Archive for Stephen’s Desk

Divine Art to begin series of Malcolm Williamson Chamber Music

Antony Gray
Antony Gray © Antony Gray

Malcolm Williamson Chamber Music Vol 1 (Release date first quarter 2025 tbc)

Antony Gray (piano), members of the St Paul’s Sinfonia, Matt Scott Rogers (conductor), selected soloists and ensemble players.

In 2025 Divine Art will release the first volume in a series featuring the chamber music of Sir Malcolm Williamson, 50 years since the composer’s appointment as Master of The Queen’s Music in 1975.

Here is your chance to decide for yourselves whether Malcolm Williamson (1931-2003) has been unjustly neglected. (We think so!) From being someone at the heart of the British musical establishment, including being Master of the Queen’s Music on the recommendation of Benjamin Britten, despite his somewhat anti-establishment views and behaviour, the last thirty years or so have seen an almost complete absence of Williamson from the concert platform and the recording studio, with very few exceptions.

One problem, perhaps more so historically than would be the case today, is that Williamson is almost impossible to pin down stylistically. He could write tuneful children’s operas, bouncy religious music and grand operas with tuneful arias and habaneras, and at the same time serial music of sometimes great dissonance and complexity (which, however, never lacked a lyrical element). This stylistic diversity was too much for some in the establishment, who liked to know what they were dealing with. Williamson responded to these people with characteristic glee and wit!

Antony Gray and Malcolm Williamson
Antony Gray and Malcolm Williamson

All these stylistic means of expression are represented on the present disc. From the ascetic beauty of ‘Pietà’, a twenty-minute Adagio, to the boisterous, and frankly hysterical finale of the uniquely scored Concerto for Wind Quintet and two pianos-eight hands, it’s all here. There’s some extraordinary writing for six trumpets, including a bass, with two pianos and percussion, the score of which was discovered in 2023. There is an early clarinet trio, also rediscovered in 2023, having also been previously rediscovered then re-lost in 1990 (there’s a story there!) and finally a quintet for piano and wind, the only piece on the disc to have previously been commercially recorded.

The performers include regular Divine Artist, pianist Antony Gray (also the producer), members of the St Paul’s Sinfonia and a selected group of skilled instrumentalists.

Williamson is, in fact, a major composer of the twentieth century. His operas and seven symphonies should be programmed regularly, along with the rest of his considerable output, and we hope the present recording will go some way to furthering that goal.

Album details:

  • Label: Divine Art
  • Catalogue number: DDX 21220
  • Title: Malcolm Williamson Chamber Music, Volume 1
  • Works:
    • Concerto for Two Pianos (8 Hands) and Wind Quintet
    • Pas de Quatre for Wind Quartet and Piano
    • Pietà, for mezzo-soprano, oboe, bassoon and piano
    • Trio for clarinet, cello and piano
    • Study/Piece for solo horn
    • 3 Vocalises for clarinet and piano
    • Gallery for 6 trumpets, 2 pianos and percussion
  • Artists:
    • Antony Gray (piano)
    • Sally Lundgren (mezzo-soprano)
    • Sarah O’Flynn (flute)
    • Melanie Ragge (oboe)
    • Neyire Ashworth (clarinet)
    • Meyrick Alexander (bassoon)
    • Roger Montgomery (horn)
    • Joely Koos (cello)
    • Joe Howson, Iain Clarke & Hamish Brown (pianos)
    • Members of St Paul’s Sinfonia:
    • Simon Tong (Trumpet in D)
    • David Carnac (bass trumpet)
    • Laura Garwin (trumpet)
    • Richard Knights (trumpet)
    • Thomas Hewitt (trumpet)
    • Samuel Ewins (trumpet)
    • Jon French (percussion)
    • Matt Scott Rogers (conductor)

Recorded in January and February 2024 in London. For release in the first quarter of 2025.

Remembering Nigel Butterley

Nigel Butterley
Nigel Butterley © Josh Raymond

We mark the passing of composer Nigel Butterley. The Australian composer, teacher, broadcaster, and pianist died in February 2022 at the age of 86. Never reaching fame internationally he was however a highly respected figure in Australian musical circles. He has created a vast body of music and also championed the work of other contemporary Australian composers and those of other nationalities,  particularly John Cage.  

Divine Art is honoured to have two of Butterley’s shorter piano works in the catalog, Arioso and Comment on a Popular Song recorded by Trevor Barnard (‘A Piano Odyssey’, Diversions DDV 24125). The latter work was also included on Barnard’s album of modern Australian music and Bach transcriptions (Divine Art DDA 25005).

Remembering Gerard Schurmann (1924-2020)

We were saddened by the news of the passing of composer Gerard Schurmann on March 24, at the age of 96. Born in what is now Indonesia, he moved at the age of 17 to England where he served in the RAF, worked in the diplomatic service and began his long composing and conducting career. Introduced to the world of film by his close friend Alan Rawsthorne, he achieved success as a movie-score composer but also produced orchestral and chamber works of great quality. He moved to Los Angeles in 1981. Schurmann contributed his touching short piece ‘Memento’ for Divine Art’s album ‘A Garland for John McCabe’ (DDA 25166)

Remembering Jazz Legend Bill Smith

William Overton (‘Bill’ to everyone) Smith was not only a clarinettist of distinction in both jazz and ‘straight’ fields, but also a composer of remarkably innovative music, much of it for his own instrument. He single-handedly expanded the capabilities of the clarinet beyond the wildest dreams of other musicians. From the beginning of the 1960s he regularly discovered and explored many new ways of playing the instrument: multiphonics (producing more than one sound at once; playing two clarinets at once – inspired by the ancient Greek double wind pipe the aulos; using a cork mute, and much more. He also composed the first clarinet and tape piece and a 12-tone jazz concerto. Born in California in 1926 he could claim (if modesty allowed) more than most to be dubbed a truly versatile musician. He studied clarinet at Juilliard and the Paris Conservatoire. As Bill Smith the jazz player he was the co-founder, with fellow Darius Milhaud student at Mills College, of the Dave Brubeck Octet in 1946-47, continuing to work frequently with Brubeck. He also studied composition with Roger Sessions at Berkeley, going on to write well over 200 works.

Bill was inquisitive and searching, inventing ways of playing purely for his own interest. I remember sitting on the bed in his hotel room once being shown how he had recently found that one could play the clarinet without a mouthpiece – flute-like, as side-blown instrument. He also explored the use of computers and electronics.  He was modest, entertaining, and with an engaging high pitch laugh,  carrying a root of ginger in his pocket, from which he’d occasionally slice a piece off to chew to help keep him healthy. He was a special musician and a special person, continuing to play literally throughout his life, playing at a 93rd birthday concert in September 2019.  Many will not realise his enormous legacy as one of the most creative musicians of the second half of the twentieth century, as they begin to explore the world of ‘advanced’ techniques for the clarinet. RIP Bill.

—Ian Mitchell, 6 March 2020

Bill Smith’s Discography on Métier

The new PDF complete catalogue is now available to download here.  While not as detailed as the website information, the PDF is the most useful quick reference guide from which you can spot items of interest!’

The Complete Divine Art Records Catalogue

The new complete catalogue in PDF format is now available to download or view here. While not as detailed as the website information, the PDF is the most useful quick reference guide from which you can spot items of interest!

Naji Hakim World Premiere

We are looking forward to our September releases now – which will be available here soon (mid August). Lots of new music including the premiere recording of an organ work by Naji Hakim – Toccata on the Introit for the Feast of the Epiphany – which is performed by Simon Leach on the new Hakim album ‘Embrace of Fire’ (Metier MSV 28583).

The passing of composer Laura Shur

We are sad to report that composer Laura Shur died recently.

Born and raised in Glasgow, Laura studied at The Royal Scottish Academy of Music, and graduated with a Diploma in Musical Education. She then took further study at Jordanhill Teacher Training College to gain a School Teaching Diploma and also gained the ARCM (Associate of the Royal College of Music) in piano performance.

She has spent her life mainly teaching, both in high schools and at the Royal Scottish Academy as well as with private students. However she also maintained a performing career, enjoying a debut at the Royal Festival Hall, and several BBC broadcasts as a soloist as well as working with chamber ensembles. Her over 50 compositions have been published by a number of companies including Universal, Novello and others. Several of her pieces for piano six-hands and piano duets were included in Trinity College of Music’s syllabus – Trinity also commissioned 20 of her Trios.

Laura Shur’s song ‘The Smile’, performed by contralto Georgina Colwell with pianist Nigel Foster, was included in the album ‘Lights Out’ produced for the English Poetry and Song Society and released in 2017 (Diversions DDV 24165).

Music for two pianos…

… and percussion.  Bartok’s Concerto and Camilleri’s  Sonata,  for this combination, are joined by Stravinsky’s own 2-piano transcription of The Rite of Spring in another fine reissue from the Dunelm Records catalog. Murray McLachlan and Kathryn Page (pianos), Heather Corbett and Stephen Burke (percussion). To be issued at mid price (CD and digital) in April 2018.

The genius of Artyomov

Following critical acclaim for the two recent albums of Symphonies and other works by Vyacheslav Artyomov (DDA 25143 and 25144) we are working with him on a project to re-issue almost all of the previous recordings of his magnificent music, most of this is being licensed from Melodiya and we hope to conclude the paperwork on the deal very soon. There should be material for seven albums – one actually includes new recordings (of ‘Sola Fide’ a ballet suite) while the re-issued recordings will be issued on the mid price Diversions label – we hope to schedule these for release over next spring and summer. At the same time plans are in hand for another new album… of which more news soon.

Performance of Kevin Malone’s “The Last Memory”

Kevin Malone‘s composition “The Last Memory” will be performed to the All-Party Parliamentary Group on Arts, Health and Wellbeing at the Party’s public launch at Manchester School of Art on 21 July. The event is generating an inquiry report on how the arts can influence senior government policy makers when drafting legislation regarding about issues of physical and mental health. This is one of the key works on MSV 25138 ‘Mind Music’ proceeds from which are donated to Parkinson’s UK, a major charity in this field.

The performance will be given by Lynsey Marsh, former principal clarinetist with the Hallé Orchestra. Both Lynsey and Kevin lost their fathers to Alzheimer’s, and the work has been recorded by Lynsey, released in February 2017 on Divine Art CD “Mind Music” which is focused on music influenced by neurological disorders.

Malone’s piece is the sole work being performed at the launch. It features a solo clarinetist on stage with a digital delay device which creates 12 identical receding echoes into the performance space, thus providing 13 live musical lines trapped in repeating loops of disorientation, an experience Malone witnessed as his father’s Alzheimer’s condition increased.

The performance is also being broadcast by Vintage FM radio.

Rhona Clarke’s “A Different Game” on Lyric FM

Bernard Clarke is broadcasting pieces from Rhona Clarke’s A Different Game (Metier MSV 28561) on three consecutive Nova Programmes (Lyric FM, Sundays 20.00-22.00):

  • 23 July: con coro
  • 30 July: In Umbra
  • 6 August: A Different Game (entire trio)

New Project Notes

  • May 25: We seem to be inundated with new recording projects. Soon to be announced will be a new double album of artsong, for the English Poetry and Song Society; we’re prequelling this new recording with the re-issue of four live concert recitals made between 2002 and 2006 (Diversions DDV 24162-5, August 2017). Many new chamber music discs are on the way from both sides of the Atlantic – more news soon!
  • May 2: Having just finished work on the fifth volume of Organ music by Carson Cooman, for release in July, we have just started on the next two! This wonderful series is attracting fine reviews, and given Mr Cooman’s rate of productivity we see it continuing for quite some time. Look out soon for news of two albums of fine Piano Trios from the late 19th and early 20th century – all world premieres too.