Gramophone

Though his music has been widely heard in recent decades, Philip Grange has only a fine collection on Black Box as testament to one of the most distinctive minds of his generation. This release features three substantial works – including Cimmerian Nocturne (1979), a commission from the Fires of London reflecting Grange’s early association with Peter Maxwell Davies. Not that the piece sounds like his mentor; in its closely argued process around a central point of activity, strikingly direct and memorable gestures and transparent scoring that evokes an unquiet atmosphere, this is music whose creative instincts are undeniably personal.

Variations (1986) was another Fires commission and draws on variation as the means to attaining continuity through contrast. The three “variation cycles” unfold in parallel – ensuring an almost symphonic control of momentum over the three movements, with specific instruments assuming individual roles across a vivid yet abstract drama. Lament of the Bow (2000) takes its title from David’s sorrow on the death of Jonathan but is equally ‘pure’ music, its progress culminating in a processional where previously opposed elements are brought into a heightened and satisfying accord.

Finely prepared performances from Gemini and Ian Mitchell (their championing of a host of modern British composers is not to be underestimated), heard in a commendably natural ambience, and with Grange contributing the informative booklet note. Further discs of his music would be welcome.

(CRITICS’ CHOICE CD)

—Richard Whitehouse