Archive for Geoffrey Allen

New Woodwind Albums from Geoffrey Allen Coming in 2020

Divine Art’s new-music division, Métier Records, will be releasing two albums of music by veteran Australian composer Geoffrey Allen this year. The first is an album of music for woodwind, which was recorded this January and will be released in the late summer. The music is for flute, clarinet and bassoon, all with piano. Of particular note are the three works for solo bassoon and piano, a brief Pastorale, a Sonatina, and a full-blown Sonata.

The artists are all local Perth musicians: Allan Meyer and Michael Waye from the Western Australian Symphony Orchestra, Katherine Walpole who teaches bassoon at both the University of WA and the WA Academy of Performing Arts, and David Wickham, one of Australia’s leading accompanists.

In preparation for recording later this year is a set of music for flute (details to follow in the summer).

Born in 1927 and still incredibly active, Geoffrey Allen is something of a legend in his own country especially in the Perth area but has yet to establish a substantial international reputation. As well as being a fine composer, Allen also established and managed the Keys Press music publishing business until his retirement only recently. His music first appeared on a Divine Art album in 2001 with the Fourth Piano Sonata and Three Piano Pieces were performed by Trevor Barnard (‘Blue Wrens – piano music from Australia, Divine Art DDA 25017). 

These new recordings are in addition to the 4-disc set containing Allen’s Piano Sonatas, performed by Murray McLachlan, which is being recorded this spring (details were announced some time ago).

Geoffrey Allen: Music for Woodwinds (MSV 28607)

Works

  • Pastorale, for bassoon and piano
  • Outback Sketches, for clarinet and piano
  • Sonata for Bassoon and Piano
  • Trio for Flute, Clarinet and Piano
  • Sonatina for Bassoon and Piano

Artists

  • Katherine Walpole (bassoon)
  • Allan Meyer (clarinet)
  • Michael Waye (flute)
  • David Wickham (piano)

Recorded in January 2020 in Perth, Western Australia

Divine Art Announces First Complete Recording of All 18 Geoffrey Allen Piano Sonatas

Divine Art Records is delighted to announce the forthcoming recording of the 18 Piano Sonatas by British-born Australian composer Geoffrey Allen, who has just celebrated his 92nd birthday with the completion of his most recent sonata. Allen has had a great deal of influence in the Australian music world since retiring from his career as a librarian in 1992, when he founded The Keys Press, which functioned to promote and publish Australian music until 2014. Among other activities he has proved to be a very accomplished composer indeed. Stephen Sutton, CEO of the Divine Art group, says “It’s wonderful to anticipate the recording of Geoff’s complete sonatas. We recorded his 4th sonata along with the delightful Three Piano Pieces back in 2001 (Divine Art DDA 25007 ‘Blue Wrens’ – pianist Trevor Barnard), so I was really pleased that the opportunity came along to produce a complete set.”

The pianist on the new set is Murray McLachlan, Head of Keyboard at Chetham’s School of Music and one of Britain’s most brilliant and busy pianists.  Please see below for an appraisal of the Allen Sonatas by McLachlan.

The recordings will take place at the Royal Northern College of Music, Manchester on five dates commencing on September 25, 2019, with engineer Stephen Guy.  The set will be issued on two 2-CD sets and two double albums;  the exact make up of each disc/set is not yet finalised but will include the 17 numbered Piano Sonatas and a rhapsodic piece from 2003 titled ‘Rhapzonata’. The sonatas stretch from the first composed in 1959 (later revised) to no. 17, completed only a few weeks ago (April 2019).

The two sets will be released in the first half of 2020 on the Métier label, Divine Art’s primary new-music imprint, as MSV 77209 and MSV 77210

Murray McLachlan on Geoffrey Allen:

I’m extremely excited and eager to get started with the extraordinary project of recording for Divine Art the complete 17 sonatas of the 90-year-old Australian based British born composer Geoffrey Allen. Geoffrey’s story is unique: He was born in 1927 in Essex and went to Oxford before emigrating in 1952 to Sydney, Australia. After a brief period as a geography teacher he had much success as a librarian, working first in Sydney then in Perth and travelling internationally for his work. His musical talent and facility was first apparent in 1950 when three of his four songs were performed at an Oxford University Music Society concert. Clearly composing has continued and grown apace over nearly seventy years of serious endeavour.

Geoffrey is characteristically modest about his work, but he feels that the year 1989 was especially crucial for his artistic development. A visit to Spain with his second wife had a huge impact on his piano Sonata No. 2 and after this work a great momentum – a great rush of energy and creativity – unquestionably occurred. This momentum has continued right up to 2019 with final touches to sonata 17 only appearing a few weeks back!

Geoffrey has mentioned many pieces and composers who have influenced him – with the notable exception of Beethoven! Performances heard as a student of Brahms horn trio and Sibelius 4th Symphony made a strong impression, but he also was influenced by performances early on that he heard on the radio from figures including Bax, Milhaud, Khatchaturian, Bliss, Ireland and Walton.

From the 1950s in Australia Geoffrey was a fervent supporter of new music from his adopted homeland. He helped found and organise Brolga Records, a pioneering venture that enabled contemporary Australian music to be available as commercial LPs for the first time. After his retirement as a librarian in 1992 he established The Keys Press, a one-man publishing activity concentrating on Australian classical music that continued functioning until 2014.

How can one describe Geoffrey’s music? It is all too easy to start classifying and referring to new or unfamiliar music via references to music that is familiar. What is really interesting and special about Geoffrey’s music is the fact that it looks orthodox on the page initially, but is in fact extremely thought-provoking. He has a unique way of combining the familiar with the unfamiliar: Geoffrey’s music is always extremely well crafted and looks deceptively simple on the page, but as soon as you begin to play any phrase from his works you discover that he is always subtly reinventing the wheel! There is a unique special voice. The textures and structure will appeal to diverse audiences. If you enjoy Prokofiev, Tcherepnin, Barber and even Tippett, you will admire the Allen aesthetic too – diverse though these famous names are!

There is unquestionably subtle originality, extraordinary variety and colourful fascination in Geoffrey Allen’s prolific output for the instrument. The collection of recordings we are about to make will unquestionably amount to a significant contribution in the ongoing development of the 20th/21st century piano sonata.