Ludwig van Beethoven: Complete 35 Piano Sonatas
Experience the full scope of Beethoven’s musical evolution with this comprehensive collection of his 35 piano sonatas, meticulously organized in chronological order to offer a panoramic view of his artistic journey, tracing Beethoven’s transformative progression as a composer.
While opus numbers traditionally guide the dating of Beethoven’s works, exceptions abound, notably in the case of the Opus 49 Sonatas. This collection challenges the conventional exclusion of the early “Kurfürst” Sonatas, shedding light on Beethoven’s formative years as a composer. Musicologist Professor Barry Cooper’s advocacy for their inclusion, based on their publication by Beethoven himself and their intrinsic merit, finds resonance in this comprehensive set.
Pianist Tamami Honma brings these sonatas to life with precision, adhering closely to Cooper’s editorial corrections in the ABRSM edition. Cooper’s meticulous research, comparing original manuscripts, early editions, and historical sources, ensures an authentic interpretation of Beethoven’s intentions, from note values to nuanced articulation. This collection is not merely a recording; it is a vibrant testament to Beethoven’s brilliance, offering a fresh perspective on his extraordinary works.
Renowned Japanese-American pianist Tamami Honma is celebrated for her expressive and captivating performances, earning acclaim in prestigious venues such as Wigmore Hall, St John’s Smith Square, and Carnegie Hall. Her recordings, including the Chopin concertos with the Vilnius String Quartet, have garnered five-star reviews in Gramophone and the BBC Music Magazine. As a distinguished piano performance educator, Honma serves on the music faculty at Stanford University and Santa Clara University
Track Listing
- I. Allegro cantabile 4:24
- II. Andante 5:23
- III. Rondo vivace 2:14
- I. Larghetto maestoso – Allegro assai 5:45
- II. Andante 7:23
- III. Presto 2:59
- I. Allegro 6:48
- II. Menuetto sostenuto 7:55
- III. Scherzando: Allegro ma non troppo 4:35
- Andante grazioso con moto 8:54
Disc A
Sonata in E flat major ‘Kurfürst’, WoO 47 No. 1
Sonata in F minor ‘Kurfürst’, WoO 47 No. 2
Sonata in D major ‘Kurfürst’, WoO 47 No. 3
Andante in F major ‘Andante favori’, WoO 57
Total playing time 57:00
- I. Allegro 4:00
- II. Adagio 4:57
- III. Menuetto: Allegretto 3:08
- IV. Prestissimo 4:54
- I. Allegro vivace 10:21
- II. Largo appassionato 6:32
- III. Scherzo: Allegretto 3:36
- IV. Rondo: Grazioso 6:54
- I. Allegro con brio 10:38
- II. Adagio 7:38
- III. Scherzo: Allegro 3:01
- IV. Allegro assai 5:04
Disc B
Sonata in F minor, Op. 2 No. 1
Sonata in A major, Op. 2 No. 2
Sonata in C major, Op. 2 No. 3
Total playing time 71:20
- I. Allegro ma non troppo 4:26
- II. Tempo di menuetto 3:37
- I. Andante 5:24
- II. Rondo: Allegro 2:53
- I. Allegro molto e con brio 8:15
- II. Largo con gran espressione 7:33
- III. Allegro 6:08
- IV. Rondo: Poco allegretto e grazioso 7:28
- I. Allegro molto e con brio 5:27
- II. Adagio molto 7:54
- III. Finale: Prestissimo 4:39
- I. Allegro 8:49
- II. Allegretto 5:23
- III. Presto 3:34
Disc C
Sonata in G major, Op. 49 No. 2
>Sonata in G minor, Op. 49 No. 1
Sonata in E flat major, Op. 7
Sonata in C minor, Op. 10 No. 1
Sonata in F major, Op. 10 No. 2
Total playing time 82:17
- I. Presto 6:58
- II. Largo e mesto 8:59
- III. Menuetto: Allegro 3:07
- IV. Rondo: Allegro 4:53
- I. Grave – Allegro di molto e con brio 8:44
- II. Adagio cantabile 5:21
- III. Rondo: Allegro 4:41
- I. Allegro 6:21
- II. Allegretto 4:13
- III. Rondo: Allegro comodo 3:01
- I. Allegro 6:45
- II. Andante 4:40
- III. Scherzo: Allegro assai 3:26
Disc D
Sonata in D major, Op. 10 No. 3
Sonata in C minor ‘Pathétique’, Op. 13
Sonata in E major, Op. 14 No. 1
Sonata in G major, Op. 14 No. 2
Total playing time 71:54
- I. Allegro con brio 7:44
- II. Adagio con molto espressione 8:25
- III. Minuetto 4:17
- IV. Rondo: Allegretto 6:27
- I. Andante con variazioni 7:28
- II. Scherzo: Allegro molto 2:48
- III. Marcia funebre (sulla morte d’un Eroe) 6:49
- IV. Allegro 3:01
- I. Andante – Allegro – Tempo I 4:29
- II. Allegro molto e vivace 2:04
- III. Adagio con espressione – Allegro vivace 8:43
- I. Adagio sostenuto 6:31
- II. Allegretto 1:58
- III. Presto 7:10
Disc E
Sonata in B flat major, Op. 22
Sonata in A flat major, Op. 26
Sonata quasi una fantasia in E flat major, Op. 27 No. 1
Sonata quasi una fantasia in C sharp minor, ‘Moonlight’, Op. 27 No. 2
Total playing time 78:37
- I. Allegro 10:42
- II. Andante 5:39
- III. Scherzo: Allegro vivace 2:10
- IV. Rondo: Allegro ma non troppo 5:02
- I. Allegro vivace 6:34
- II. Adagio grazioso 10:45
- III. Rondo: Allegretto 6:59
- I. Largo – Allegro 7:43
- II. Adagio 7:57
- III. Allegretto 7:03
Disc F
Sonata in D major, ‘Pastoral’, Op. 28
Sonata in G major, Op. 31 No. 1
Sonata in D minor, ‘Tempest’, Op. 31 No. 2
Total playing time 71:05
- I. Allegro 8:42
- II. Scherzo: Allegretto vivace 4:50
- III. Menuetto: Moderato e grazioso 5:15
- IV. Presto con fuoco 4:25
- I. Allegro con brio 11:01
- II. Introduzione: Adagio molto 3:40
- III. Rondo: Allegretto moderato – Prestissimo 9:41
- I. In Tempo d’un Menuetto 5:50
- II. Allegretto – Più allegro 5:39
- I. Allegro assai 9:54
- II. Andante con moto 5:41
- III. Allegro ma non troppo – Presto 7:41
Disc G
Sonata in E flat major, Op. 31 No. 3
Sonata in C major ‘Waldstein’, Op. 53
Sonata in F major, Op. 54
Sonata in F minor, ‘Appassionata’, Op. 57
Total playing time 83:00
- I Adagio cantabile – Allegro ma non troppo 7:23
- II. Allegro vivace 3:01
- I. Presto alla tedesca 4:55
- II. Andante 3:30
- III. Allegro vivace 2:04
- I. Das Lebewohl (The Farewell): Adagio – Allegro 6:59
- II. Abwesenheit (Absence): Andante espressivo 4:06
- III. Das Wiedersehn (The Return): Vivacissimamente 5:51
- I. Mit Lebhaftigkeit, und durchaus mit Empfindung und Ausdruck 5:59
- II. Nicht zu geschwind und sehr singbar vorgetragen 8:12
- I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) 4:11
- II. Ziemlich lebhaft. Marschmässig (Vivace alla marcia) 6:26
- III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) 2:48
- IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit (Allegro) 7:59
Disc H
Sonata in F-sharp major, ‘à Thérèse’, Op. 78
Sonata in G major, Op. 79
Sonata in E flat major, ‘Les Adieux’, Op. 81a
Sonata in E minor, Op. 90
Sonata in A major, Op. 101
Total playing time 74:15
- I. Allegro 11:21
- II. Scherzo: Assai vivace 2:47
- III. Adagio sostenuto 21:43
- IV. Largo – Allegro – Prestissimo – Allegro risoluto 12:26
- I. Vivace ma non troppo - Adagio espressivo 3:46
- II. Prestissimo 2:25
- III. Gesang mit innigster Empfindung (Andante molto cantabile ed espressivo) 13:12
Disc I
Sonata in B flat major, ‘Hammerklavier’, Op. 106
Sonata in E major, Op. 109
Total playing time 67:53
- I. Moderato cantabile molto espressivo 5:56
- II. Allegro molto 2:15
- III. Adagio ma non troppo – Fuga: Allegro ma non troppo 10:46
- I. Maestoso – Allegro con brio appassionato 8:30
- II. Arietta: Adagio 16:21
Disc J
Sonata in A flat major, Op. 110
Sonata in C minor, Op. 111
Total playing time 44:04
Reviews
“Honma’s interpretive choices…are clearly delineated and stylishly played…This is very distinguished musicianship and very beautiful Beethoven playing…an emotionally and intellectually satisfying Beethoven cycle. Urgently recommended.
” —Keith R. Fisher
“After many hours of listening to this set, I must say that it is one to savor. The playing is crisp and the voices well delineated. Each time, even in the best-known sonatas, I hear a new detail. This box set will take a place in my CD library…as a more complete reference with insightful, solid interpretations.
” —James Harrington
“Honma’s Beethoven cycle, from beginning to end, gives equal justice to all. If there is one word to sum up Tamami Honma’s Beethoven piano sonata cycle, it would be “transcendental.”
” —Jerry Dubins
“I have seldom heard a piano recorded with so huge a dynamic range. Is Honma a Classical Romantic, or is it the other way around? It hardly matters when Beethoven playing of this stature and invention graces my speakers…hers is a set not only rife with the kinds of detail that brings the listener back for more but brimming with the vitality that brings each sonata to life…it’s remarkably complete and endlessly rewarding.
” —Marc Medwin
“this is the first time all 35 sonatas have been recorded by a woman pianist… Honma’s performances add to our understanding and appreciation of these great works… Her sensitivity, power, pin-sharp clarity and all-consuming commitment to this music would surely earn five stars from Beethoven.… It grabs the attention in a very Beethoven-like way… a truly admirable and musical account of these monumental works.
” —John Evans
“One can surmise that Honma put a great deal of thought, research and practice time into this project, and her most stimulating interpretations provide food for thought.
” —Jed Distler
“…as a cycle this is rather good, and one I will return to often. I rather like its unobtrusive intimacy, never detracting from the music itself and Honma’s consistently fine playing of it.
” —Guy Rickards
“As a totality, Honma’s Beethoven cycle… is a strong, meaningful and pianistically always impressive presentation of music…it certainly reflects thoughtfulness and a strong commitment to the music, in addition to very considerable technical skill.
” —Mark J Estren