James Gilchrist shows again why he is so widely admired as a singer…His voice is warm and supple; his phrasing is keenly nuanced; his varied use of dynamics illuminates the texts knowingly. Nathan Williamson’s collaboration is on par. It would be hard for me to imagine a better rendering of these songs.
” —Ralph Moore, American Record GuideI applaud the thought that went into the program. The results were worth the effort. Woodley’s choice of composers is also spot on…some fine emotive performances.
” —Ralph Graves, Charlottesville ClassicalPritchard combines planning and spontaneity quite beautifully…different groupings of instruments…form this fantastic ensemble, showcasing the technical and lyrical extremes that these instruments are capable of.
” —Lara Mitofsky-Neuss, The ClarinetThe performers…are convincing in their confident handling of the often serial works. With their commendable commitment, they help us to discover not only the medical side but also the musical vein. Their interpretations certainly provide an incentive to take a closer look at the composer…
” —Uwe Krusch, PizzicatoTheir counterpoint is lucidly articulated; their cantabile, compelling; and Chiahu Lee has picked up the compositional gauntlet…All in all, an invigorating and beguiling spring clean for the ears!
” —Paul Riley, BBC Music MagazineSchliessmann’s performance shows he is well cognizant of…beauty. Robert Schumann’s famed Fantasie in C Major, Op. 17, is notable for the composer’s mastery in blending, contrasting, and superimposing timbres. Schliessmann takes all these issues in stride, making this an eminently satisfying account of one of the most difficult works in the repertoire…choice…encores…handled superbly by the present artist.
” —Phil Muse, Atlanta Audio ClubDan Evan’s new album “A Waltz Through the Woods” flows like a book that sparkles and dances across ancient, polished stones. This conceptual masterpiece prompts reflection and warm memories. It can lift your dinner party or turn an anxious tot into a dancing sprite. I crave music that delivers what Dan Evan has gifted us…
” —Linda Paulus, Dulcimer Players NewsMy initial impression was…the pure beauty of Shaw’s voice…all is impeccably tasteful, immaculate
” —Kevin Mandry, British Music SocietyIf the music inhabits a somewhat circumscribed sound and emotional world that puts him in good company with others outside the mainstream: and on first acquaintance it is definitely rewarding…This…is contemporary music that comes highly recommended.
” —Kevin Mandry, British Music SocietyThe stories are all surprising and hugely entertaining. The accompanying piano music, played with considerable virtuosity and depth of feeling by Anthony Capparelli, takes us back to childhood into that extraordinary dream-world of Celtic imaginings.
” —Alan Cooper, British Music Society…the music itself, expertly crafted, tonal and accessible, has the potential to engage listeners who do not know the composer yet but are willing to open themselves up to a welcome set of new musical experiences.
” —Mark J Estren, InfoDadIt is very difficult to find fault with any aspect of this disc, from performance and recording to selection of repertoire. This is absolutely not for clarinetists only…
” —Colin Clarke, FanfareAs with his other recordings, Schliessmann contributes an extensive, thought-provoking essay. Without hesitation I recommend this recording…there are many, many moments all through these pieces that repay careful listenings. This will certainly be my reference recording for all of the works here.
” —James Harrington, FanfareAustralian composer John Carmichael…has a phenomenal musical technique, writes wonderful melodies, and his music provides much needed calm…it is wonderful to have on disc such life affirming music. It gives me pleasure and it sounds as though it gave pleasure to the players, too. Life would be better if such music made its way onto the concert platform.
” —Paul RW Jackson, MusicWeb International“…this was most welcome…an enjoyable album.”
” —Jeremy Condliffe, The Chronicle Review CornerChristopher Guild has a strong background playing Scottish classical music. And that experience informs his playing here…Guild ensures they’re played with the proper phrasing and rhythmic bounce. Charming, witty, and thought-provoking.
” —Ralph Graves, WTJU/Charlottesville Classical…remarkable sequence of compositions by Michael Finnissy…the programme as a whole is dominated by the arrestingly opulent voice of Lotte Betts-Dean…the persuasive assurance of these performers and their technical assistants is consistently of the highest calibre.
” —Arnold Whittall, Gramophone…ear-catching…The music coruscates and sparkles…The recording is splendid, and the performances are clearly formidable…a dazzling, often moving portrayal
” —John France, MusicWeb InternationalThe Cheltenham College organ sounds on fine form in this clever compilation of both transcriptions and original organ works.
” —Rupert Gough, Choir & Organ…this is about the scariest collection of tracks we have ever listened to…an impressive display of the power and flexibility of a church organ
” —Jeremy Condliffe, The Chronicle Review Corner@divineartrecordingsgroup