Sonically scintillating…Brilliantly executed and dramatically thrilling…superb performances are in ample supply
” —Christopher Ballantine, Opera MagazineL’Origine Du Monde…is a superb release. Like the best music…based on theory, his [Dufourt] compositions work. Most listeners will enjoy them…
” —Andy Hamilton, The WireA Diabelli Variations set that has no trouble standing out from the crowd.
” —James Manheim, AllMusic…as if all five performers had shone a bright light at every gesture in the score, etched and polished each one, then placed them back together.
” —Pwyl ap Sión, GramophoneThe Kreutzer Quartet…knows how to master the quintet…[they] present all the works convincingly and…appealingly.
” —Uwe Krusch, PizzicatoA double SACD…allows us to get to know a German pianist, Burkard Schliessmann, among the best and most interesting internationally in the last decades.
” —Andrea Bedetti, Groove Back…full-bodied and elegant…extraordinary.
” —Andrea Bedetti, Groove BackParakhinas…Beethoven is very impressive. This is a worthwhile Diabelli even without the extras; but they add a good deal of enjoyment…excellent performances.
” —Nigel Simeone, International PianoGráinne Mulvey is a major composer; these works only confirm that impression. Performances are superb, as is the recording. Recommended.
” —Colin Clarke, FanfarePitfield possessed a pronounced gift for melody as well as for harmonic and contrapuntal development…The result is music that is immediately appealing but that also rewards repeated listening…it is difficult to imagine Pitfield’s chamber music not appealing to you.
” —Henry Fogel, FanfareI have seldom heard a piano recorded with so huge a dynamic range. Is Honma a Classical Romantic, or is it the other way around? It hardly matters when Beethoven playing of this stature and invention graces my speakers…hers is a set not only rife with the kinds of detail that brings the listener back for more but brimming with the vitality that brings each sonata to life…it’s remarkably complete and endlessly rewarding.
” —Marc Medwin, FanfareReminiscence impresses as a thoughtfully curated collection by pianist Tomono Kawamura….the quality of all of its performances is so consistently high.
” —Ron Schepper, TexturaAnyone already familiar with Östlund’s earlier Divine Art releases will know what to expect from this sixth chapter and be wholly satisfied. The listener coming to the composer’s material for the first time, on the other hand, will be well-pleased by its wealth of compositional material and variety of performances, not to mention enticed by the mystical worlds the music conjures.
” —Ron Schepper, TexturaNearly 30 songs by a composer whose life almost spanned the 20th century. Full of lyrical impulse and often setting his own words, these are songs that sometimes are light and sometimes have remarkable emotional power, in masterly performances from James Gilchrist and Nathan Williamson.
” —Robert Hugill, Planet HugillJohnson displays great stylistic diversity…[and] a beautiful compositional path…well worth listening to.
” —Sabine Wüsthoff (Trans. by David Boniface), DVC ChorzeitMagical storytelling for any time of year…Param Vir’s music encompasses east and west in vividly spiky and shimmering sounds, and the performances…are as compelling as the soundscapes that frame them and the stories themselves. (5 Stars)
” —Andrew McGregor, BBC Music MagazinePerformances and sound are…exceptional
” —Guy Rickards, Gramophone…a thoughtful programme of contemporary piano music…enthralling…and undoubted sincerity
” —Nigel Simeone, International PianoLydia Kakadbase writes in an instantly appealing style…This extremely enjoyable disc of chamber and vocal music is most welcome and ought to make many new friends for her music…superbly executed.
” —Philip Reed, Choir & OrganThis is a very varied selection…Yet all share a curious sense of yearning and a fractured beauty that turns this 10-track compilation into something of a unified song suite.
” —John Lewis, The Guardian@divineartrecordingsgroup