bill Smith’s Discography on Métier

Two Divine Art Artists Share 2nd Place Finish in The American Prize for Performance

The American Prize’s Ernst Bacon Memorial Award for the Performance of American Music was announced today, and TWO Divine Art artists tied for 2nd Place for their performances released on Métier! Congratulations to both Chris Gekker for his award for his performances on Ghost Dialogues, and Ian Mitchell for his performances on Isn’t This a Time?: American Music for Clarinet! See the full announcement on The American Prize website.

New Métier album to focus on Bass Clarinet

Leading British clarinettist Ian Mitchell is to record a program of music for bass clarinet for Métier Records, the new-music arm of Divine Art. The purpose of the album will be to demonstrate that the bass clarinet is not just an optional orchestral instrument but is effective in chamber music for small ensembles. Joined by his long-established and renowned group Gemini, Mitchell will present an album containing many new works some of which have been commissioned by Mitchell and Gemini. The recording sessions are to take place, with Métier Productions producer/engineer David Lefeber, during the autumn for release in mid-2018. Other soloists taking part are soprano Alison Wells and pianist Aleksander Szram.