…the passionate devotee of contemporary music and audio perfection will find the Justin Connolly collection essential listening.
” —Stuart Millson, Brazen HeadI regard this as a very important release of a fine and sadly neglected composer. His piano music is very listenable, fresh sounding, and often impressively virtuosic. Technically and musically, Clarisse Teo is certainly up to the demands of the music…if you are a lover of piano music…you are going to enjoy this release.
” —Geoff Pearce, Classical Music DailyThere can be no doubt that this is a first-rate disc and I welcome it with much enthusiasm. This new recording should help to advance Thomas Pitfield’s fast-growing reputation and hopefully lead to many more performances of music by this rewarding composer.
” —David Jennings, MusicWeb Internationalan exceptionally assured and spellbinding demonstration of Dufourt’s uncompromising creative ambtions
” —Arnold Whittall, Gramophone…a two-disc set of music that rarely fails to enchant…the set as a whole comes with a firm recommendation.
” —,These are lovely works that maintain interest and momentum during the course of their two-hour journey. Kempf performs the Preludes and Fugues with technical panache, rich tone, lovely phrasing, and a marvelous grasp of the work’s ever-shifting moods and musical worlds. All told, this is a lovely recording.
” —Ken Melder, FanfareSynergism for two violins…is one of the most compelling pieces for two violins I have heard. [Emma] Tring’s voice is beautifully pure…there is nothing really to detract from the importance of this release…Sonnabend’s music if sully deserving of attention.
” —Colin Clarke, Fanfare…delightful…Kawamura presents an enjoyable hour’s worth of music; her musicality shines through throughout.
” —Colin Clarke, FanfareThoroughly Enjoyable…I highly recommend this recording of engaging and attractive music…Enjoy this disc – I certainly did.
” —Geoff Pearce, Classical Music DailySonically scintillating…Brilliantly executed and dramatically thrilling…superb performances are in ample supply
” —Christopher Ballantine, Opera MagazineL’Origine Du Monde…is a superb release. Like the best music…based on theory, his [Dufourt] compositions work. Most listeners will enjoy them…
” —Andy Hamilton, The WireA Diabelli Variations set that has no trouble standing out from the crowd.
” —James Manheim, AllMusic…as if all five performers had shone a bright light at every gesture in the score, etched and polished each one, then placed them back together.
” —Pwyl ap Sión, GramophoneThe Kreutzer Quartet…knows how to master the quintet…[they] present all the works convincingly and…appealingly.
” —Uwe Krusch, PizzicatoA double SACD…allows us to get to know a German pianist, Burkard Schliessmann, among the best and most interesting internationally in the last decades.
” —Andrea Bedetti, Groove Back…full-bodied and elegant…extraordinary.
” —Andrea Bedetti, Groove BackParakhinas…Beethoven is very impressive. This is a worthwhile Diabelli even without the extras; but they add a good deal of enjoyment…excellent performances.
” —Nigel Simeone, International PianoGráinne Mulvey is a major composer; these works only confirm that impression. Performances are superb, as is the recording. Recommended.
” —Colin Clarke, FanfarePitfield possessed a pronounced gift for melody as well as for harmonic and contrapuntal development…The result is music that is immediately appealing but that also rewards repeated listening…it is difficult to imagine Pitfield’s chamber music not appealing to you.
” —Henry Fogel, FanfareI have seldom heard a piano recorded with so huge a dynamic range. Is Honma a Classical Romantic, or is it the other way around? It hardly matters when Beethoven playing of this stature and invention graces my speakers…hers is a set not only rife with the kinds of detail that brings the listener back for more but brimming with the vitality that brings each sonata to life…it’s remarkably complete and endlessly rewarding.
” —Marc Medwin, Fanfare@divineartrecordingsgroup