Archive for News – Page 12

Happy Birthday George!

September 26th is George Gershwin’s 120th birthday.

Gershwin managed the divide between popular and classical music better than anyone else; writing his first hit song ‘Swanee’ in 1919 and ‘An American in Paris’ in 1928, at the age of 30. With his brother Ira’s witty lyrics, Gershwin wrote hit songs for stage and screen and his American opera ‘Porgy and Bess’ went on to become one of the most important American works of the 20th century. Gershwin died at the young age of 38; imagine the body of work he would have created if we didn’t lose him so early.

Big fans of the composer from Brooklyn, Piano À Deux – Robert and Linda Ang Stoodley – have assembled an album of collage excerpts from Gershwin’s ‘rhapsodic ballet’, solo piano pieces, and have written new transcriptions of his songs for four hands at one piano. Watch as the duo record Linda’s arrangement of Gershwin’s Prelude No. 3 and ‘The Man I Love’. The new album will be released early next year.

Want some Gershwin right now? Here are a couple of albums to check out:
Gershwin & Ravel: Music for Piano Duo – Goldstone & Clemmow
Finnissy: Gershwin Arrangements – Ian Pace

And find other Gershwin pieces, such as ‘Rhapsody in Blue’ and ‘An American in Paris’ (the composer’s original piano duet versions) here.

AUTUMN SALE

The 2018 autumn sale starts on Friday September 14. Special prices available to all newsletter subscribers at 20% off all audio (digital and CD). Not a subscriber? Go to the link at the bottom of the homepage and sign up for your special voucher code!

New Russian Piano Music volumes coming soon

The many fans of our Russian Piano Music series may be wondering what new additions will be coming in the future, as it is 18 months or so since the last volume (12) was released. The good news is that preparations are well under way for three more instalments in the series, all featuring the work of well known composers. Alfonso Soldano (whose Bortkiewicz CD was very well reviewed) will play music by Tchaikovsky (vol. 13) and Rachmaninov (vol. 14) while another very fine young Italian pianist, Stefania Argentieri, presents an album of music by Prokofiev. The three new albums are likely to be available from the summer of 2019.

The Passing of a Great British Artist

One of the finest British artists passed away earlier this year. Dennis Creffield, who was perhaps best known for his commissioned drawings of every cathedral in England, has work in the collections of major international institutions, such as the Tate Gallery, The British Museum, Arts Council of England, the Los Angeles County Museum of Art and more.

Two of his paintings were used for the album ‘De Profundis – The Art of Dying’: “The Holy Sepulchre, Jerusalem” and “View of the Old City of Jerusalem”.

Learn more about Creffield in The Guardian’s obituary.

Composer Naji Hakim praises new album

“Simon Leach’s CD “Embrace of Fire” at the organ of the Church of the Holy Name of Jesus, Manchester is a must! It includes top class interpretations of a contrasted program of my works. Very poetical all the way through, with colourful registrations, in perfect balance with the excellent and expressive playing of great artists such as Benedict Holland, violin and John Turner, recorder. The plainsong introductions by tenor Ranald McCusker add a very prayerful flavor to the recording. I’m so proud of this CD and feel privileged to discover in it a grand premiere recording of my Toccata on the Introït for the Feast of the Epiphany.” – Naji Hakim

‘Embrace of Fire’ will officially be released on September 21, but is now available for pre-order.
Performed by Simon Leach, Benedict Holland, John Turner, and Ranald McCusker.

Christmas in the Greek Tradition

The new recording from Divine Art for this year’s Christmas season celebrates the Greek tradition of singing carols on Christmas Eve (the “Kalanda”). Greek-Cypriot composer Cilia Petridou has written many carols, settings of texts by Greek authors and a full program of these is presented on the new album ‘The Mystery of Christmas: Carols of Joy and Celebration’ (Divine Art DDA 25186) which will be released in November. The composer has been resident in the UK for many years; her earlier Divine Art production was a double album of vocal and chamber works which received glowing reviews (‘Sounds of the Chionistra’ – Divine Art DDA 21226). Written mainly for solo voices, the singing is shared by three fine sopranos: Jenni Harper, Lesley-Jane Rogers and Alison Smart, all accompanied by pianist Sarah Down. The final two tracks feature all three in beautiful trio carols.

Jonathan Östlund: Voyages

We are delighted to announce the release of the double digital album “Voyages”, showcasing new original music written by the acclaimed composer Jonathan Östlund. This album, scheduled for release in February 2019, is a collection of exciting new repertoire including works for solo instruments, vocal, various chamber ensembles, organ works, as well as works for symphony orchestra, and features top international artists and ensembles. Exploring “Voyages” we discover personal journeys, both geographical as well as introspective, and a particular memory of time, with unique events and treasured memories… – the dramatic twists are interwoven with meditative passages, enthusiasm meets longing and the reflections upon the passage itself of time, in the voyage through Life.

Jonathan Östlund’s previous double album under Divine Art, “Lunaris” (DDA 21226), released in 2016 and currently in-demand and available via all major platforms, received top recognition; John Pitt, of New Classics, described Östlund’s music as “timeless and sophisticated…”, Huntley Dent, of Fanfare, appreciated that “Östlund’s signature, like Debussy and Schumann in the great tradition, merges atmosphere, mystery, fantasy, and fairy tale”, and Jan Hocek, of His Voice, contoured Östlund’s writing by affirming that “Jonathan Östlund writes music with natural poetic melodies and highly sophisticated harmonies, blending tradition with contemporary expression.”

Östlund received a BA and MA in Composition from LTU in Sweden, and has been awarded such honours as the First Prize at ‘Leicester Symphony Orchestra Composer’s Competition’, the ‘Public’s Choice Award’ at ‘Oslo Grieg Festival’, and has been selected as winner in the category ‘Most Distinguished Musician’, as well as receiving a ‘Special Mention’ at the IBLA Grand Prize. He has composed approximately 100 works, including several orchestral/symphonic compositions, a Piano Concerto and a Violin Concerto.

Two versions of Charles Avison’s Opus 9

In the baroque era, composers often prepared two or more versions of works for different instruments to accommodate those without access to everything. Charles Avison was one such composer. His Opus 9 Concerti Grossi were advertised as being playable in several ways with optional continuos, substation of instruments etc. and even as keyboard solos. The chamber orchestra and string quartet versions can be compared – the former played by the Avison Ensemble (divine art dda 21211) and the latter by The Georgian Concert (diversions ddv 24108). (Note: The Georgian Concert quartet is not the modern standard, but consists of violin, viola, cello and violone.) The quartet version is possibly the earliest work written specifically for string quartet in England.

Peter Seivewright wins American Prize Award

Congratulations to Peter Seivewright for his American Prize 2018 Ernst Bacon Memorial Award. Peter was awarded the Special Judges’ Citation for ‘American Piano Sonatas’ in the solo artist division. Being from Scotland, he is the only individual among the winners in his category that is not a United States citizen.

“Among the many contests of The American Prize, the Ernst Bacon Memorial Award for Performance of American Music is unique. It recognizes and rewards the best performances of American music by ensembles and individual artists worldwide.”

Peter is beginning preparations to record the second of four volumes in his American Piano Sonatas series.

Gennady Rozhdestvensky

Legendary Russian conductor Gennady Rozhdestvensky has died at the age of 83. Principal conductor at the Bolshoi from 1960, he became chief conductor of the BBC Symphony Orchestra in 1978 and guest conducted with many major orchestras.

Hear the maestro in the exquisite ‘Concert of the 13’ by Artyomov on DDA 25171.

Release Reschedule

Due to the enormous pressure of work and other matters, we are rescheduling our releases set for the rest of the year. This means that the Artyomov retrospective release dates have changed and will now be:
DDA 25173 Requiem October 19
DDA 25174 Sonata of Meditations November 16
DDA 25175 In Memoriam January 18
DDA 25176 Star Wind February 15

John McCabe – The ‘Lost’ Recital

In 1985 the internationally renowned pianist and composer John McCabe recorded an album of contemporary piano music by Australian and American composers. Made in the EMI Studio in Sydney on a commission from Earle Page College, the recording was put aside when the studio closed and was believed lost. Attempts to trace the master through EMI’s successor, Warner Music, were not replied to. Amazingly, a cassette copy was found among the composer’s papers and has been remastered to produce a wonderfully fine album with superb sound. Works by Peter Sculthorpe, George Rochberg, Wendy Hiscocks, Barney Childs, Don Banks, Graeme Koehne and David Maslanka. Probably the last ‘new’ recording to be released featuring McCabe, who died in 2015, as pianist. The album will be scheduled for release by Métier Records in spring 2019 (catalog number MSV 28585).

Naji Hakim World Premiere

We are looking forward to our September releases now – which will be available here soon (mid August). Lots of new music including the premiere recording of an organ work by Naji Hakim – Toccata on the Introit for the Feast of the Epiphany – which is performed by Simon Leach on the new Hakim album ‘Embrace of Fire’ (Metier MSV 28583).

‘PARIS, PRELUDES & PORGY’

George Gershwin, the boy from Brooklyn, managed the divide between popular and serious music better than anyone else; writing his first hit song ‘Swanee’ in 1919 and ‘An American in Paris’ in 1928, at the age of 30.

Taking their lead from the 1951 film of ‘An American in Paris’, Piano À Deux – Robert and Linda Ang Stoodley – have created their own collage of excerpts from Gershwin’s ‘rhapsodic ballet’, incorporating songs featured in the film, including the ever popular ‘I Got Rhythm’ and the lesser known ‘By Strauss’. The new album, “From Brooklyn to Broadway”, will be released by next spring and is to be recorded in August at St. Peter and Paul Church, Church Hanborough (Steinway model D).

Gershwin’s sketchbooks of 1924 and 1925 show he planned to write solo piano pieces but his efforts left little more than a handful of compositions: the Three Preludes (1926), arrangements of eighteen of his songs and a number of miniatures.

In their new recording, Piano À Deux has coupled some of Gershwin’s solo piano works with his songs in new transcriptions for piano four hands. The Three Preludes each become extended pieces with ‘A Foggy Day in London Town’ seamlessly blending into ‘Prelude No. 2’. The charming, early miniature, ‘Novelette in Fourths’ is combined with ‘Love Walked Right In’, and ‘Our Love is Here to Stay’ is embedded in ‘Rialto Ripples’.

An entertaining new rhapsody by Piano À Deux for piano four hands derived from Gershwin’s opera ‘Porgy and Bess’, forms the recording’s finale.

Piano À Deux’s first album, ‘France Revisited’ (2017) attracted much praise for both the performances and also Linda’s inspired arrangements of Poulenc songs.

Artyomov: In Spe

Vyacheslav Artyomov is considered by many to be the greatest composer in Russia today and is certainly one of our most incredibly gifted symphonists. Following the release in November 2016 of two of his symphonies, Divine Art has licensed and remastered no less than seven albums containing recordings made by Melodiya and others between about 1988 and 2008 and are currently releasing these in a Retrospective. To round off this series in style, a new recording has just been made of two more major works – the Symphony ‘In Spe’  for violin, cello and orchestra, and ‘Latin Hymns’ for soprano, chorus and strings. Divine Art CEO Stephen Sutton said of the new recording; ‘I’m delighted that we can round off the Artyomov series – at least for now – with this superb new recording. Both works are majestic and display Artyomov’s immense orchestrational skill and his deep spirituality which infuses all his works.”

The new recording is likely to be scheduled for release in the spring of 2019. Both works are of course new to the catalog and were recorded (in studio) after a hugely successful concert performance. The very fine Russian National Orchestra and Yurlov State Capella Choir are joined by young graduate soloists who are very likely to make a big impact in the music world.

The Complete Artyomov Retrospective:

DDA 25143: Symphony “From the Threshold of a New World”; Ave Atque Vale; Ave Crux Alba (11/2016)
National Philharmonic Orchestra of Russia cond. Vlaimir Ashkenazy

DDA 25144: Symphony “Gentle Emanation”; Tristia II (11/2016)
Soloists, Russian National Orchestra, cond. Teodor Currentzis /Vladimir Ponkin

DDA 25164: Scenes from the ballet “Sola Fide”; Tempo Costante, Concerto for Orchestra (4/18)
Soloists/Kaunas State Choir/ Moscow Philharmonic Orchestra, cond. Dmitri Kitaenko/Moscow Chamber Orchestra ’Musica Viva’, cond. Murad Annamamedov

DDA 25171: Symphony “The Way to Olympus”; Gurian Hymn; Preludes to Sonnets; Concert of the Thirteen (6/18)
Soloists, Moscow Philharmonic Orchestra, cond. Dmitri Kitaenko/USSR State Academic Symphony Orchestra, cond. Gennady Rozhdestvensky

DDA 25172: A Symphony of Elegies; Awakening; Incantations (9/18)

DDA 25173: Requiem (10/18)

DDA 25174: A Sonata of Mediations; A Garland of Recitations; Totem (10/18)

DDA 25175: In Memoriam; Lamentations; Pietà; Tristia I (11/18)

DDA 25176: Star Wind; Romantic Capriccio; Moonlight Dreams; Mattinate; Scenes; Nestling Antsali (11/18)

DDA 25184: Symphony “In Spe”; Latin Hymns (Spring 2019)
Ivan Pochekin (violin); Aleksandr Buzlov (cello); Russian National Orchestra; Valentin Uriupin (conductor)
Nadezhda Pavlova (soprano); Yurlov State Capella; Strings of the Russian National Orchestra; Valentin Uriupin (conductor)

The Master Completer

Our late friend Anthony Goldstone was, aside from his skill as a pianist, a fine arranger, and was especially adept at completing works left unfinished by major composers, especially Schubert. But his completion and realisation of the fragmentary B flat Sonata for Two Pianos by Mozart drew particular praise from several eminent musicians and musicologists: “bravissimo!” (Brian Newbould), “Mozart would not have been displeased” (Anthony Payne), “An excellent example of the genre and a most welcome addition” (Julian Rushton), “brilliant” (Philip Wilby), “very cleverly done” (H.C. Robbins Landon), “Extremely successful” (John McCabe). This and several more fascinating rarities appear on Divine Art DDA 25046 ‘Mozart on Reflection’ by Goldstone and Clemmow. Check out also Tony’s pioneering work with Mozart’s solo piano works in ‘The Unheard Mozart’ (DDA 25051).

New Artyomov Symphony recording

Regarded by many as Russia’s greatest living composer, Vyacheslav Artyomov is a natural successor, but with a totally distinctive style, to the work of Scriabin, Messiaen, Mahler and the other great Impressionist-Romantics with large scale works of power and intensity. Currently we are producing a retrospective series of recordings originally issued by Melodiya and other companies in Russia, following the success of our first two Artyomov symphony albums. Following ‘Sola Fide’ and ‘The Way to Olympus’ now out, we have the Symphony of Elegies in September and four more albums to complete the retrospective in October and November. This includes his critically acclaimed Requiem. Now we are overjoyed that to round off this series we will release in early 2019 a new recording made this July of the stunning Symphony ‘In Spe’ and also the ‘Latin Hymns’ – featuring the awesome voice of soprano Nadezhda Pavlova. The Russian National Orchestra is conducted by Valentin Uriupin.

German article on Carson Cooman

For those who can read German, here’s a super interview from Sudwestpresse with American organist Carson Cooman, now a mainstay of the Divine Art catalog both as composer and performer: I’m posting this on June 8 and not sure how long the interview article will be available….

https://www.swp.de/unterhaltung/kultur/carson-cooman_-_aufnahmen-sind-sehr-wichtig_-26940786.html

Ustvolskaya works for violin & piano

Following the critical praise and popularity enjoyed by her 2-CD set of the piano music of Galina Ustvolskaya, Russian pianist Natalia Andreeva is joining forces with the exceptionally talented violinist Evgeny Sorkin, to record Ustvolskaya’s two major works for violin and piano, which they performed in concert to great acclaim in March.

Natalia started her ‘Ustvolskaya project’ in 2006 in Chicago, where she was a Fulbright scholar. Since then she has regularly included Ustvolskaya’s solo piano and chamber works in her recitals and remains in touch with Ustvolskaya’s widower, Mr Konstantin Bagrenin, who is a great help and encouragement for her works. Natalia currently holds the position of the Lecturer in Piano at the Sydney Conservatorium of Music, Australia, where she completed her PhD in Piano Performance.

Evgeny Sorkin attended the Moscow State Conservatorium and went on to study at the Australian National Academy of Music and the Sydney Conservatorium of Music where he is currently a staff member while he balances his teaching with a busy recital schedule. Most notable is Evgeny’s performance of the complete Beethoven sonata cycle with the renowned Dutch-Australian pianist Gerard Willems.

The recording is to be made at the ABC Studios in Sydney, Australia in September, and will be scheduled for release in the spring of 2019.

Robin Walker Chamber Works

We are pleased to announce a new album of chamber works from Robin Walker. The album will include a range of works, including his magical double concerto for violin, recorder and string orchestra (A Prayer and a Dance of Two Spirits). Robin is already known to us. His tribute to the late John McCabe And Will you Walk Beside Me Down the Lane was featured on the highly praised recent album ‘A Garland for John McCabe’ released in February.

The album will be recorded over two sessions in the coming months. The first, at St. Thomas’s Church, Stockport, is on 5th July, with the Manchester Sinfonia conducted by Richard Howarth, who will record the double concerto for violin and recorder, A Prayer and a Dance of Two Spirits, with Emma McGrath (violin) and John Turner (recorder). At this session Emma will also record the solo violin piece She took me down to Cayton Bay specially commissioned for the disc by The Ida Carroll Trust. Robin is a native Yorkshireman, and Cayton Bay is a modest seaside resort on the Yorkshire coast. In the piece he has taken the opportunity to blend the ecstasy of the romantic violin with the grounded timelessness of folk-song. Being an exponent of folk-violin as well as a master performer of the concertos of the Romantic repertoire, Robin anticipates Emma’s complete understanding of the piece.

Emma will fly in especially for the recording session from Tasmania where she is Concert master of The Tasmanian Symphony Orchestra. She is a former associate leader of The Seattle Symphony Orchestra, and was a string finalist in The BBC Young Musician of the Year in 2002.

While in Stockport, John Turner will record Walker’s solo recorder piece A Rune for St Mary’s. St. Mary’s is the parish church of Stockport and the ‘rune’ the piece is based on is a thousand-year-old stone cross in a field above the farm where the composer lives in the Pennine Hills of Northern England. From some angles it looks like a cross – from other angles it seems to be a primitive stone face presiding over the hillside.

The second recording session will be in late September, during which two pieces for double bass will be recorded by the virtuoso player Leon Bosch. The more recent of the two pieces involved Robin taking lessons on the instrument. He remembers that in the course of the lessons “it was like getting to know a large and unusual person, several centuries older than myself.” The solo piece is called The Song of Bone on Stone and it sings of human fragility (‘bone’) in contact with the implacable permanence of Nature (‘stone’). The recording session will also include a solo cello piece called His Spirit Over The Waters, performed by Jennifer Langridge, and is a memorial for a university colleague of Robin’s in Manchester.

In addition to the works to be recorded this summer, the album will contain one older recording, the miniature string quartet I Thirst performed by Manchester Camerata Ensemble.

Robin Walker was born in York, England in 1953 and attended schools attached to York Minster – where he was Head Chorister – for ten years. He studied at Durham University with the Australian composer David Lumsdaine, and subsequently at the Royal College of Music in London with the late Anthony Milner. He taught at various universities for a decade before withdrawing from academic and city life. He moved to the Pennine Hills of the West Riding of Yorkshire in order to concentrate on composition, and has lived on or next to a farm for the last thirty years. His current preoccupation is with the instinctual basis of musical tradition, and its expression in opera.