Archive for Tom Hicks

New Spring 2022 Release from Pianist Tom Hicks

March 2022 will see the release of a piano recital album on the Divine Art label by the young virtuoso Tom Hicks, the principal works being the Sonatas of Franz Liszt and John Ireland.

Tom Hicks
Tom Hicks © Tom Hicks

Tom Hicks’ first disc featuring John Ireland’s Sarnia, ‘Tom Hicks: Ireland and Tchaikovsky’ has been described as ‘brilliantly evocative’ by Colin Clarke in International Piano, and ‘gorgeously creative’ by Scott Noriega in Fanfare. Hicks’ island home of Guernsey (‘Sarnia’) is his connection to John Ireland who visited the Channel Islands frequently in the early 20th Century and lived there for a period before having to be evacuated prior to the German occupation in WWII. Cover art by Wendy Heaume depicts Castle Cornet and the St Peter Port Lighthouse as Ireland would have seen them on that fateful voyage.

Ireland’s Sonata is the composer’s other major work for piano and is central to two historical explorations running through the programme of this disc. On the one hand, the Liszt B minor Sonata is contrasted with what Lisa Hardy described as the ‘outstanding example of all British piano sonatas’. Ralph Hill was the first to compare the two masterpieces and viewed the Ireland favourably, bemoaning its neglect amongst pianists. It was also Liszt’s pupil, Frederic Lamond, who gave the premiere of Ireland’s Sonata at the Wigmore Hall in 1920.

The second historical exploration is that of Charles Stanford’s Royal College of Music class. This is especially appealing because of the opportunity to feature traditionally underrepresented composers. Charming and varied character pieces by Samuel Coleridge-Taylor, Rebecca Clarke and Stanford himself introduce the two major sonatas that follow.

Recording began in early 2021 during Guernsey’s second lockdown at St James Concert Hall. The CD is backed by the John Ireland Trust and the Guernsey Arts Commission and is scheduled for release with Divine Art in March 2022.

Tom Hicks

Hailed as an artist of ‘magnificent pianism’, Guernsey-born pianist Tom Hicks has been praised for his ‘gorgeously creative playing’ that ‘transports the listener to another place and time’. Hicks is a gold medallist in numerous national and international competitions and holds degrees and awards from The University of Manchester, The Royal Northern College of Music, Yale University and Northwestern University. His teachers have included Mervyn Grand, Murray McLachlan, Boris Berman and James Giles.

As a recitalist and collaborator, Hicks has appeared at venues including The Wigmore Hall and St Martin in the Fields in London. He has appeared as concerto soloist on more than 50 occasions including complete cycles of the Rachmaninoff and Brahms concertos. His 2019 recording of Ireland’s Sarnia and Tchaikovsky’s The Seasons has been widely praised and he is currently collaborating with the British composer, Camden Reeves, on an album of Blues-inspired pieces for release with Divine Art’s new-music imprint Métier in 2022 (“Blue Sounds for Piano” – Métier MSV 28604)

Ireland – Liszt: Sonatas (DDA 25227)

Works

  • Charles Stanford:  24 Preludes, Op. 163 – No. 24 in B minor & No. 5 in D major
  • Samuel Coleridge-Taylor:  Three-Fours, Op. 71 – No. 2 Andante
  • Rebecca Clarke: Cortège
  • John Ireland: Sonata for Piano
  • Franz Liszt: Piano Sonata in B minor

Recorded in September 2021 at St James Concert Hall, Guernsey
Recorded by Flexagon
Mastering and editing by Mill Media, Manchester

Métier to Release Tom Hicks “Blue Sounds” album of music by Camden Reeves

Tom Hicks
Tom Hicks

In January 2020 pianist Tom Hicks began recording with the composer Camden Reeves for their new record for MetierBlue Sounds for Piano. Since 2013, Camden has been working on a series of blues-inspired works for Tom – Tangle-Beat Blues (2013), Nine Preludes (2016) and Blue Sounds (2019) – which Tom has performed across the USA and UK. Blue Sounds was premiered in October 2019 in Chicago, alongside the other two works. All three works were all recorded in January 2020, followed by their performance in a recital at St Pancras. London on 9 January.

Reeves is currently working on a new piano piece, Blue Times, especially for this album, its energetic shuffle rhythms providing a counterpoint to the harmonic stillness of Blue Sounds. The final piece in the program(me) will see Tom Hicks joined by cellist Jennifer Langridge for Still Above Ground, a work written in memory of Camden’s grandfather (a jazz musician and the composer’s life-long mentor).  

Guernsey-born pianist Tom Hicks has been hailed as ‘an artist of magnificent pianism’; he has established himself as a brilliant soloist, has won multiple awards and is also very sought after for accompaniment and chamber recitals in the UK and USA and around Europe. This will be his first album for Metier.

Camden Reeves
Camden Reeves

Meticulous in detail, dramatic in structure and with a touch of the bizarre, the music of Camden Reeves ranges from chamber, to vocal, to orchestral. His name has also become particularly associated with the piano.

Reeves was born in Oxford in 1974.  At the age of four he began learning music with his grandfather, a Jazz musician. Reeves read music at the University of Exeter, studying composition with Philip Grange, and at the age of just 22 was appointed Composer Fellow with the Hallé Orchestra in Manchester.  Further Composition studies followed with Roger Marsh and David Blake at the University of York. In 2000-2001, Reeves was awarded a CIMO Scholarship to study with Paavo Heininen on a CIMO Fellowship at the Sibelius Academy in Helsinki, and he still cites his engagement with the music of Sibelius during this period as one of the most important influences underlying the organic and dramatic structure of his music.

Reeves’s catalogue includes five string quartets, two piano trios, music for voice/s, solo pieces (with and without piano), orchestral music and a large amount of solo piano music. Reeves’s music is available from Edition Peters and Composers Edition. A good number of works are available in the form of commercial recordings. Visit camdenreeves.com for more information. Reeves is currently Professor of Music at the University of Manchester, where he has taught since 2002.

Metier Records was established in 1992 and quickly gained a reputation as one of the foremost labels for contemporary music. It became part of the Divine Art Recordings Group in 2005.

Album Details

Title: Blue Sounds for Piano (MSV 28604)
Works (all composed by Camden Reeves):

  • Tangle-Beat Blues
  • Nine Preludes
  • Blue Sounds for Piano
  • Blue Times
  • Still Above Ground (with Jennifer Langridge, cello)