Contours – Music for Clarinet

Contours - music for clarinet

Price range: £6.99 through £9.50

Digital Booklet
Label:
Catalogue No: MSVCD 92074
EAN/UPC: 5060054460248
Artists:
Composers: , , , , , , , ,
Release Date: February 2005
Genres: ,
Periods:
Discs: 1
Total Playing Time: 66:45

Modern music for clarinet by composers with very different voices. Simply exceptional music performed by an exceptional musician.

Track Listing

    Fanco Donatoni:
  1. Clair (Two pieces for Clarinet) - I (4:06)
  2. Clair (Two pieces for Clarinet) - II (3:36)
    3. William O. Smith:
  3. Variants - I. Singing (0:51)
  4. Variants - II. Aggressive (0:43)
  5. Variants - III. Nervous (1:17)
  6. Variants - IV. Tranquil (1:02)
  7. Variants - V. Brilliant (0:31)
  8. Variants - VI. Dramatic (1:00)
    9. Sohrab Uduman:
  9. Contour (5:19)
    10. Richard Causton
  10. Two Pieces for two Clarinets - I. Grizzly Bear Jam (2:26)
  11. Two Pieces for two Clarinets - II. Song to End Mourning (5:06)
    12. james Dillon:
  12. Crossing Over (7:27)
    13. Kate Romano:
  13. Pied Piper (6:06)
    14. Salvatore Sciarrino:
  14. Let me Die before I Wake (5:01)
    15. James Erber:
  15. Strange Moments of Intimacy (16:25)
    16. Christopher Fox:
  16. Generic Composition #7 (4:40)

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3️⃣ Tracks from the 3 October release, Discovering Wilfred Heaton, are #nowplaying on Apple Music Classical and more! Don't miss both of our new Métier new releases on Deezer's New Classical Picks Playlist! ▶️ Listen now in our bio link. Today, Métier presents a “monumental” (The Wire) 4-disc box set from pianist Ian Pace in commanding performances of music by composer Michael Finnissy (b. 1946). On all platforms today at listn.fm/finnissypiano Métier Records is thrilled to release “Because They Have Songs” from composer Edward Cowie and featuring Gerard McChrystal and Richard Shaw! Out now on all platforms ▶️ listn.fm/becausetheyhavesongs “This monumental piano release features Michael Finnissy’s Verdi Transcriptions plus English Country-Tunes, and other compositions inspired by 19th century music. Soloist Ian Pace is a leading interpreter of Finnissy’s work, and has played his complete output for piano. Finnissy’s output is prolific, political and complex – he’s a leading late modernist.… luxuriant but challenging textures of the school often called new complexity.” —Andy Hamilton, The Wire Marvelous new MusicWeb International review for Edward Cowie: Because They Have Songs, before its release this Friday! “Buller is a composer who knows how to imbue feelings with ample warmth, colour and tension that keep the ear immersed in his sonic worlds. The musical language is largely tonal, with some roots in sacred choral traditions, yet with sufficient harmonic pungency to provide underpinnings of meaning to Leah Lax’s empathetic, urgent texts in the two extended works.… Conspirare, led by founding Artistic Director Craig Hella Johnson, respond to all of Buller’s emotional gestures with utmost cohesion and flexibility, and the soloists – basses Michael Hawes and Simon Barrad and soprano Emily Yocum Black – are first-rate.” —Donald Rosenberg, @gramophonemagazine “This performance will stay with me for a long time; it is both exquisitely beautiful and inherently melancholic.” —Edward Breen, Gramophone on Haitham Haidar's #Zaytoun Don't miss Ryan de Ryke and Daniel Schlosberg's recording of “Looking to Euridice” from Doug Lofstrom's song cycle, “Myths and Accidents” in @Deezer's top Classical New Release picks playlist! [in bio] Available today from the Diversions label — Myths and Accidents: Vocal Music of Doug Lofstrom! 🎶➡️ listn.fm/mythsandaccidents