Archive for Edward Cowie

Métier Records to launch Edward Cowie: ‘Rutherford’s Lights’

Edward Cowie has been described as the greatest living composer inspired by nature, and the recordings of his music issued by Métier over the last couple of years have drawn unstinted praise.  In this, his 80th birthday year, a number of new recordings are in progress including the third volume in the Bird Portraits series, and music for string quartets and other chamber groupings.

Edward Cowie
Edward Cowie © Edward Cowie

Métier is also licensing a few particularly excellent recordings from the University of Hertfordshire which produced the UHR label some years ago and one of these is Rutherford’s Lightsa piano cycle by Cowie and played brilliantly by Richard Casey.

This epic cycle of 24 studies for solo piano explores the wonders of light in many states and forms from Simple Wave Motion to Dispersion and Radiation of Electromagnetic Waves. Himself an ex-student of physics, Cowie collaborated with Light Physicist Sir Michael Berry FRS in ‘an adventure in illuminations, colours and photons!’ The work was commissioned by The Institute of Physics in London, England and premiered and then recorded in 2010.

This is music inspired by science inspired by music! Pianist Richard Casey gives a stunning and richly virtuosic performance of this work, which after its premiere in The National Portrait Gallery in London, earned huge praise and plaudits for its originality and creative power. Cowie- renowned for music that challenges all the senses, has literally made a sonic reality of illumination in all its grandeur and kaleidoscopic possibilities. This is a re-release of the original 2010 recording, released at that time on the UHR label.  Scheduled for release in September, this will be the first issue of the recording in digital form, the UHR original having been a limited CD release only.

Rutherford’s Lights

Label: Métier

Catalogue number:  MEX 77116

Artist : Richard Casey (piano)

Works :

  • Rutherford’s Lights
  • Recorded in 2010 at Weston Auditorium, University of Hertfordshire

Edward Cowie on Métier

Métier to Celebrate Edward Cowie’s 80th Birthday Year with Two More Albums

Edward Cowie © Chloe Rosser
Edward Cowie © Chloe Rosser

Edward Cowie is a composer of immense talent, as evidenced by the constant critical acclaim each of his recordings receives, and for his 80th birthday year, Métier is preparing two new albums which are scheduled for release (subject to final confirmation) around June/July 2023.

The Kreutzer Effect

 ‘Considered by many to be the greatest living composer directly inspired by the Natural World’, Edward Cowie has turned his inspiration from the natural world in general to the human animal in particular! His collaborative relationship and friendship with the extraordinary Kreutzer String Quartet now stretches back almost a decade. It has seen the quartet record all of his first six quartets; works for violin duo (Particle Partita), and his astounding major solo violin work, GAD. Such has been the flowering of this relationship that Cowie has composed an entire CD devoted to the Kreutzer’s brilliant playing. His seventh string quartet was composed especially for this quartet and as a further symbol of the high esteem he has for the group, he has composed four solo portrait pieces – one for each member of the quartet. From Icarus ascending into incandescent heights on Clifton Harrison’s viola, to the learned and studies songs and habits of owls in his solo cello study for Neil Heyde; on to the almost surrealistic and ‘Beckett-like’ violin portrait of composer/violinist Mihailo Trandafilovski and finally to the incredible explosion of technique and song in his sonic libation to violinist and Leader of the Kreutzer Quartet, Peter Sheppard Skærved. This is literally high-powered music for a group on fire with creative talent!”

Where the Woodthrush Forever Sings (Bird Portraits No. 3)

Composer, visual artist, natural scientist and polymath, Edward Cowie offers us the third epic cycle of ‘bird portraits’ in a 24-movement work for clarinet(s) and piano. His first, Bird Portraits – composed for violin and piano, together with Where Song was Born for flute(s) and piano were recorded on this label and received universal and international acclaim. These are already set to become established as major duo chamber works on the world performance-platforms.

The first two cycles were dedicated to Birds of Britain and Australia in succession. Now, in his third cycle, the composer is inspired by 24 birds of the United States of America. In all three cases, it is not only the splendid and stunning songs of the birds themselves that emerge through and in the music. Habitat, atmosphere(s), seasons, times of day and night, flight-patterns and ritual displays are sonically stitched into an ever-unfolding tapestry of avian ‘dramas’. And just as the natural sounds and music(s) of Britain and Australia can be heard threaded into the first two cycles, this one resounds to the music of the aboriginal Indian cultures of the USA and to the music of and from jazz!The superb performers here are Anna Hashimoto (various clarinets), and the regular Bird Portrait series pianist, Roderick Chadwick.

Album Details

The Kreutzer Effect (MSV 28638)

Recording dates: during 2022 (in progress) in Yorkshire

  • String Quartet No. 7 (Western Australia)
    • The Kreutzer Quartet
  • Menurida Variants (Solo violin)
    • Peter Sheppard Skærved
  • One Second Fiddle (solo violin)
    • Mihailo Trandafilovski
  • Whatever Happened to Icarus? (solo viola)
    • Clifton Harrison
  • Glaukopis (solo cello)
    • Neil Heyde

Where the Woodthrush Forever Sings (MSV 28639)

To be recorded in early 2023 in Hertfordshire

  • Where the Woodthrush Forever Sings (cycle of 24 pieces devoted to birds of the USA)
    • Anna Hashimoto (clarinets)
    • Roderick Chadwick (piano)

Press for Edward Cowie

“His imaginative gift is unparalleled” (British Music Society)

“First-rate music… fascinating and creative” (The Art Music Lounge)

“Stunning, beautiful, revelatory” (MusicWeb International)

“Extraordinarily imaginative” (Records International)

“Simply outstanding” (Musical Opinion)

Edward Cowie Recordings

Announcing Edward Cowie’s 24 Preludes for Piano

Métier’s series of recordings featuring the superb music of Edward Cowie continues with the release of his ’24 Preludes for Piano’ in early spring of 2022. This album was originally issued by UHR (the short-lived label of the University of Hertfordshire) in 2008.  Stephen Sutton, CEO of the Divine Art group, expressed his delight: “we’ve been in discussions with the University for a few months and I am very grateful to them for the opportunity to re-release this wonderful recording. I am hopeful that it will begin a larger collaboration to unearth other very worthy recordings from the UHR archive.”

The 24 Preludes are performed by Philip Mead, whose previous recordings for Métier have been highly acclaimed and who was the dedicatee of the set. The composer, Edward Cowie, describes this recording:

Philip Mead
Philip Mead © Philip Mead

“My 24 Preludes for piano were composed between 2004-5 to a commission from the wonderful pianist, Philip Mead, and to whom the set is dedicated. Each Prelude is inspired by a different land-sea-water-or skyscape in many different parts of the world where I have travelled, worked, and explored. Of course there is a connection with the great Chopin Masterpieces by the same name though, in fact, it is the Preludes of JS Bach which probably had more influence! A 20th-century composer who decided to revisit the 24 major and minor keys might be treading on dangerous ground, but it was via Bach that I realised how deliciously plastic and interconnected an open exploration of those tonal regions could be.

Music has infinite powers to invoke and stimulate a sense of place. It was at this time that I first gave myself totally to making drawing an integral and essential ‘primer’ for rhythm; musical line; speed; different degrees of complexity and perhaps above all-colour. Poets write of the oft desire to sing in the presence of natural places. I certainly wanted these pieces to ‘sing’ and perhaps to guide a listener into opening all of the senses to the unique and captivating forms that inspire and move us in the great ‘out there’. No composer could ask for a greater executant for his or her music. I count myself fortunate indeed to have this fabulous recording to remind me what a truly great interpretation can evoke and conjure.

I am profoundly grateful to the University of Hertfordshire for granting permission for Métier/Divine Art to re-release this beautiful recording which received glowing reviews:

‘Philip Mead’s consumate skill and understanding is evident in every bar’.

—International Record Review

‘Mead seems sensitive to every nuance of Cowie’s imagination, and truly appreciates the beauty contained there…..Cowie’s imagination is remarkable. This is a fascinating, cogent set of Preludes…a startlingly successful whole’.

—Tempo Magazine

Philip Mead enjoys a very successful career as pianist, composer and conductor; he has been a regular performer on BBC Radio 3 since 1979 and his recordings have been widely praised: his recording of Charles Ives piano music was called by Gramophone ‘the best Concord Sonata recording’. He is a tireless champion of contemporary composers and has a very substantial discography including for Métier music by Charles Ives, George Crumb (the complete solo piano music) and Katharine Norman. He is currently visiting professor at the University of Hertfordshire.

Edward Cowie: 24 Preludes for Piano (MSV 28625)

24 Preludes for Piano by Edward Cowie

  • Book 1 (Water):  1. O brook (C major)  |  2. Kiama Blowhole (C minor| 3. Cancleve (G major)  |  4. River Dronne (G minor)  |  5. St Maxime Beach (D major)  | 6. Tennessee River (D minor)
  • Book 2 (Air):   7. Boscastle  (A major) |  8. Hay Plains Twisters (A minor) |  9. 35,000 Feet  (E major)|  10. Tapada  (E minor)| 11. Lake Eacham (B major)  |  12. Dartington Gardens (B minor)
  • Book 3 (Earth): 13. Uluru (F sharp major) | 14. Crackington Haven (F sharp minor) | 15. Rosedale (C sharp major) | 16. Glencoe (C sharp minor) | 17. Brecon Beacons (A flat major) | 18. Shenadoah Valley (A flat minor)
  • Book 4 (Fire): 19. Sunrise at Loch Carron (E flat major) | 20. Bush Fires (E flat minor) | 21. Home Fire (B flat major) | 22. Blast Furnaces at Port Kembla (B flat minor) | 23. New Year Fireworks in Kassel (F major) | 24. Sunset, Dartmoor (F minor)

Artist: Philip Mead

Recorded 26 and 28 November 2007, and originally released on UHR in 2008
Projected release date: March 2022

Métier Records announces two major duo-cycles by Edward Cowie

Edward Cowie working on score and study drawing for Bird Portraits
Edward Cowie working on score and study drawing for Bird Portraits © Heather Cowie

Métier Records is delighted to announce two related albums to be recorded this year featuring the music of esteemed British composer Edward Cowie. Since linking up with Métier (part of the Divine Art group) Cowie has seen two albums of string quartet and orchestral music respectively issued to enormous critical acclaim. Métier’s CEO Stephen Sutton is now working with Cowie on no less than ten new projects, to culminate in a 5-album festival to mark the composer’s 80th birthday in 2023.

The composer, who has a sizeable and diverse output, has told Sutton that he is composing better than ever and Sutton believes this will be proved by the forthcoming recordings of orchestral, chamber and vocal music all planned for 2021.

Cowie’s music is almost always inspired by or descriptive of the natural world, its workings and inhabitants (and accompanied by marvellous pictorial art, of which Cowie is also a master). This is borne out by the two albums in preparation which are inspired (like, but very much unlike Messiaen) by birds and their song, “Bird Portraits” and “Where Song was Born”.

NOTE: both albums are due to be recorded in London in the summer, exact dates remain a little uncertain as UK lockdown eases; release dates to be confirmed, between October 2021/February 2022

Bird Portraits (MSV 28618)

24 STUDIES FOR VIOLIN AND PIANO
Peter Sheppard Skærved (violin); Roderick Chadwick (piano)
Edward Cowie is no stranger to the inspirational attractions of the forces of Nature. For more than four decades now, he has frequently musically responded to many kinds of habitats all over the world and to many different types of sounding creatures. It is this lifelong study and experiencing of wild nature with his own unique and powerful sonic translations of those experiences that have earned for him the just accolade ‘considered by many to be the greatest living composer directly inspired by the natural world’. In this brand new cycle of 24 ‘sonic portraits’ of different British birds from 4 distinctive habitats, Cowie has drawn even closer to composing music that not so much imitates nature, but that -through many forms of study and extensive field-work- has led to new music with highly original treatments of the relationships between singers and where and how they sing. Comparisons with Messiaen might be expected but Cowie’s music is in a world and sonic habitat of its very own. Virtuosic, brilliantly coloured and magnificently diverse, this is music for all of the senses, and from a composer who uses all of his own senses under the spells of Nature.
 
TRACK TITLES
1. Mute Swan | 2. Kingfisher | 3. Great Crested Grebe | 4. Dipper | 5. Bittern | 6. Coot  | 7. Barn Owl  |
8. Pheasant | 9. Rook | 10. Magpie | 11. Starling | 12. Skylark | 13. Tawny Owl  | 14. Green Woodpecker | 15. Song Thrush | 16. Wren | 17. Bullfinch | 18. Wood Warbler | 19. Curlew | 20. Cormorant | 21. Osprey | 22. Arctic Tern(s) | 23. Puffin(s) | 24. Great Northern Diver

Where Song Was Born (MSV 28620)

WHERE SONG WAS BORN
24 STUDIES FOR FLUTE(S) AND PIANO
Sara Minelli (flute); Roderick Chadwick (piano)
Once, it was thought that the great bird-songsters evolved in the Northern hemisphere. Elaborate and sophisticated ornithological study has revealed a total reversal of that view. The greatest birdsongs first appeared in the Southern hemisphere actually- Australia especially. In recognition of that discovery and in an act of remembering Cowie’s extraordinary 12-year residence in Australia, here we have an incredible cycle of ‘bird-portraits-in-sound’ drawn, (literally in Cowie’s case, since a great deal of his music is primed and prepared through acts of drawing and painting), from some of Australia’s most individual and brilliant bird-songsters. Like its succeeding and ‘sister’ duo-cycle Bird Portraits, a singing bird is placed within its own distinctive habitat and in its own temporal dimensions and forms. This, like the British Bird cycle, is a journey and a sonic tapestry inspired by both place and events occurring in both space and time. Intriguingly, Cowie likens sonic gems like these to ‘a kind of collection of sonic icons where each bird symbolises the ‘saint or angels’ of those great religious miniatures’. Cowie has one simple imperative that drives music like this; he seeks to ‘charm and charge both mind and senses.’

TRACK TITLES
1. Australian Raven | 2. Australian Wood Duck | 3. Australian Masked Plover | 4. Eastern Whip bird | 5. Willy Wagtail | 6. Golden Whistler | 7. Superb Fairy Wren | 8. Brolg Crane | 9. Pied Butcher Bird | 10. Bush Stone Curlew | 11. Wedge-tailed Eagle | 12. Australian Magpie | 13. Bell Bird(s) | 14. Wampoo Pigeon |
15. Golden-headed Cisticola | 16. Tawny Frogmouth | 17. Pied Currawong | 18.  Kookaburra |
19.  Mangrove Kingfisher | 20. Helmeted Friarbird | 21. White-breasted Sea Eagle | 22. Green Cat Bird | 23. Sooty Owl | 24. Lyrebird(s)

Edward Cowie Divine Art Records Group Catalogue

New Chamber Music by Edward Cowie Featuring the Guitar

Following the exceptionally fine response from customers and critics to recent albums of music by Edward Cowie, Divine Art’s Métier label is now planning the release early next year of a new recording of chamber works concentrated on the guitar. ‘Stream and Variations’ includes music for solo guitar, two guitars, woodwind/guitar and one major work for two violins. 

Composer Edward Cowie introduces this new project:

“It was the late and great Julian Bream, who – through a brand-new commission for a major work from me for solo guitar – reconnected me with this extraordinary if somewhat daunting instrument. It took me two years to compose Stream and Variations – and working with the magnificent soloist, Saki Kato for over a year before the astonishing premiere in the Wigmore Hall, London, in November 2019. I quickly moved on to write a series of short duos for two guitars based on 8 Haiku by Basho, performed by the Miyabi Guitar Duo, Saki Kato and Hugh Millington.

Right then, I knew I wanted a new album mainly devoted to the guitar but twice pairing it with very striking and interesting partners, namely in this case the fabulous baroque flautist and close friend, Stephen Preston and the mercurial and brilliant bass clarinetist, Ron Woodley. An incredible palette of sonic marvels then, with works that conjure with the movement of a Dorset Stream; the often solemn yet mystic brevity of a Japanese poet’s Meditations on the seasons; incantations of Shakespearean ‘spells’ with essences from wild British flowers, and a set of audio-translations from 5 staggeringly wondrous paintings by my wife and best friend Heather Cowie. An extra and I think precious and unique 21 minutes is given to a huge and intricate duo for two violins based on an 8-part time line in Particle Physics, my Particle Partita played by two performing geniuses and also close friends, Peter Sheppard Skærved and Mihailo Trandafilovski.

This is, I hope a heady as well as sensual mix! No composer could dream of a better team of musicians to realise music like this.”

The new album is to be recorded at Silverdale Parish Church, Lancashire, England on October 15/16 and December 10, 2020, with expert engineer Paul Baily (apart from the violin duo which is already recorded).

Stream and Variations (MSV 28612)

  1. Stream and Variations (Saki Kato, guitar)
  2. Basho Meditations (Myabi Duo – Saki Kato and Hugh Millington, guitars)
  3. Particle Partita (Peter Sheppard Skærved and Mihailo Trandafilovski, violins)
  4. Spell Checks (Stephen Preston, baroque flute, and Saki Kato, guitar)
  5. HJ In Colour (Ronald Woodley, bass clarinet, and Saki Kato, guitar)

Previous Edward Cowie Releases

Presto Classical Interviews Peter Sheppard Skærved on His Three Latest Recordings

Presto Classical interviews Peter Sheppard Skærved on three of his latest recordings across the Divine Art Recordings Group family of labels:

Violinist Peter Sheppard Skaerved has championed contemporary and lesser-known music for much of his career; recently a triple-bill of albums came out that underscored this interest.

In the first, Skaerved explores the Klagenfurt Manuscript, a collection of anonymous Baroque solo works uncovered in a convent; the second sees him reinvent some neglected Schubert by re-presenting it in a way more suited to its “chamber-like” nature; and the third brings us right up to the present day with works from the contemporary composer Edward Cowie (b.1943).

Such an eclectic spread of recordings was a fascinating prospect, so I spoke to Peter about all of them!

See the complete interview now on PrestoMusic.com!

See the Recordings

Announcing Edward Cowie Orchestral Works from Métier Records

Divine Art Recordings are to release an album of orchestral music by Edward Cowie, which as with their recent and highly praised disc by John McCabe will be a remastered re-release of classic Hyperion vinyl LPs. The two works on this album have a coincidental close relationship with each other. The connection between them is WATER and its ceaseless and constantly changing character and ‘mood’. The intended release date will be this autumn.

The SECOND CLARINET CONCERTO is inspired by a man and his changing and often tempestuous relationship with a great deep lake, Coniston in The Lake District of England. John Ruskin, a famous and brilliant Victorian Arts Scholar, was prone to severe bouts of depression including hallucinations. He bought a large house overlooking and close to Coniston, thinking and hoping it would ‘heal’ his suffering. On good clear days, he felt euphoric, peaceful and uplifted, but when mists, wind, rain and black/grey storms raged, he was hurled into a tempest of fear, Illusions and delusions of overwhelming horror. Ruskin (the solo clarinet) is pitted against and within the forces of nature: fluxes between limpid calm and tortuous turmoil. Only the emergence of a glorious Lakeland sunset at the end of the piece rescues the great man from the black hell of madness. 

The CONCERTO for ORCHESTRA (“Studies in the Movement of Water”), is named after the many and astounding drawings of water made by Leonardo da Vinci. Composer Edward Cowie made a celebrated BBC 2 TV film about Leonardo in which this massive work features. Da Vinci’s drawings abound in turbulence, complex wave-forms, pulsations, folding sand, weaving of water between extremes of mirror-calm and maximum fracture and fragmentation. Also inspired by often storm-bound sailing amongst Scotland’s western Isles, this is a tour de force of unchained orchestral energy- unremitting- unforgiving and unfathomable. It is as visual as it is sonic- bursting with acoustic spray, waves and winds……

EDWARD COWIE has been described as ‘the greatest living composer directly inspired by the Natural World’ – high praise indeed. His first BBC Proms commission was in 1975 for the massive orchestral work Leviathan. Since then he has produced a stream of works inspired by wild (and some not so wild) places on our planet; however his undergraduate studies on physics (and a continuing fascination with particle physics) and studies in painting have also strongly shaped his musical voice. Today he is a skilled composer, conductor, pianist, and visual artist.   Following the imminent release of a recording of three of his string quartets in April (Métier MSV 28603) he is delighted to form a lasting partnership with Divine Art and its new-music imprint Métier and future projects already in hand include a disc of choral works (BBC Singers) and a programme of solo guitar music.

As this new recording is taken from a vinyl LP and no additional works are suitable as ‘fillers’ the 44-minute album will be issued at low-mid price. The great clarinettist Alan Hacker is soloist in the Clarinet Concerto, both works with the Royal Liverpool Philharmonic, for whom Edward Cowie was the first Granada Composer/Conductor appointee (1982-84). The conductor on this album is Howard Williams.

Edward Cowie: Orchestral Works

  • Concerto for Orchestra
    Royal Liverpool Philharmonic Orchestra cond. Howard Williams
  • Clarinet Concerto No. 2
    Alan Hacker (clarinet)
    Royal Liverpool Philharmonic Orchestra cond. Howard Williams

Métier MSV 92108 (Originally released as Hyperion A 66120 issued in 1984)

Original LP Reviews:

‘Scintillating! Powered by a relentless elemental force- what a triumph!’ – The Times (William Mann)

‘An absolute tour de force of orchestral colour and energy! The work pulsates with the ocean’s mood changes. Cowie is a true sonic poet of Nature’ – The Observer  (David Cairns)

‘This is a ravishing and deeply moving testament to the forces of nature and the human mind’ – The Guardian (Gerald Larner)

‘This is Cowie in richly lyrical mood- music saturated with emotional ordeals and the ever-changing light and colour of Coniston. Loved it!’ – The Financial Times (Max Loppart)

New Music for a New Oboe, Volume 2

Foremost English oboist (and specialist in advanced techniques) Christopher Redgate is putting the finishing touches to his latest Métier album, “New Music for a New Oboe, vol. 2”. This was originally due to appear in 2014 but Chris suffered a stroke (from which happily he is now totally recovered) and this delayed progress. Now scheduled for release in the first part of 2018, the album will contain new/recent works by Christopher Fox, Dorothy Ker, Paul Archbold, Edward Cowie and Sam Hayden – all first recordings. The album, like its predecessor (vol. 1 – MSV 28529) features the Howarth-Redgate oboe specially developed to cater for the more challenging requirements of the avant-garde, including multiphonics. The oboe was manufactured by Howarth of London.