I found the concept appealing. It seems a great idea to try to recreate a historical recital or concert. The liner notes are excellent. I hope that Zeynep Ucbasaran will continue her exploration. I look forward to reviewing her subsequent recitals.
” —John France, MusicWeb InternationalThis recital celebrates not only great music but also what was Liszt’s final year as a virtuoso performer. Zeynep Ucbasaran plays with great passion, exuberance and flair, bringing vividly to life one of List’s most historic performances.
” —John Pitt, New ClassicsThe playing sounds difficult but Crossland is up to the task; the music flows around the listener like a fast river of notes, swirling and bubbling; you feel you can almost see the mathematical basis of Bach’s work as structure and symmetry rush past. This is an entertaining and intense programme of music.
” —Jeremy Condliffe, The Chronicle Review CornerThere is a beautiful cohesion between all these works… we find a common intensity, a passion that inspires them all. The music is also full of bouncy, dancing energy. Through their musicality and synergy, the musicians give the necessary momentum and impetus to these trios.. Excitement guaranteed!
” —Justin Bernard, MyScenaTwo superb interpreters of music of all kinds. How fortunate it is to have the duo of Turkish pianist Zeynep Ucbasaran and the Italian pianist Sergio Gallo joining their formidable technical and musical prowess. Together Ms. Ucbasaran and Signor Gallo, greatly aided by recording engineer Barbara Hirsch, render an orchestra unnecessary in this album of mostly originally-orchestral pieces.
” —Rafael de Acha, Music NotesTerrific CD. Zeynep Ucbasaran is a formidable artist who elevates this music to lofty heights by virtue of her sensitive musicality and dazzling technique. Here’s hoping that divine art will bring her out again to delight us.
” —Rafael de Acha, Music NotesRich Romanticism combined with touches of folk, hints of orientalism and, in Piazzolla’s Estaciones Porteñasm, the sharp heels and smokiness of tango. This is terrific stuff, excellently played.
” —Jeremy Pound, BBC Music MagazineAdventurous music and album concept. Each of the 25 pieces has its individual charm and miniaturist precision, by turns reflective, ethereal, authoritative and questioning. Mary Dullea’s pianism and musicality as well as remarkable virtuosity make her an ideal interpreter of Eric Craven’s joyous, playful and satisfying music.
” —John Pitt, New ClassicsThis is a superbly performed recital of chamber music from a stylistically conservative but highly original trio of Polish composers.
” —Peter Burwasser, FanfareThe artists employ numerous coloristic effects to vary the music’s texture and impact. Each enhances the sense of discovery and joy that abounds throughout this disc. The playing by both musicians is exemplary. The adventurous path they actually traveled makes this a very special recording. The recorded sound is excellent. This Schubert disc is a fine achievement, and one I am delighted to recommend.
” —Ken Meltzer, FanfareAn impressive [solo] debut, one that plays to his considerable strengths, both technical and interpretive. {He has} sharp architectural insight, building inexorably and offering a real sense of arrival at the climaxes. He’s also got a keen sense of the shifting character (or characters) of the music. The sound is excellent. All in all, an impressive release.
” —Peter J. Rabinowitz, FanfareAll of this music is marked by a seriousness of purpose that demands concentration… they make a strong impression. Mary Dullea is one of our most reliable contemporary music pianists, and as usual, she per¬forms this repertoire with virtuosity, commitment, and imagination. Warmly recommended.
” —Peter J. Rabinowitz, FanfareA generally upbeat collection of four-hand music—mostly transcriptions, largely dance-inspired, entirely delightful. Ucbasaran and Gallo neatly capture, without exaggeration, the varying spirit of the collection.
” —Peter J. Rabinowitz, FanfareA varied collection of largely unfamiliar contemporary voices. The performances seem confident, and the sound gives no cause for complaint. All in all, recommended for explorers.
” —Peter J. Rabinowitz, FanfareMore fluid phrasing and the most drama [of the competing recordings]. The musicians play with plenty of affection and expressive beauty.
” —Stephen Estep, American Record GuideThe chronological account of these quartets makes for an interesting journey, highlighted by the composer’s decision to assign a title of each of them. Each of the three quartets offers its own characteristic listening experience… each quartet has its own individual framework. The music encourages focused attention to detail on the part of the listener and an awareness of an evolutionary approach to change.
” —Stephen Smoliar, The Rehearsal RoomA hugely attractive CD. Roderick Chadwick is the ideal interpreter of this magical and unique sound world.
” —Stuart Millson, Quarterly ReviewLovely … clearly articulated and contrasting … melodic and thoughtful… concise and charming. One of my ‘favourite CDs of 2020’
” —Robert Beale, Manchester Classical MusicWhite’s libretto is highly imaginative as you would expect it to be – I was moved. some duets were wonderfully original. Notable too was the quality of singing – the whole cast of singers quite brilliantly navigated a complex atonal vocal landscape.
” —Karine Hetherington, Artmuse LondonAn interesting if melancholic album, and if you like music that evokes an era and atmosphere, it’s well worth a listen.
” —Jeremy Condliffe, The Chronicle Review Corner@divineartrecordingsgroup