The Guardian

Michael Finnissy has restored the art of the piano transcription, and his versions of Gershwin standards have become the most frequently performed of all his voluminous piano output. Finnissy’s treatment of these songs – well-known numbers such as A Foggy Day in London Town to Love is Here to Stay, as well as less familiar ones – is immensely varied. Sometimes the melody is kept intact and its harmonic support enriched and extended, or surrounded by swirling figuration; sometimes it is fragmented and left to hover indefinably behind the teeming surfaces. Ian Pace’s playing is faithful and technically exemplary…

—Unknown reviewer