Magical Places

Price range: £8.99 through £12.50

Label:
Catalogue No: DDA 25104
EAN/UPC: 809730510427
Artists:
Composers: , , , , ,
Release Date: September 2012
Genres: , ,
Periods: ,
Discs: 1
Total Playing Time: 69:13

Locations can be magical in many ways – musically they can be exotic, inspired by a holiday taken by the composer, expressions of a culture or of nature; here, special places range from England (Britten’s Aldeburgh) to Siberia to North Africa. These evocative symphonic poems for piano duet all express some fascination with locale which have excited a composer and brought about these exquisite and Romantic pieces.

Track Listing

    Modest Musorgsky:
  1. Night on Bald Mountain (10:55)
  2. Hugo Alfven:
  3. Swedish Rhapsody No. 1 (12:16)
  4. Jacques Ibert:
  5. Escales − No. 1 Rome-Palermo (6:33)
  6. Escales − No. 2 Tunis-Nefta (2:19)
  7. Escales − No. 3 Valencia (5:32)
  8. Anatoly Liadov:l
  9. The Enchanted Lake (6:13)
  10. Benjamin Britten:
  11. Four Sea Interludes from Peter Grimes − No. 1 Dawn (4:23)
  12. Four Sea Interludes from Peter Grimes − No. 2 Sunday Morning (2:28)
  13. Four Sea Interludes from Peter Grimes − No. 3 Moonlight (4:40)
  14. Four Sea Interludes from Peter Grimes − No. 4 Storm (4:34)
  15. John Ireland:
  16. The Forgotten Rite (9:16)

Reviews

International Piano

Terrific performances … A nicely judged programme that is superbly played and recorded with clarity.

” —Guy Rickards
The Classical Reviewer

Playing of astonishing brilliance from Anthony Goldstone and Caroline Clemmow … Britain’s premiere piano duo. It is because of the sensitivity and brilliance of Goldstone & Clemmow’s playing that these transcriptions work so well in their new guise. This is a beautifully produced disc with excellent notes by Anthony Goldstone which I thoroughly recommend.

” —Bruce Reader
Classical Music Sentinel

These two pianists shape and mold the piano transcriptions so well as to deliver interpretations that are just as effective [as the orchestral originals]. Not even a smidgen of the essence of these pieces is lost in the transcriptions, mostly due to the emotive edge these two musicians bring to the table.

” —Jean-Yves Duperron