Métier , now absorbed by Divine Art Recordings Group, is another label that is a treasure trove for new music lovers. Their most recent contemporary music releases [include] Michael Finnissy’s Unknown Ground .
I met Michael Finnissy at an event dedicated to his music at Cardiff University several years ago. He gave a talk to us that was quite unlike those that other visitors had given: it was often personal, sometimes bitter, but above all fascinating, revealing and inspiring. The concert that evening was unforgettable, especially for the chance to hear live his innocuous sounding English Country Tunes for solo piano, at the end of which the pianist is almost crucified on the keyboard with each hand playing virtuosically at extreme ranges. What was interesting from the other works in the concert, however, was that Finnissy’s music moves within a range: not everything is hard and angry. That is very much true of Metier’s new disc in their series dedicated to the composer.
It contains three première recordings: Kritik der Urteilskraft, Unknown Ground and A propos de Nice . Kritik de Urteilskraft is all restraint and fabulously beautiful long textures before opening out into more Webernesque pointillism. This never, however, entirely gives way to Finsissy’s preference for expressive melody. Unknown Ground is a moving setting of the words of various Aids sufferers. It is simply set, the emphasis always on the text, an approach that reinforces its emotionally charged content. A propos de Nice provides an often-jaunty contrast to the other two pieces, though it is interspersed with more contemplative passages that recall Kritik de Urteilskraft . The language everywhere is uncompromising, in spite of the occasional glimpses of English pastoralism. It is not easy music to get to know, but it is worth the effort. For those unfamiliar with his language, the disc is a good place to start.