Reviews

compelling and imaginative, and… genuinely original. The evidence at hand shows him [Seán Doherty] to be one of Ireland’s most exciting contemporary composers.

” —Ron Schepper, Textura

Pianist Antony Gray has assembled a fascinating and enticing issue, generously filled with rarities spanning Williamson’s career. All are impeccably delivered and well worth exploring. 

” —Andrew Plant, British Music Society

I have always thought highly of his [Robert Saxton’s] music, and with this…continue to do so.

” —Gary Higginson, British Music Society

The performers are marvellous and committed to the vision of the composer…This is a marvellous tribute

” —Geoff Pearce, Classical Music Daily

As a representative sampling of his chamber writing…these five pieces provide a thorough and thoroughly rewarding account. No commentary on the release would be complete without mentioning the superb performances delivered by his sympathetic interpreters, the Fitzwilliam String Quartet, Burvill, and Small.

” —Ron Schepper, Textura

The music on The Tyndall Effect is always interesting and…wonderful

” —James Camien McGuiggan, The Journal of Music

Clarisse Teo plays with sensitivity and expression. Her interpretations explore the emotional depths of these works. Highly recommended.

” —Ralph Graves, Charlottesville Classical

Four contemporary composers with four totally unique approaches to composition. Another fine album by the Kreutzer Quartet.

” —Ralph Graves, Charlottesville Classical

It is a wonderful idea to combine the virtuosity of the Kreutzer Quartet with the fine talents of students from the Royal Academy in these totally brilliant performances.

” —Gary Higginson, British Music Society

In no way is this ‘easy-listening’ music, a first hearing can leave you open mouthed with shock and awe, but with each new listening, you are drawn into music that is not just pictorial but because of its irresistible virtuoso impetus, is brilliantly filmic.

” —Alan Cooper, British Music Society

perfect…awe and emotion encapsulated in this recording…The music beautifully envelops this quest to tell the stories of galaxies both known and unknown. Find a new story in the night sky with this intoxicating music.

” —Richard Dove, The Brazen Head

The commitment and dedication of these recordings are as one would expect from these performers but there are flashes of brilliance, too…Anthony Gilbert wrote years ago that Connolly’s music was largely inaccessible to listeners…this album is a notable first step in redressing the situation. Do listen. 

” —Fabrice Fitch, Gramophone

Schliessmann’s interpretations open up completely new, surprising and unexpected horizons and lead into fascinating spheres of poetry, tone colours, expression and agogics. All in all, this album is not only highly recommended, but really a MUST!

” —Irmgard Knechtges-Obrecht, Schumann Journal

full of strong ideas, imaginatively developed. Clarisse Teo’s performance is excellent…a substantial body of work…[charting Alexandrov’s] evolution from Medtner disciple to his most striking. Connoisseurs…should not hesitate.

” —Nigel Simeone, International Piano

a musical journey…performance art [not] just a collection of tracks. Fans of classical and folk should check this out…compulsive listening.

” —Jem Condliffe, The Chronicle Review Corner

Kawamura plays beautifully on this collection…

” —Jem Condliffe, The Chronicle Review Corner

This is an excellent album, modern and edgy enough for people who want something new but traditional enough for those who like what they know.

” —Jem Condliffe, The Chronicle Review Corner

Stephens approaches the…material with both skill and delicacy in a manner which tends to demonstrate his individuality as a composer…There is both passion and lyricism in the writing and the music is both contemporary and yet grounded in the best tradition of British chamber music.

” —Martyn Strachan, British Music Society

The only fault one might find is that it leaves the listener wanting more. This is an interesting release which provides much food for thought

” —Martyn Strachan, British Music Society

A modern ‘Lark Ascending,’ a contemporary ‘Land of Lost Content,’ a ‘Paradise Postponed,’ or the paintings of John or Paul Nash, Evelyn Mary Dunbar, John Piper, Eric Ravilious – all of these thoughts and associations came into my mind in this strongly modern setting

” —Stuart Millson, Brazen Head