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Ludwig van Beethoven: Complete 35 Piano Sonatas

Label: Divine Art
Catalogue No: DDX 21001
EAN/UPC: 809730100123
Artist(s):
Tamami Honma

Composer(s):
Ludwig van Beethoven

Release Date: February 9, 2024
Genres:
Piano

Periods:

Discs: 10
Total Playing Time: 11:41:25
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Price range: £35.99 through £65.63
Ludwig van Beethoven: Complete 35 Piano Sonatas

Experience the full scope of Beethoven’s musical evolution with this comprehensive collection of his 35 piano sonatas, meticulously organized in chronological order to offer a panoramic view of his artistic journey, tracing Beethoven’s transformative progression as a composer.

While opus numbers traditionally guide the dating of Beethoven’s works, exceptions abound, notably in the case of the Opus 49 Sonatas. This collection challenges the conventional exclusion of the early “Kurfürst” Sonatas, shedding light on Beethoven’s formative years as a composer. Musicologist Professor Barry Cooper’s advocacy for their inclusion, based on their publication by Beethoven himself and their intrinsic merit, finds resonance in this comprehensive set.

Pianist Tamami Honma brings these sonatas to life with precision, adhering closely to Cooper’s editorial corrections in the ABRSM edition. Cooper’s meticulous research, comparing original manuscripts, early editions, and historical sources, ensures an authentic interpretation of Beethoven’s intentions, from note values to nuanced articulation. This collection is not merely a recording; it is a vibrant testament to Beethoven’s brilliance, offering a fresh perspective on his extraordinary works.

Renowned Japanese-American pianist Tamami Honma is celebrated for her expressive and captivating performances, earning acclaim in prestigious venues such as Wigmore Hall, St John’s Smith Square, and Carnegie Hall. Her recordings, including the Chopin concertos with the Vilnius String Quartet, have garnered five-star reviews in Gramophone and the BBC Music Magazine. As a distinguished piano performance educator, Honma serves on the music faculty at Stanford University and Santa Clara University

    Disc A

    Sonata in E flat major ‘Kurfürst’, WoO 47 No. 1

  1. I. Allegro cantabile 4:24
  2. II. Andante 5:23
  3. III. Rondo vivace 2:14

    4. Sonata in F minor ‘Kurfürst’, WoO 47 No. 2

  4. I. Larghetto maestoso – Allegro assai 5:45
  5. II. Andante 7:23
  6. III. Presto 2:59

    7. Sonata in D major ‘Kurfürst’, WoO 47 No. 3

  7. I. Allegro 6:48
  8. II. Menuetto sostenuto 7:55
  9. III. Scherzando: Allegro ma non troppo 4:35

    10. Andante in F major ‘Andante favori’, WoO 57

  10. Andante grazioso con moto 8:54

    11. Total playing time 57:00


    Disc B

    Sonata in F minor, Op. 2 No. 1

  1. I. Allegro 4:00
  2. II. Adagio 4:57
  3. III. Menuetto: Allegretto 3:08
  4. IV. Prestissimo 4:54

    5. Sonata in A major, Op. 2 No. 2

  5. I. Allegro vivace 10:21
  6. II. Largo appassionato 6:32
  7. III. Scherzo: Allegretto 3:36
  8. IV. Rondo: Grazioso 6:54

    9. Sonata in C major, Op. 2 No. 3

  9. I. Allegro con brio 10:38
  10. II. Adagio 7:38
  11. III. Scherzo: Allegro 3:01
  12. IV. Allegro assai 5:04

    13. Total playing time 71:20


    Disc C

    Sonata in G major, Op. 49 No. 2

  1. I. Allegro ma non troppo 4:26
  2. II. Tempo di menuetto 3:37

    3. >Sonata in G minor, Op. 49 No. 1

  3. I. Andante 5:24
  4. II. Rondo: Allegro 2:53

    5. Sonata in E flat major, Op. 7

  5. I. Allegro molto e con brio 8:15
  6. II. Largo con gran espressione 7:33
  7. III. Allegro 6:08
  8. IV. Rondo: Poco allegretto e grazioso 7:28

    9. Sonata in C minor, Op. 10 No. 1

  9. I. Allegro molto e con brio 5:27
  10. II. Adagio molto 7:54
  11. III. Finale: Prestissimo 4:39

    12. Sonata in F major, Op. 10 No. 2

  12. I. Allegro 8:49
  13. II. Allegretto 5:23
  14. III. Presto 3:34

    15. Total playing time 82:17


    Disc D

    Sonata in D major, Op. 10 No. 3

  1. I. Presto 6:58
  2. II. Largo e mesto 8:59
  3. III. Menuetto: Allegro 3:07
  4. IV. Rondo: Allegro 4:53

    5. Sonata in C minor ‘Pathétique’, Op. 13

  5. I. Grave – Allegro di molto e con brio 8:44
  6. II. Adagio cantabile 5:21
  7. III. Rondo: Allegro 4:41

    8. Sonata in E major, Op. 14 No. 1

  8. I. Allegro 6:21
  9. II. Allegretto 4:13
  10. III. Rondo: Allegro comodo 3:01

    11. Sonata in G major, Op. 14 No. 2

  11. I. Allegro 6:45
  12. II. Andante 4:40
  13. III. Scherzo: Allegro assai 3:26

    14. Total playing time 71:54


    Disc E

    Sonata in B flat major, Op. 22

  1. I. Allegro con brio 7:44
  2. II. Adagio con molto espressione 8:25
  3. III. Minuetto 4:17
  4. IV. Rondo: Allegretto 6:27

    5. Sonata in A flat major, Op. 26

  5. I. Andante con variazioni 7:28
  6. II. Scherzo: Allegro molto 2:48
  7. III. Marcia funebre (sulla morte d’un Eroe) 6:49
  8. IV. Allegro 3:01

    9. Sonata quasi una fantasia in E flat major, Op. 27 No. 1

  9. I. Andante – Allegro – Tempo I 4:29
  10. II. Allegro molto e vivace 2:04
  11. III. Adagio con espressione – Allegro vivace 8:43

    12. Sonata quasi una fantasia in C sharp minor, ‘Moonlight’, Op. 27 No. 2

  12. I. Adagio sostenuto 6:31
  13. II. Allegretto 1:58
  14. III. Presto 7:10

    15. Total playing time 78:37


    Disc F

    Sonata in D major, ‘Pastoral’, Op. 28

  1. I. Allegro 10:42
  2. II. Andante 5:39
  3. III. Scherzo: Allegro vivace 2:10
  4. IV. Rondo: Allegro ma non troppo 5:02

    5. Sonata in G major, Op. 31 No. 1

  5. I. Allegro vivace 6:34
  6. II. Adagio grazioso 10:45
  7. III. Rondo: Allegretto 6:59

    8. Sonata in D minor, ‘Tempest’, Op. 31 No. 2

  8. I. Largo – Allegro 7:43
  9. II. Adagio 7:57
  10. III. Allegretto 7:03

    11. Total playing time 71:05


    Disc G

    Sonata in E flat major, Op. 31 No. 3

  1. I. Allegro 8:42
  2. II. Scherzo: Allegretto vivace 4:50
  3. III. Menuetto: Moderato e grazioso 5:15
  4. IV. Presto con fuoco 4:25

    5. Sonata in C major ‘Waldstein’, Op. 53

  5. I. Allegro con brio 11:01
  6. II. Introduzione: Adagio molto 3:40
  7. III. Rondo: Allegretto moderato – Prestissimo 9:41

    8. Sonata in F major, Op. 54

  8. I. In Tempo d’un Menuetto 5:50
  9. II. Allegretto – Più allegro 5:39

    10. Sonata in F minor, ‘Appassionata’, Op. 57

  10. I. Allegro assai 9:54
  11. II. Andante con moto 5:41
  12. III. Allegro ma non troppo – Presto 7:41

    13. Total playing time 83:00


    Disc H

    Sonata in F-sharp major, ‘à Thérèse’, Op. 78

  1. I Adagio cantabile – Allegro ma non troppo 7:23
  2. II. Allegro vivace 3:01

    3. Sonata in G major, Op. 79

  3. I. Presto alla tedesca 4:55
  4. II. Andante 3:30
  5. III. Allegro vivace 2:04

    6. Sonata in E flat major, ‘Les Adieux’, Op. 81a

  6. I. Das Lebewohl (The Farewell): Adagio – Allegro 6:59
  7. II. Abwesenheit (Absence): Andante espressivo 4:06
  8. III. Das Wiedersehn (The Return): Vivacissimamente 5:51

    9. Sonata in E minor, Op. 90

  9. I. Mit Lebhaftigkeit, und durchaus mit Empfindung und Ausdruck 5:59
  10. II. Nicht zu geschwind und sehr singbar vorgetragen 8:12

    11. Sonata in A major, Op. 101

  11. I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) 4:11
  12. II. Ziemlich lebhaft. Marschmässig (Vivace alla marcia) 6:26
  13. III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) 2:48
  14. IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit (Allegro) 7:59

    15. Total playing time 74:15


    Disc I

    Sonata in B flat major, ‘Hammerklavier’, Op. 106

  1. I. Allegro 11:21
  2. II. Scherzo: Assai vivace 2:47
  3. III. Adagio sostenuto 21:43
  4. IV. Largo – Allegro – Prestissimo – Allegro risoluto 12:26

    5. Sonata in E major, Op. 109

  5. I. Vivace ma non troppo – Adagio espressivo 3:46
  6. II. Prestissimo 2:25
  7. III. Gesang mit innigster Empfindung (Andante molto cantabile ed espressivo) 13:12

    8. Total playing time 67:53


    Disc J

    Sonata in A flat major, Op. 110

  1. I. Moderato cantabile molto espressivo 5:56
  2. II. Allegro molto 2:15
  3. III. Adagio ma non troppo – Fuga: Allegro ma non troppo 10:46

    4. Sonata in C minor, Op. 111

  4. I. Maestoso – Allegro con brio appassionato 8:30
  5. II. Arietta: Adagio 16:21

    6. Total playing time 44:04


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0:00


  1. 01
    I. Allegro cantabile 4:24

  2. 02
    II. Andante 5:23

  3. 03
    III. Rondo vivace 2:14

  4. 04
    I. Larghetto maestoso – Allegro assai 5:45

  5. 05
    II. Andante 7:23

  6. 06
    III. Presto 2:59

  7. 07
    I. Allegro 6:48

  8. 08
    II. Menuetto sostenuto 7:55

  9. 09
    III. Scherzando: Allegro ma non troppo 4:35

  10. 10
    Andante grazioso con moto 8:54

  11. 11
    I. Allegro 4:00

  12. 12
    II. Adagio 4:57

  13. 13
    III. Menuetto: Allegretto 3:08

  14. 14
    IV. Prestissimo 4:54

  15. 15
    I. Allegro vivace 10:21

  16. 16
    II. Largo appassionato 6:32

  17. 17
    III. Scherzo: Allegretto 3:36

  18. 18
    IV. Rondo: Grazioso 6:54

  19. 19
    I. Allegro con brio 10:38

  20. 20
    II. Adagio 7:38

  21. 21
    III. Scherzo: Allegro 3:01

  22. 22
    IV. Allegro assai 5:04

  23. 23
    I. Allegro ma non troppo 4:26

  24. 24
    II. Tempo di menuetto 3:37

  25. 25
    I. Andante 5:24

  26. 26
    II. Rondo: Allegro 2:53

  27. 27
    I. Allegro molto e con brio 8:15

  28. 28
    II. Largo con gran espressione 7:33

  29. 29
    III. Allegro 6:08

  30. 30
    IV. Rondo: Poco allegretto e grazioso 7:28

  31. 31
    I. Allegro molto e con brio 5:27

  32. 32
    II. Adagio molto 7:54

  33. 33
    III. Finale: Prestissimo 4:39

  34. 34
    I. Allegro 8:49

  35. 35
    II. Allegretto 5:23

  36. 36
    III. Presto 3:34

  37. 37
    I. Presto 6:58

  38. 38
    II. Largo e mesto 8:59

  39. 39
    III. Menuetto: Allegro 3:07

  40. 40
    IV. Rondo: Allegro 4:53

  41. 41
    I. Grave – Allegro di molto e con brio 8:44

  42. 42
    II. Adagio cantabile 5:21

  43. 43
    III. Rondo: Allegro 4:41

  44. 44
    I. Allegro 6:21

  45. 45
    II. Allegretto 4:13

  46. 46
    III. Rondo: Allegro comodo 3:01

  47. 47
    I. Allegro 6:45

  48. 48
    II. Andante 4:40

  49. 49
    III. Scherzo: Allegro assai 3:26

  50. 50
    I. Allegro con brio 7:44

  51. 51
    II. Adagio con molto espressione 8:25

  52. 52
    III. Minuetto 4:17

  53. 53
    IV. Rondo: Allegretto 6:27

  54. 54
    I. Andante con variazioni 7:28

  55. 55
    II. Scherzo: Allegro molto 2:48

  56. 56
    III. Marcia funebre (sulla morte d’un Eroe) 6:49

  57. 57
    IV. Allegro 3:01

  58. 58
    I. Andante – Allegro – Tempo I 4:29

  59. 59
    II. Allegro molto e vivace 2:04

  60. 60
    III. Adagio con espressione – Allegro vivace 8:43

  61. 61
    I. Adagio sostenuto 6:31

  62. 62
    II. Allegretto 1:58

  63. 63
    III. Presto 7:10

  64. 64
    I. Allegro 10:42

  65. 65
    II. Andante 5:39

  66. 66
    III. Scherzo: Allegro vivace 2:10

  67. 67
    IV. Rondo: Allegro ma non troppo 5:02

  68. 68
    I. Allegro vivace 6:34

  69. 69
    II. Adagio grazioso 10:45

  70. 70
    III. Rondo: Allegretto 6:59

  71. 71
    I. Largo – Allegro 7:43

  72. 72
    II. Adagio 7:57

  73. 73
    III. Allegretto 7:03

  74. 74
    I. Allegro 8:42

  75. 75
    II. Scherzo: Allegretto vivace 4:50

  76. 76
    III. Menuetto: Moderato e grazioso 5:15

  77. 77
    IV. Presto con fuoco 4:25

  78. 78
    I. Allegro con brio 11:01

  79. 79
    II. Introduzione: Adagio molto 3:40

  80. 80
    III. Rondo: Allegretto moderato – Prestissimo 9:41

  81. 81
    I. In Tempo d’un Menuetto 5:50

  82. 82
    II. Allegretto – Più allegro 5:39

  83. 83
    I. Allegro assai 9:54

  84. 84
    II. Andante con moto 5:41

  85. 85
    III. Allegro ma non troppo – Presto 7:41

  86. 86
    I Adagio cantabile – Allegro ma non troppo 7:23

  87. 87
    II. Allegro vivace 3:01

  88. 88
    I. Presto alla tedesca 4:55

  89. 89
    II. Andante 3:30

  90. 90
    III. Allegro vivace 2:04

  91. 91
    I. Das Lebewohl (The Farewell): Adagio – Allegro 6:59

  92. 92
    II. Abwesenheit (Absence): Andante espressivo 4:06

  93. 93
    III. Das Wiedersehn (The Return): Vivacissimamente 5:51

  94. 94
    I. Mit Lebhaftigkeit, und durchaus mit
    Empfindung und Ausdruck 5:59

  95. 95
    II. Nicht zu geschwind und sehr singbar vorgetragen 8:12

  96. 96
    I. Etwas lebhaft und mit der innigsten
    Empfindung (Allegretto ma non troppo) 4:11

  97. 97
    II. Ziemlich lebhaft. Marschmässig (Vivace alla marcia) 6:26

  98. 98
    III. Langsam und sehnsuchtsvoll
    (Adagio ma non troppo, con affetto) 2:48

  99. 99
    IV. Geschwinde, doch nicht zu sehr und mit
    Entschlossenheit (Allegro) 7:59

  100. 100
    I. Allegro 11:21

  101. 101
    II. Scherzo: Assai vivace 2:47

  102. 102
    III. Adagio sostenuto 21:43

  103. 103
    IV. Largo – Allegro – Prestissimo – Allegro risoluto 12:26

  104. 104
    I. Vivace ma non troppo – Adagio espressivo 3:46

  105. 105
    II. Prestissimo 2:25

  106. 106
    III. Gesang mit innigster Empfindung
    (Andante molto cantabile ed espressivo) 13:12

  107. 107
    I. Moderato cantabile molto espressivo 5:56

  108. 108
    II. Allegro molto 2:15

  109. 109
    III. Adagio ma non troppo – Fuga: Allegro ma non troppo 10:46

  110. 110
    I. Maestoso – Allegro con brio appassionato 8:30

  111. 111
    II. Arietta: Adagio 16:21

  • Fanfare

    “

    Honma is an excellent pianist…her scrupulous interpretation…makes each listening experience…unique

    ” —Marc Medwin – 2025 Want List

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  • Fanfare

    “

    Honma’s interpretive choices…are clearly delineated and stylishly played…This is very distinguished musicianship and very beautiful Beethoven playing…an emotionally and intellectually satisfying Beethoven cycle. Urgently recommended.

    ” —Keith R. Fisher

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  • Fanfare

    “

    After many hours of listening to this set, I must say that it is one to savor. The playing is crisp and the voices well delineated. Each time, even in the best-known sonatas, I hear a new detail. This box set will take a place in my CD library…as a more complete reference with insightful, solid interpretations.

    ” —James Harrington

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  • Fanfare

    “

    Honma’s Beethoven cycle, from beginning to end, gives equal justice to all. If there is one word to sum up Tamami Honma’s Beethoven piano sonata cycle, it would be “transcendental.”

    ” —Jerry Dubins

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  • Fanfare

    “

    I have seldom heard a piano recorded with so huge a dynamic range. Is Honma a Classical Romantic, or is it the other way around? It hardly matters when Beethoven playing of this stature and invention graces my speakers…hers is a set not only rife with the kinds of detail that brings the listener back for more but brimming with the vitality that brings each sonata to life…it’s remarkably complete and endlessly rewarding.

    ” —Marc Medwin

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  • The Pianist

    “

    this is the first time all 35 sonatas have been recorded by a woman pianist… Honma’s performances add to our understanding and appreciation of these great works… Her sensitivity, power, pin-sharp clarity and all-consuming commitment to this music would surely earn five stars from Beethoven.… It grabs the attention in a very Beethoven-like way… a truly admirable and musical account of these monumental works.

    ” —John Evans

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  • Classics Today

    “

    One can surmise that Honma put a great deal of thought, research and practice time into this project, and her most stimulating interpretations provide food for thought.

    ” —Jed Distler

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  • International Piano

    “

    …as a cycle this is rather good, and one I will return to often. I rather like its unobtrusive intimacy, never detracting from the music itself and Honma’s consistently fine playing of it.

    ” —Guy Rickards

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  • InfoDad

    “

    As a totality, Honma’s Beethoven cycle… is a strong, meaningful and pianistically always impressive presentation of music…it certainly reflects thoughtfulness and a strong commitment to the music, in addition to very considerable technical skill.

    ” —Mark J Estren

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