Archive for Robin Stevens

Divine Art Announces 2024 Release of A Questing Soul: Music for Violin and Piano by Robin Stevens

Following the release of four critically acclaimed albums in as many years, the Divine Art label’s survey of the chamber music of British composer Robin Stevens will culminate, in spring/summer 2024, with A Questing Soul, comprising Robin’s most significant works for violin and piano. The music on this album spans almost thirty years, the two most substantial pieces – both duos – being the earliest: the tumultuous, single-movement Fantasy Sonata of 1985, and the epic, four-movement Sonata Tempesta of the following year. These are both products of the composer’s late twenties, marked by soaring lyricism and invigorating, pungent harmonies.

Robin Stevens
Robin Stevens © Iain Andrews

The remaining duos on the disc cover a wide stylistic range, from the jazzy Scherzo in Blue to the freshly melodious An Interrupted Waltz; from the turbulent Say Yes To Life, which stretches tonality almost to breaking-point, to the uncompromisingly atonal, yet deeply moving, Cri de Coeur. This generous selection also contains two miniatures for unaccompanied violin, and five for solo piano: in these works, humour and quirky playfulness abound, providing a perfect foil for the passionate intensity of the ambitious duo sonatas.

The performers on this release are the wife and husband duo Christine Townsend (violin) and Stephen Robbings (piano), both graduates of the Royal Academy in London. As a duo they are regular recitalists throughout the south of England. Christine’s freelance career includes being a guest leader of the Hallé Orchestra in Manchester, and Stephen, a celebrated Chopin player, is on the staff of Winchester College. Christine will be a welcome new addition to the Divine Art company’s almost 1000-strong roster of principal artists while Stephen previously contributed virtuosic performances of contemporary music for oboe and piano with Christopher Redgate (Métier MSV 28508).

A Questing Soul: Music by Robin Stevens for Violin and Piano (DDX 21121)

  • Composer: Robin Stevens
  • Artists: Christine Townsend (violin); Stephen Robbings (piano)
  • Recorded at hallé St. Michael’s, Ancoats, Manchester, UK
    (session in July and October 2022, April 2023 and a last session on 13 December 2023)

Robin Stevens

Born in Wales in 1958, and growing up in a musical family in the south of England, Robin’s lyricism and his love of harmony may be traced to his years as a treble and (once his voice started to break) an alto singing in church choirs. Initially a first study cellist, at sixteen he performed the Elgar Cello Concerto, complete, with the Dartington College Orchestra. At eighteen he began the Joint Course at the Royal Northern College of Music (which he didn’t particularly enjoy) and Manchester University (which he did), graduating with honours in 1980. A year later, whilst completing an MA at Birmingham University, Robin wrote a String Quintet, his first major composition. Then followed five years working on the staff of a church in York as Music Director and Pastoral Worker, where he wrote a good deal of sacred vocal music, after which Robin taught for three years, heading up the Music Department of a Senior School in West Yorkshire. His fortunes took a serious dip in 1990 when he contracted ME, a debilitating illness from which he only recovered in 2007, after which, whilst continuing to compose, he earned his living as a personal tutor, mainly teaching nine- and ten-year-old children.

A committed Christian, Robin continues to be involved in church music, as cellist, keyboard player, vocalist and composer/arranger. In 2018 Robin was the grateful beneficiary of a considerable family legacy which has enabled him to embark on the project of recording all his major compositions with some of the foremost musicians in Britain. His works include a Te Deum for choir, soloists and orchestra; Mourning into Dancing for symphony orchestra; Brass Odyssey for brass band and six percussionists; concertos for bassoon, for cello, and for viola; two string quartets; a Sonata for Solo Cello; and Fantasy Sonata and Sonata Tempesta for violin and piano. Unsurprisingly, Robin has also written a large quantity of cello miniatures, including a meditative online collection entitled An Inward Journey, which he performs himself. Robin has also recorded two albums of songs, Fire and Inspire, and Whispers in the Wasteland.

Beyond his musical activities, Robin is a regular at parkrun in Wythenshawe, Manchester; tries to cycle rather than drive; is a voracious reader, especially of thrillers and biographies; preaches every couple of months at St. Mary’s Church, Sale; loves giving dinner-parties; and, despite his best efforts, remains Christendom’s most reluctant bachelor.

Robin Stevens Recordings on Divine Art

Announcing A New Chamber Music Album for Composer Robin Stevens

Robin Stevens playing the cello outside
Robin Stevens © Iain Andrews

Following the January 2022 release of the critically acclaimed album of his cello and piano music (DDA 25217), Manchester-based British composer Robin Stevens is currently recording a programme of his chamber music for mixed ensembles, entitled Chasing Shadows. The major work on the disc is Robin’s four-movement Clarinet Quintet, featuring Hallé Orchestra clarinettist Rosa Campos. This piece embraces, in a contemporary idiom, all the sweep and ambition of Brahms’ own famous work in the genre.

The remainder of the album demonstrates Robin’s penchant for writing for unusual and neglected combinations of instruments. His Romantic Fantasy for Harp Septet – employing the same forces as Ravel’s ground-breaking Introduction and Allegro – is a powerfully original composition encompassing an unbroken twenty-minute span. The Fantasy Trio for Flute, Cello and Classical Guitar explores the exciting sonic possibilities latent in this felicitous grouping of instruments, and a further dramatic contrast in timbres is provided by two miniatures for double bass and piano.

This project is blessed with a stellar cast of instrumentalists, including guitarist Craig Ogden, harpist Clifford Llantaff (BBC Philharmonic Orchestra), and Hallé Orchestra principals Amy Yule (flute) and Nicholas Trygstad (cello).

Chasing Shadows (DDA 25236)

Composer Robin Stevens

Works

  • Quintet for Clarinet and Strings
    Rosa Campos (clarinet); Sophie Rosa  & Rosemary Attree (violins) ; Alistair  Vennart (viola) ; Nicholas Trygstad (cello)
  • Fantasy Trio
    Clifford Llantaff (harp) ; Craig Ogden (guitar); Nicholas Trygstad (cello)
  • Obsession
  • Chasing Shadows
    Alex Jones (Double Bass); David Jones (piano)
  • Romantic Fantasy
    Clifford Llantaff (harp); Rosa Campos (clarinet); Amy Yule (flute/piccolo) ; Katie Stillman & Rosemary Attree (violins); Christine Anderson (viola); Nicholas Trygstad (cello)

Divine Art announces third album for composer Robin Stevens

Robin Stevens playing the cello outside
Photo © Iain Andrews

British composer Robin Stevens (b. 1958) is embarking on a recording of his music for cello and piano, to be recorded in the first three months of 2021. The performers are Nicholas Trygstad, lead cellist of the Manchester-based Hallé Orchestra (with whom he recently played the Elgar Cello Concerto), and David Jones, Head of Keyboard Accompaniment at the Royal Northern College of Music, also in Manchester, who made a superb pianistic contribution to Robin’s 2020 CD of wind music, Prevailing Winds. The largest piece on the album will be the expansive, single-movement Sonata Romantica, a predominantly lyrical composition which also incorporates expressive use of microtones, including in particular, and rather unusually, thirds of a tone. Most of the remainder of the disc comprises shorter pieces in Robin’s personal brand of accessible Modernism: here the composer’s intimate knowledge of the cello (he is himself a music-college-trained cellist) comes to the fore in miniatures of considerable power and originality. By way of contrast, the set will also showcase the lighter side of Robin’s output in his tuneful Balmoral Suite, five movements portraying different members of the royal family, including an affectionate depiction of Prince Philip in his centenary year. The album is due to be released in the Autumn of 2021.

Robin Stevens: Music for Cello and Piano (DDA 25217)

  • Label: Divine Art
  • Recording Date: Jan – Mar 2021
  • Album Release Date: Autumn 2021

Performers:

  • Nicholas Trygstad, cello
  • David Jones, piano

Works for cello and piano:

  • Sonata Romantica  
  • Balmoral Suite
  • Say Yes to Life
  • On the Wild Side
  • 3 Character Pieces
  • 3 Epigrams
  • A Birthday Trifle

Works for solo cello:

  • Unfailing Stream
  • Sospiri
  • Sound and Fury
  • Much Ado about …
  • Carried on a Whimsy

This collection follows two previous releases by Divine Art of Stevens’s works, both of which received very high critical praise:

Divine Art Announces Two Albums for Composer Robin Stevens

Robin Stevens

Divine Art Records is working with composer Robin Stevens on two new recordings to be released this year. The summer of 2019 (exact date to be announced) will see the release of an album of works for wind instruments, titled Prevailing Winds which involves a host of exceptional musicians including Richard Simpson (oboe – BBC Symphony Orchestra) and John Bradbury (clarinet – BBC Philharmonic).  The music in this collection is tonal and impressionist in nature, and represents the ‘lighter’ side of Stevens’ output.

Work is also in hand on an album of Stevens’ music for string quartet and quintet, the title yet to be announced.  Performed by the London-based Behn String Quartet, the epic and expressionistic String Quartet No. 1 was recorded on January 25, and the other two works, the Second String Quartet and the two-cello String Quintet, will be recorded in July (this album is being recorded in London by renowned engineer and producer Michael Ponder). 

Robin Stevens originally trained at Dartington Hall and the Royal Northern College of Music as a cellist, and for all of his composing career has been outside the London-centric compositional mainstream in Britain: arguably this has given him the freedom to find a richer, more distinctive creative voice. In the words of clarinettist John Bradbury: ‘’It’s remarkable that such an enormous range of music of such consistently high quality has flowed from a single pen.”

Prevailing Winds

Divine Art DDA 25194
Recorded on 27 and 28 February 2019, Royal Northern College of Music, Manchester
Engineer and producer: Richard Scott

Works

Sicilienne for Gillian (clarinet / piano)
O Brave New World (flute / cello)
Three Epigrams (bassoon / piano)
A Soldier’s Prayer (french horn / piano)
Reflections on a Scottish Theme (oboe solo)
Pandora’s Box (recorder/ bassoon / cello)
Variations on a 12-note theme (clarinet /piano)
Sound and Silence (alto flute solo)
Oceanic Lullaby (oboe / piano)
Jig (sopranino recorder/guitar)
Waltz for Pierrot (bassoon solo)
Grief’s Portrait (french horn / piano)

Artists:

Richard Simpson (oboe)
John Bradbury (clarinet)
Sarah Miller (flute / alto flute)
John Turner (recorders)
Lindsey Stoker (french horn)
Helen Peller (bassoon)
Janet Simpson (piano)
David Jones (piano)
Robin Stevens (piano, cello, guitar)