This was a late arrival on my list, featuring four essentially unknown works in my favourite chamber music genre. John France, in his review, made what I thought at the time was an over-the-top comment about the d’Ollone trio: “one of the best works in this genre that I have heard”. Having now heard it, I can see what he means. I might not go as far as he does, but it is certainly quite wonderful. The Wiren is also very impressive in its varying moods, while the Hurlstone, at over 30 minutes, is the longest piece by far, but also the weakest.

Recording of the Year 2013

—David Barker