Dublin’s Soprano Elizabeth Hilliard has a wonderfully full voice, a great range and the musical imagination to bring life to contemporary ambient soundscapes. Her recent album Sea to the West (Metier 28551) shows this admirably well, in a program of six works for solo voice plus occasional multitracking and electroacoustic enhancement.
New works mostly from this century provide thoughtful ear fare, with two works apiece by Christopher Fox (“Sea to the West”  and “Magnification” [1978-80] and Grainne Mulvey (“Phonology Garden”  and “Eternity is Now” ) plus single opuses by Linda Buckley (“Numarimur” ), and David Bremner (“logic ballad #2: The guarded tourist makes the guide the test” ).
The only given is Elizabeth’s flexibly alive voice and a sense of open presence. Every work is evocative of association of place or earth, presence and poetic memory, all taken in its widest sense.
Time seems to stand still in the suspended vocal world unveiled. This is introspective music that puts the listener in a ravishing but ultimately spare and rarified zone.
The composers and Elizabeth’s wonderful voice make it all work. This is not contemporary fireworks to awe the soul so much as an intimate hour or so with poetic depth.
To the thinkers and musically sensitive beings out there, this is a captivating change of pace.
There have been many Carson Cooman organ releases lately – both as composer and organist. But Carson also composes for other instruments, including brass. ‘Rising at Dawn’ features his chamber music with brass. divineartrecords.com…
RT @Sheppardskaerve And I get home and DRUM ROLL. The new disc of Trandavil wonderful three sonatas, 2nd Concerto and 'Fibers AND Coils' for quartet. Thanks to Stephen Sutton and the @DivineArtRecord team for the wonderful work-and to the Kreutzers, Longbow, and especially RoderickChadwick! pic.twitter.com/UiaT…