New Album of Carson Cooman Organ Music from Philip Hartmann

Organist Philip Hartmann to record an album of music by Carson Cooman recorded on the organ of Pauluskirche, Ulm, Germany.

Divine Art Records has for some time championed the music of prolific American composer Carson Cooman, and as well as two orchestral and one chamber albums has reached Volume 13 in the Cooman Organ Music series, performed by Erik Simmons. While that series takes a short break,  Divine Art has welcomed the acclaimed German organist Philip Hartmann to its artist roster for a new album of organ works by Cooman recorded on the magnificent organ of Pauluskirche, Ulm, Germany, an instrument constructed by Thomas Gaida in 2013 after Gebrüder Link (1910). 

While some of the works have appeared in the Simmons series, Hartmann provides a different interpretation on a different instrument which makes comparisons interesting as each player makes individual interpretative and stop-combination choices.

The new recording will be released worldwide (CD and digital/streaming) on 12 June 2020.

Invocazione brillante

Recorded in Ulm, Germany on June 19-21, 2019 – Coming June 2020

Performer: Philip Hartmann
Works (all composed by Carson Cooman):

  • Musica da processione (2018)
  • Arioso (2013)
  • Cortege, Intermezzo and Litany on the Joseph-Hymnus (2017)
  • Romanza (2000)
  • Praeludium in festo S. Philippi apostoli (2017)
  • Diptych for New Life (2017)
  • Arioso Cantabile (2018)
  • Suite in F (2017)
  • Prelude on ‘Das ist köstlich’ (2018)
  • Invocazione brillante (2017)
  • Two Nantucket Sketches (2018)
  • Lullaby (2018)
  • Sonatina No. 4 (2017)

Album playing time  76:14

Philip Hartmann
Philip Hartmann

Philip Hartmann

German organist Philip Hartmann studied musicology at the universities of Berlin and Hamburg followed by studies in church music at the Musikhochschule in Bremen. He also participated in organ masterclasses with Daniel Roth (Paris) and Ben van Oosten (The Hague). From 1986 to 1991, Hartmann was cantor and organist at the Protestant town church in Ehingen (Donau). Since 1991, he has worked as a church musician in Ulm at the Pauluskirche, and since 1999 also as a cathedral organist at Ulm Cathedral (Ulmer Münster). In 2004, he became the director of the Martin-Luther-Kantorei, and in 2005 he was appointed district cantor (Bezirkskantor) for the Ulm deanery.

Hartmann has played more than 600 organ recitals throughout Germany and Europe and has also appeared as organist and choirmaster in various TV and radio productions as well as on a solo CD of the organ music of Andreas Willscher, recorded on the 2013 Link-Gaida organ in the Pauluskirche. Hartmann has a particular interest in American and British organ music as well as contemporary compositions. He has given numerous world premieres, and about 40 works by contemporary composers have been dedicated to him.

Carson Cooman, composer
Carson Cooman, composer

Carson Cooman

Carson Cooman (b. 1982) is an American composer with a catalogue of hundreds of works in many forms—ranging from solo instrumental pieces to operas, and from orchestral works to hymn tunes. His music has been performed on all six inhabited continents in venues that range from the stage of Carnegie Hall to the basket of a hot air balloon. Cooman’s work appears on over forty recordings, including more than twenty complete CDs on the Naxos, Albany, Artek, Gothic, Divine Art, Métier, Diversions Altarus, Convivium, MSR Classics, Raven, and Zimbel labels. Cooman’s primary composition studies were with Bernard Rands, Judith Weir, Alan Fletcher, and James Willey. As an active concert organist, Cooman specializes in the performance of contemporary music. Over 300 new compositions by more than 100 international composers have been written for him, and his organ performances can be heard on a number of CD releases and more than 2,000 recordings available online. Cooman is also a writer on musical subjects, producing articles and reviews frequently for a number of international publications. He serves as an active consultant on music business matters to composers and performing organizations, specializing particularly in the area of composer estates and archives