Archive for Baluji Shrivastav

Everyone’s talking about The Roaring Whirl!

After Sarah Rodgers’s The Roaring Whirl launch event, everyone’s talking about this exciting cross-cultural release!

Planet Hugill

The work gives a number of ways in for people. It tells the Kim story, the relationship between Kim and the Lama which is essentially a journey, and about friendship. Sarah finds Kipling’s book interesting because there is so little jingoism in it, it does not feel as Colonial as many of his other works. The Roaring Whirl is in seven sections, the titles of which come from the novel. Six of these sections are narratives, each an accompanied reading followed by a musical interpretation, and the central movement is purely instrumental.

Sarah’s music very much combines Western classical music with Indian classical and Sarah found it a lovely project, giving her the luxury of investigating the conventions of Indian music. Each section uses a different raga (implying a musical scale) and tala (implying rhythm), and Sarah points out that the different ragas have different qualities which affect the way they should be used.

—Robert Hugill

Read Robert Hugill’s feature on The Roaring Whirl on PlanetHugill.com

Jonathan Fryer

“Cross-cultural works are more common today than they were nearly three decades ago, but this is an original and genuinely exquisite piece that deserves widespread exposure.”

See the feature (and some great photos) on JonathanFryer.wordpress.com

Eastern Eye

“At the exclusive launch last Wednesday (18), Patel, Allen and Shrivastav played three extracts from the CD for an audience in central London.
Speaking to Eastern Eye before the performance, Patel admitted he never expected that the album would ever be released.

“In the beginning, I thought it was a piece which would carry on year after year,” he said. “We did a couple of shows, but then I didn’t hear anything, and it fizzled out. When I got the call to say that it was being relaunched, I knew I had to make this happen.”

Composer Rodgers agreed that it was “fantastic” to finally have the album launched so many years after it was initially created.

“It was cut off in its prime and didn’t get the exposure and the performances it should have had,” she told Eastern Eye. “I’m truly thrilled that we have been able to launch it today.”

Described as a “revelation of west meets east,” the album is set in Punjab, north India. As British Asian culture has become more mainstream in the UK, Patel believes this is a perfect time to revive the album.

“Some may think (the time) has gone now, but I don’t think it has,” he said. “If you look at Asian music and dance in the UK, we are more vibrant now than ever before.”

—Lauren Codling

Read the features and interviews at EasternEye.biz

Announcing “The Roaring Whirl” by Sarah Rodgers

Sarah Rodgers, composer
Sarah Rodgers, composer

Métier Records, the contemporary-music arm of Divine Art Recordings Group, is delighted to announce the forthcoming release of a superb work of cross-cultural interest based on the world of Rudyard Kipling’s “Kim”, tracing a journey across the Punjab of North India. The recording was actually made in the early 1990s shortly after the premiere but has not previously been made available.

“The Roaring Whirl” by English composer Sarah Rodgers is a work in seven sections which blend Western music with that of the Indian subcontinent and is delicately scored for clarinet, guitar, sitar, tabla and pakhavaj, with a narrated introduction to some movements.

The album will be released in the summer/autumn of 2019 (date to be confirmed) on Métier MSV 28592.

The Roaring Whirl

The Roaring Whirl was commissioned in 1991 for the Nottingham ‘NOW’ festival by UK clarinettist, Geraldine Allen, with funding from Nottinghamshire County Council, after having been several years in development with support from East Midland Arts and the Eastern Orchestral Board.

Composer, Sarah Rodgers, has devoted a significant part of her professional life researching and incorporating music from non-European cultures into her compositional output, producing works which engage with Chinese, Indian, Japanese, Oceanic and African traditions.

The Roaring Whirl is a music-narrative which embarks on a musical journey across the North Indian Punjab of Rudyard Kipling’s ‘Kim’. The vibrant atmosphere is wonderfully recreated in this remarkable work, introducing many facets of Indian life philosophy and beautifully synthesising the music of Asia and the West both instrumentally and compositionally. The improvising spirit of ragas and talas provides a thematic and rhythmic focus for each section of the piece which is imbued with Rodgers’ own inspired musical instincts. A subtle scoring of clarinet, guitar, sitar and tabla evocatively crosses the cultural boundaries.

Movements:

  1. Narrative 1: India Awakes
  2. Narrative 2: Seventh Heaven
  3. Narrative 3: Little Friend of All the World
  4. Title Piece: The Roaring Whirl
  5. Narrative 4: The Wheel of Life
  6. Narrative 5: The Man under the Hat
  7. Narrative 6; Golden Spokes of the Sloping Sun
“The Roaring Whirl” composer and performers
“The Roaring Whirl” composer and performers

Performers:

Geraldine Allen (clarinet) has had a distinguished career as a solo clarinettist, and is recognised in particular for her work with contemporary composers.

Baluji Shrivastav (sitar, tabla and pakhavaj) is one of the world’s leading Indian instrumentalists and has recorded many albums with a wide variety of artists and bands including Stevie Wonder, Massive Attack, Annie Lennox and Madness.

Timothy Walker (guitar) was principal guitarist with the BBC Symphony Orchestra and the London Sinfonietta, and is a protégé of the famous Spanish virtuoso, Narciso Yepes.

Bhasker Patel (narrator) is a Ugandan-born actor of Asian origin. He is currently a permanent character in one of the UK’s longest running popular series, Emmerdale.